As utopias causadas pelo uso de drogas em quatro pessoas de Coney Island se rompem quando seus vícios as dominam.As utopias causadas pelo uso de drogas em quatro pessoas de Coney Island se rompem quando seus vícios as dominam.As utopias causadas pelo uso de drogas em quatro pessoas de Coney Island se rompem quando seus vícios as dominam.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 37 vitórias e 69 indicações no total
- Donut Cop
- (as Mike Kaycheck)
Resumo
Avaliações em destaque
The subtleties of the text are communicated, first and foremost, by superb acting. The performances of Ellen Burstyn, Jared Leto, Jennifer Connelly, and Marlon Wayans are all revelatory. In particular, I was knocked out by Burstyn, who is almost comically pathetic in the beginning, but who manages by the end to convey her character's utter devastation in the truest, most heartbreaking manner imaginable. The others are absolutely perfect as well; I was simply astonished by Leto and especially Wayans (may he eschew "scary movies" forevermore). Connelly has perhaps the most difficult role in the film, with opportunity and motivation galore to go over the top, and she delivers not a single false note throughout.
My only real quibbles with the movie have to do with certain instances of the split-screen and jump-cut techniques, which struck me as somewhat gimmicky and repetitious, respectively. That being said, overall the style of the film is impressive and appropriate. The cinematography is beautifully conceived and executed, and the score is every bit as haunting as the performances (thanks largely to the work of the Kronos Quartet).
In sum, regardless of whether or not the subject matter itself shocks you, this movie will put the viewer through the proverbial wringer. Give it a chance, and you will connect with the characters and then witness their destruction (spiritual and otherwise). It is a punishing but unforgettable experience. I'm not sure whether I'd necessarily recommend it or not; it all depends on your personal tolerance level with regard to an unflinching portrayal of human nature and behavior at their most extreme and, ultimately, tragic. For my part, while I don't expect to watch this film very often in the future, I'm sure glad it'll be on the shelf.
9/10 would recommend if you are looking for a heavy, dramatic movie.
now, every time i see this movie since escaping that life, i cry. i cry for my past and those who still live in it. this movie has more to say to people my age than any drug education movie we were afforded in school. honestly, i wonder when the school systems will wisen up to what is really going to get kid's attention; movies that show that pros as well as the cons of drugs, or a movie that shows the complete and utter devastation drugs will bring to your life, and the lives of those around you. honestly, had i seen this film before my sophomore year of high school, i would have never even dreamed of taking more than the prescribed dose of advil.
granted, my little summary or comment of this movie does not entail anything informative about the movie itself, i must say, i feel this is the best way i know to express my views.
This film is not for the squeamish. It involves many horrible aspects of life. It shows the terrible things human beings are capable of doing, to themselves and the consequences, of such poor decision-making. Requiem for a Dream (2000), does manage to pull at your emotions and makes you feel, very sorry for these people. I won't say anymore, but there is a reason why Ellen Burstyn was nominated for the Best Actress Oscar for this film. The directing, camera-work and editing, is fantastic. Aronofsky's direction is quite fitting, for the drug-incited delusions seen in the film. Jennifer Connelly's performance is staggeringly good. She definitely leaves her comfort zone for this film. For myself, Requiem for a Dream (2000), was shocking, brought out many emotions and contained a life-lesson, we should all pay attention to.
PMTM Grade: 9.0 (A-) = 9 IMDB.
Você sabia?
- Curiosidades(at around 44 mins) During Ellen Burstyn's impassioned monologue about how it feels to be old, cinematographer Matthew Libatique accidentally let the camera drift off-target. When director Darren Aronofsky called "cut" and confronted him about it, he realized the reason Libatique had let the camera drift was because he had been crying during the take and fogged up the camera's eyepiece. This was the take used in the final print.
- Erros de gravaçãoWhen the characters take Heroin, either injected or snorted, the sequence showing their eyes dilating is inaccurate. Opiates produce a constricting of the pupil. However, the dilating is correct when the characters are using Ecstasy and Cocaine.
- Citações
Sara Goldfarb: I'm somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they'll all like me. I'll tell them about you, and your father, how good he was to us. Remember? It's a reason to get up in the morning. It's a reason to lose weight, to fit in the red dress. It's a reason to smile. It makes tomorrow all right. What have I got Harry, hm? Why should I even make the bed, or wash the dishes? I do them, but why should I? I'm alone. Your father's gone, you're gone. I got no one to care for. What have I got, Harry? I'm lonely. I'm old.
Harry Goldfarb: You got friends, Ma.
Sara Goldfarb: Ah, it's not the same. They don't need me. I like the way I feel. I like thinking about the red dress and the television and you and your father. Now when I get the sun, I smile.
- Cenas durante ou pós-créditosThe man on the train who says "You're whacked" to Sara when she tells him that she's going to be on TV is credited as "You're Whacked".
- Versões alternativasThe film was originally given the "kiss of death" rating of NC-17 by the MPAA. Rather than deal with this, it was decided to release it Unrated in Theaters, and with two cuts for Home Cinemas, one labeled "Director's Cut" and the other one, R-rated one labeled "Edited Version." As stated in another notation for "Alternate versions," the latter used alternate angles and footage to replace the more explicit sex scenes. In terms of runtime, there is an additional six minutes to the Directors Cut. Details on the differences can be found at movie-censorship.com.
- Trilhas sonorasBialy & Lox Conga
Performed by The Moonrats
Marcel Reginatto - Saxophone, Vocals
Brian Emrich - Bass Guitar, Vocals
Oscar Oñoz - Trumpet, Vocals
Theodore Birkey - Keyboards, Vocals
Tico Torres (as Hector Torres) - Percussion, Vocals
Darren Aronofsky - Vocals
Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Réquiem por un sueño
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 3.635.482
- Fim de semana de estreia nos EUA e Canadá
- US$ 64.770
- 8 de out. de 2000
- Faturamento bruto mundial
- US$ 7.391.471
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1