Depois da Chuva

Kurosawa was very interested in stories about older men facing their destiny. Most of his films from Kagemusha and on deal with this in some way. Ame Agaru is another story that deals with the topic.

Almost like a play at times, Ame Agaru takes it's time and is all the better for it. There are some excellent sword fights and formal duels in the film but they are not the focus of the film. There's a bit of time depicting the main character silently practicing his sword work in the woods that might bore a number of viewers.

Is this a Kurosawa film? Yes, in that I could easily see him directing this story. There are a number of similarities to his last film, Madadayo. No, in that the direction here is sort of mundane. Kurosawa's distinctive eye is missing. There's a TV movie quality that's sort of unusual for a film like this. However, the actors and the story really do carry this film over and while it's not a masterpiece, it's not a waste of time either if you know what you are getting into.

This movie feels like a ballade on a forgotten road... Its rythm flows like magic and holds you to the storyline which enfolds peacefully. Its inner beauty is based on simplicity, on discovering what makes our humanity and on some well chosen bits of humor. There is an allmighty feeling of pleasure that emanates from experiencing this movie where nature is breathtaking or just simply here with you. And, when the movie is over, you feel grateful to have walked this path where love still exists. Such a powerful message upon entering our next millenium.

A samurai and his wife search to find happiness with themselves, their relationship, and their station as they weather the disillusion of their past and current circumstances.

Written by Akira Kurosawa and directed by Takashi Koizumi after Kurosawa's death. This is a breathtaking reflection of Kurosawa's early and later storytelling sensabilities. But it is a very complex film, one that upon initial viewing may defy the viewers expectations of the samurai genre and seem simplistic, overly long, or as one reviewer described: unexciting.

This film reminds me very much of Red Beard, another Kurosawa story that while set in feudal Japan is not necessarily a samurai film.

Rating 9/10

excellent Japanese period piece, co-written by Akira Kurosawa. an out-of-work samurai(a ronin) & his wife are stranded during a flood. as they are unable to cross a swollen river, they stay at an inn with many other stuck traveler's(mostly lower class). to earn some extra money(to to buy "comforts" for the other guests; namely food & wine), our protagonist gambles his fencing skills against the local instructors. they are no match for his superior skills and seek vengeance to restore their honor... not an action movie so much as a human drama, with many colorful & interesting characters. the fighting scenes are realistic & not prolonged & add a disturbing, violent balance to an otherwise slow paced, beautifully shot film. there's a great iai sequence shot in very serene surroundings(for those bu-do aficionados). a must see for those fans of Kurosawa's samurai flicks!!

The only way I can describe this movie is Sweet.

It is such a lovely movie in its simplicity. There are no evil schemes and plots. No subplots within subplots with twist and suspense building. No massive production with a cast of thousands. No nasty characters that you hate. It is just a sweet simple story telling about an unemployed man (ronin) and his wife.

This movie made me smile as especially the wives. The wife of the Samurai, Tayo, is incredibly sweet. Same with the wife of the lord. Both play the "character" of the Asian wife...quietly supportive while leading the man to understanding with words of wisdom.

Great minimalistic acting. A Samurai Feel Good movie.