Um garoto do ensino médio tem a oportunidade de escrever para a Rolling Stone sobre uma nova banda de rock que ele está acompanhando em sua turnê.Um garoto do ensino médio tem a oportunidade de escrever para a Rolling Stone sobre uma nova banda de rock que ele está acompanhando em sua turnê.Um garoto do ensino médio tem a oportunidade de escrever para a Rolling Stone sobre uma nova banda de rock que ele está acompanhando em sua turnê.
- Ganhou 1 Oscar
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Finally, a movie worth the full price of a ticket! Almost Famous is Cameron Crowe's semi-autobigraphical story of an aspiring rock journalist who goes on tour with a band in the 1970's. If it sounds familiar, it's probably because the story is hardly new. There have been dozens of movies made about the rock and roll lifestyle: the drugs, the sex, the fights, and all the bumps on the road to success.
So what sets Almost Famous apart? The acting, for one. Frances McDormand was brilliant as William's (newcomer Patrick Fugit) well-meaning but overbearing mother. Fugit, for his part, had a convincing performance as the shy, awkward teenager struggling to be a journalist but at the same time aching to belong. Kate Hudson, in her breakout role as groupie "Penny Lane", gave her character depth beyond what might have been a limiting role. And Billy Crudup, as band Stillwater's charismatic lead guitarist, shines. Jason Lee is always good, and as Stillwater's lead singer, this role is no exception. And I can't review this film without giving a shout-out to the chronically and criminally-underrated Philip Seymour Hoffman, who steals every scene he's in with his portrayal of legendary rock journalist Lester Bangs.
The writing in the film also contributes to its effect. Many of the great lines belong to McDormand but there are plenty of others to go around. In addition, the music of the era can't be beat. Everything from Simon and Garfunkle to Alvin and the Chipmunks shows up at some point in the movie's extensive musical score.
The plot may not be particularly original, but it rings true. I of course am approaching this review as a music fan and someone interested in the industry. Nonetheless, I believe that even people who couldn't care less about rock music will enjoy this movie, since it's not so much about the music as it is about life. A central theme is the conflict of William: Should he remain a detached but lonely outsider so as to be an impartial journalist, or allow himself to make friends with these people and feel like he belongs? Aside from bringing up questions of journalistic ethics, this dilemma mirrors much of what people in all wakes of life deal with daily.
Almost Famous is realistic, funny, touching, and one of those rare movies that makes you feel like you've gained something just for having seen it. It's too bad that they say rock and roll is dead, cause we could sure use more movies like this one!
So what sets Almost Famous apart? The acting, for one. Frances McDormand was brilliant as William's (newcomer Patrick Fugit) well-meaning but overbearing mother. Fugit, for his part, had a convincing performance as the shy, awkward teenager struggling to be a journalist but at the same time aching to belong. Kate Hudson, in her breakout role as groupie "Penny Lane", gave her character depth beyond what might have been a limiting role. And Billy Crudup, as band Stillwater's charismatic lead guitarist, shines. Jason Lee is always good, and as Stillwater's lead singer, this role is no exception. And I can't review this film without giving a shout-out to the chronically and criminally-underrated Philip Seymour Hoffman, who steals every scene he's in with his portrayal of legendary rock journalist Lester Bangs.
The writing in the film also contributes to its effect. Many of the great lines belong to McDormand but there are plenty of others to go around. In addition, the music of the era can't be beat. Everything from Simon and Garfunkle to Alvin and the Chipmunks shows up at some point in the movie's extensive musical score.
The plot may not be particularly original, but it rings true. I of course am approaching this review as a music fan and someone interested in the industry. Nonetheless, I believe that even people who couldn't care less about rock music will enjoy this movie, since it's not so much about the music as it is about life. A central theme is the conflict of William: Should he remain a detached but lonely outsider so as to be an impartial journalist, or allow himself to make friends with these people and feel like he belongs? Aside from bringing up questions of journalistic ethics, this dilemma mirrors much of what people in all wakes of life deal with daily.
Almost Famous is realistic, funny, touching, and one of those rare movies that makes you feel like you've gained something just for having seen it. It's too bad that they say rock and roll is dead, cause we could sure use more movies like this one!
There was a time in the US rock circuit before music videos and online marketing. That was the time when several little-known bands toured all over the country... accompanied mostly by drugs and groupies. Writer-director Cameron Crowe takes us to that infamous scene of sex, drugs and rock n' roll in the 1970's with this semi-autobiographical work, which is not only equipped with his brilliant direction and screenplay, but also by decent performances by some relatively lesser-known actors.
Here the introduction of a not-too-famous band, an imaginary one called Stillwater, was important. In that sense, Stillwater is a perfect work by Crowe... with a volatile relationship between the vocalist and the guitarist, with a noncompetent manager and everything that comes with. There were also the groupies, who became a matter of substance in Crowe's point of view. But the most extraordinary thing that Crowe did is the image of himself as a 15-year-old writing prodigy, rock journalist William Miller. The viewers watch the movie through Miller's eyes. The character is extremely well-designed and reserved by Crowe. Miller's the one who becomes able to attach all the parts into a complete movie alone.
Billy Crudup was probably the best among the actors as guitarist Russell Hammond. It's true his role was not a tough one, but he's the one who made it look so easy. Young Kate Hudson, as Penny Lane, is perfect and very adorable. She showed her potentials in this movie which seemed even better than her mother, Goldie Hawn. All she needs are decent roles in future. The other actors, namely Jason Lee as vocalist Jeff, Frances McDormand as Williams's over-protective mother and the other band-aids (with Oscar-winner Anna Paquin) performed also quite well. And newcomer Patrick Fugit, as Miller himself, is really brilliant. Gaining more screen time than anyone else, it was a tough test for Fugit and it is all praises for him.
The soundtrack was very good with some fine original songs. There may be some minor flaws in the movie, like some unnecessary sequences, but all over this is a quite masterful work... a feast for the mind and soul, both for a hard rock n' roll fan and for casual viewers.
Here the introduction of a not-too-famous band, an imaginary one called Stillwater, was important. In that sense, Stillwater is a perfect work by Crowe... with a volatile relationship between the vocalist and the guitarist, with a noncompetent manager and everything that comes with. There were also the groupies, who became a matter of substance in Crowe's point of view. But the most extraordinary thing that Crowe did is the image of himself as a 15-year-old writing prodigy, rock journalist William Miller. The viewers watch the movie through Miller's eyes. The character is extremely well-designed and reserved by Crowe. Miller's the one who becomes able to attach all the parts into a complete movie alone.
Billy Crudup was probably the best among the actors as guitarist Russell Hammond. It's true his role was not a tough one, but he's the one who made it look so easy. Young Kate Hudson, as Penny Lane, is perfect and very adorable. She showed her potentials in this movie which seemed even better than her mother, Goldie Hawn. All she needs are decent roles in future. The other actors, namely Jason Lee as vocalist Jeff, Frances McDormand as Williams's over-protective mother and the other band-aids (with Oscar-winner Anna Paquin) performed also quite well. And newcomer Patrick Fugit, as Miller himself, is really brilliant. Gaining more screen time than anyone else, it was a tough test for Fugit and it is all praises for him.
The soundtrack was very good with some fine original songs. There may be some minor flaws in the movie, like some unnecessary sequences, but all over this is a quite masterful work... a feast for the mind and soul, both for a hard rock n' roll fan and for casual viewers.
Almost Famous (2000)
**** (out of 4)
Cameron Crowe's masterpiece about high schooler William Miller (Patrick Fugit) who gets a job with Rolling Stone to do a story on an upcoming band named Stillwater. The young and naive kid gets to go out on the road with them where he quickly grows up and sees that the world isn't always perfect. ALMOST FAMOUS is one of the greatest coming of age movies ever made and it's perhaps the greatest love story to rock 'n roll ever filmed. I think a strong argument could also be made that it's the greatest film of the decade as well. There's so much love and passion during every single scene that you can't help but see and feel that this is Crowe's baby and it's easy to see why since much of this is based on his life growing up. This film contains so many terrific moments but I think what makes it so special are the various relationships that are built on the road. This includes William trying to mix it up with the band's guitar player (Billy Crudup) who refuses to give him an interview as well as the girl (Kate Hudson) that both of them love for different reasons. The overly worried mother (Frances McDormand) is perfectly written and thrown into the story for some comic relief but even the smaller characters are so well-written and detailed that by the time the movie is over it's almost like you've seen a documentary of a real band. Crowe's direction has never been better as this film has quite a bit of different emotions going for it yet he perfectly holds it together and really makes the film take off to levels one wouldn't expect. As a fan of rock and roll you have to love the behind-the-scenes look at a tour and the various problems that come from the sex and drugs. You also have to have fun and admire this young kid being able to go out on the road as this would be an ultimate dream job for many. The film mixes in some terrific music but the highlight is of course 'Tiny Dancer' from Elton John, which is without question one of the best and most magical scenes from any movie. The performances are all a major plus from the bigger acts to the smaller roles. Everyone fits their roles perfectly and help bring the story to life. ALMOST FAMOUS is a flawless picture that just keeps getting better with each new viewing. Some say the film is too soft and should have attacked the music harder or been more raw but I really disagree with these comments. The film is a love story to the music and one of the greatest out there.
**** (out of 4)
Cameron Crowe's masterpiece about high schooler William Miller (Patrick Fugit) who gets a job with Rolling Stone to do a story on an upcoming band named Stillwater. The young and naive kid gets to go out on the road with them where he quickly grows up and sees that the world isn't always perfect. ALMOST FAMOUS is one of the greatest coming of age movies ever made and it's perhaps the greatest love story to rock 'n roll ever filmed. I think a strong argument could also be made that it's the greatest film of the decade as well. There's so much love and passion during every single scene that you can't help but see and feel that this is Crowe's baby and it's easy to see why since much of this is based on his life growing up. This film contains so many terrific moments but I think what makes it so special are the various relationships that are built on the road. This includes William trying to mix it up with the band's guitar player (Billy Crudup) who refuses to give him an interview as well as the girl (Kate Hudson) that both of them love for different reasons. The overly worried mother (Frances McDormand) is perfectly written and thrown into the story for some comic relief but even the smaller characters are so well-written and detailed that by the time the movie is over it's almost like you've seen a documentary of a real band. Crowe's direction has never been better as this film has quite a bit of different emotions going for it yet he perfectly holds it together and really makes the film take off to levels one wouldn't expect. As a fan of rock and roll you have to love the behind-the-scenes look at a tour and the various problems that come from the sex and drugs. You also have to have fun and admire this young kid being able to go out on the road as this would be an ultimate dream job for many. The film mixes in some terrific music but the highlight is of course 'Tiny Dancer' from Elton John, which is without question one of the best and most magical scenes from any movie. The performances are all a major plus from the bigger acts to the smaller roles. Everyone fits their roles perfectly and help bring the story to life. ALMOST FAMOUS is a flawless picture that just keeps getting better with each new viewing. Some say the film is too soft and should have attacked the music harder or been more raw but I really disagree with these comments. The film is a love story to the music and one of the greatest out there.
On a rating scale of 0 to 100; I gave Almost Famous a score of 95.
One of the most critically acclaimed movie experiences of the year 2000, Almost Famous is the second feature film to come out Cameron Crowe, and he beats his first effort, Jerry Maguire by a mile. Almost Famous is a stunning, thought-provoking film that comes at you directly from the eye of the camera and hits you with a hard bang. It's a movie not only for people who love 70's rock bands, but for all movie-goer's who really love the feeling of coming out of the cinema feeling totally fulfilled.
A 15 year old boy named William Miller (Patrick Fugit) gets an opportunity to travel with a rock band, Stillwater on a 1973 tour. As a younger boy, his sister (Zooey Deschanel) and his widowed mother Elaine (Frances McDormand) had fought about the mother's control over the family and her denial of rock music. The sister leaves home and leaves the young boy her record collection, which immediately seizes his attention. As a teen, he makes record reviews for an underground newspaper. He submits those to Creem magazine writer Lester Bangs (Phillip Seymour Hoffman) and gets his attention. The two become fast friends and Bangs acts as his mentor as Rolling Stone magazine comes calling. Slipping into an inner group connected with Stillwater, Rolling Stone agrees to bankroll him on a trip with the group. There he meets the "Band Aids", a group of girls that refuse to be called groupies because they are dedicated only to specific bands. "Penny Lane" (Kate Hudson), the Band Aid's leader is enamored with the group leader (Billy Crudup), but befriends the teen. He responds with complete infatuation with her, but he is equally enamored with the charismatic guitarist. While accepted by the band (other members are Jason Lee, John Fedevich and Mark Kozeleck), they nonetheless refer to him as "the enemy - a rock critic".
The film is classically cool and endlessly enjoyable, making it by far one of the top 5 movies of last year. The film boasts absolutely incredible performances, Patrick Fugit is a newcomer and has terrific potential, Frances McDormand is emotionally stunning as an over-protective mother and Billy Crudup, who I underrated at first, gives a performance of believability and power. However, it comes as no surprise that the film's acting star is Kate Hudson, daughter of Goldie Hawn. Hudson gives a masterful performance as Penny Lane, she pulls off all Lane's facial expressions effortlessly brilliantly, and God knows she is one of the most stunning young performers of her current time, and she gives one of the most memorably exciting performances of 2000. Cameron Crowe gets a big pat on the back too for arranging the movie delicately and with absolute dedication.
Cameron Crowe's instant classic is a hard one to beat, and is surely the closest thing we have to a perfect `rock movie' these days. Absolutely unmissable.
One of the most critically acclaimed movie experiences of the year 2000, Almost Famous is the second feature film to come out Cameron Crowe, and he beats his first effort, Jerry Maguire by a mile. Almost Famous is a stunning, thought-provoking film that comes at you directly from the eye of the camera and hits you with a hard bang. It's a movie not only for people who love 70's rock bands, but for all movie-goer's who really love the feeling of coming out of the cinema feeling totally fulfilled.
A 15 year old boy named William Miller (Patrick Fugit) gets an opportunity to travel with a rock band, Stillwater on a 1973 tour. As a younger boy, his sister (Zooey Deschanel) and his widowed mother Elaine (Frances McDormand) had fought about the mother's control over the family and her denial of rock music. The sister leaves home and leaves the young boy her record collection, which immediately seizes his attention. As a teen, he makes record reviews for an underground newspaper. He submits those to Creem magazine writer Lester Bangs (Phillip Seymour Hoffman) and gets his attention. The two become fast friends and Bangs acts as his mentor as Rolling Stone magazine comes calling. Slipping into an inner group connected with Stillwater, Rolling Stone agrees to bankroll him on a trip with the group. There he meets the "Band Aids", a group of girls that refuse to be called groupies because they are dedicated only to specific bands. "Penny Lane" (Kate Hudson), the Band Aid's leader is enamored with the group leader (Billy Crudup), but befriends the teen. He responds with complete infatuation with her, but he is equally enamored with the charismatic guitarist. While accepted by the band (other members are Jason Lee, John Fedevich and Mark Kozeleck), they nonetheless refer to him as "the enemy - a rock critic".
The film is classically cool and endlessly enjoyable, making it by far one of the top 5 movies of last year. The film boasts absolutely incredible performances, Patrick Fugit is a newcomer and has terrific potential, Frances McDormand is emotionally stunning as an over-protective mother and Billy Crudup, who I underrated at first, gives a performance of believability and power. However, it comes as no surprise that the film's acting star is Kate Hudson, daughter of Goldie Hawn. Hudson gives a masterful performance as Penny Lane, she pulls off all Lane's facial expressions effortlessly brilliantly, and God knows she is one of the most stunning young performers of her current time, and she gives one of the most memorably exciting performances of 2000. Cameron Crowe gets a big pat on the back too for arranging the movie delicately and with absolute dedication.
Cameron Crowe's instant classic is a hard one to beat, and is surely the closest thing we have to a perfect `rock movie' these days. Absolutely unmissable.
Young Patrick Fugit, a talented juvenile writer, gets a once in a lifetime opportunity, to travel with a mid level rock band as a journalist. If the piece is good, Rolling Stone may pick it up and his career is made. Trying to pin the band down for an interview, especially the deliberately elusive leader, Billy Crudup is harder than you would think. These guys in the band Stillwater are Almost Famous, they're just a step away, but it's hard step to take.
Billy Crudup is one of the best players around today and it's his portrayal of Russell Hammond, lead singer of Stillwater on which the film pivots. It's a very complex role and we see all sides of Russell Hammond, talented, charismatic, loyal, self indulgent, hedonistic, it's all there and whole lot more. Just how honest can young Mr. Fugit be and where does being a fan stop and being a journalist start. Fugit may not know, but the band members keep asking the question.
Kate Hudson is around and does very well as the girl 'Penny Lane' who follows Stillwater. She's not a groupie, the term she prefers is Band Aide. And Frances McDormand is around as Fugit's mom who is constantly checking in on her son to see that he doesn't enjoy too much of the good life on the rock scene.
Almost Famous is a very graphic picture of the rock scene of the mid Seventies. Director Cameron Crowe did a great job capturing the mood of the times as well as good performances from the cast. Still it's Billy Crudup's picture and this is a must for his fans.
Billy Crudup is one of the best players around today and it's his portrayal of Russell Hammond, lead singer of Stillwater on which the film pivots. It's a very complex role and we see all sides of Russell Hammond, talented, charismatic, loyal, self indulgent, hedonistic, it's all there and whole lot more. Just how honest can young Mr. Fugit be and where does being a fan stop and being a journalist start. Fugit may not know, but the band members keep asking the question.
Kate Hudson is around and does very well as the girl 'Penny Lane' who follows Stillwater. She's not a groupie, the term she prefers is Band Aide. And Frances McDormand is around as Fugit's mom who is constantly checking in on her son to see that he doesn't enjoy too much of the good life on the rock scene.
Almost Famous is a very graphic picture of the rock scene of the mid Seventies. Director Cameron Crowe did a great job capturing the mood of the times as well as good performances from the cast. Still it's Billy Crudup's picture and this is a must for his fans.
Você sabia?
- CuriosidadesTo look like a real rock band, the four actors in Stillwater rehearsed for four hours a night, five nights a week, for six weeks.
- Erros de gravaçãoAt the Black Sabbath show where William first meets Stillwater, someone backstage wears a 1997 Black Sabbath Reunion "Devil Twins" T-Shirt.
- Citações
Dennis Hope: If you think Mick Jagger will still be out there trying to be a rock star at age fifty, then you are sadly, sadly mistaken.
- Cenas durante ou pós-créditosIn the music credits at the end of the film, all songs sung by Stillwater are credited to the characters who would have written them.
- Versões alternativasThe extended 'bootleg cut' version available on DVD features 39 minutes of additional footage, bringing the running time at 162 minutes. This version is actually titled 'Untitled' and has a title card as such in Cameron Crowe's handwriting.
- Trilhas sonorasThe Chipmunk Song
Written by Ross Bagdasarian (as Ross Bagdasarian Sr.)
Performed by The Chipmunks
Courtesy of EMI Records
Under license from EMI-Capitol Music Special Markets
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Casi famosos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 32.534.850
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.314.646
- 17 de set. de 2000
- Faturamento bruto mundial
- US$ 47.387.566
- Tempo de duração2 horas 2 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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