O Silêncio dos Inocentes

The Silence of the Lambs runs two hours.Anthony Hopkins appears for little more than sixteen minutes, yet during those minutes he hasn't bored you for a second, not even after the tenth or eleventh viewing. Such is the power of his performance, it's absolutely impossible to forget him.His character, Dr.Hannibal"The Cannibal" Lecter, is a brutal killer with revolting methods and habits, but he's also very intelligent, charismatic and with good taste(you can interpret that as you like).A clichè by now, but who cares? He still is one of the key elements in this wonderful thriller, which sees Jodie Foster's Clarice Starling asking for Lecter's help to catch another killer.The result is a dangerous yet fascinating relationship between the young, unexperienced FBI-agent and the convicted,but basically omnipotent, psychiatrist.He's a step ahead of everyone all the time, and makes sure everyone notices, with his witty, unforgettable one-liners.If there had to be only one reason to worship this movie, then it would have to be the chemistry between the two leading actors.Never before has a non-sexual man/woman connection been more thrilling.Never before has a film's ending been more unsettling and brilliant and left us asking for more.

Best watched with a nice Chianti...

P.S. dear film-buffs, have the lambs stopped screaming?

The Silence of the Lambs, having accomplished the rare feat of winning all five of the major Academy Award categories, is a remarkable achievement in filmmaking. Gruesome, pulpish material was transformed by dedicated participants on all levels of production, and a film that would have failed in the hands of many others wound up becoming a modern masterpiece. Taut direction and a superb screenplay might be the best arguments for the film's power, but the flashiest are certainly delivered in the bravura performances of Hopkins and Foster. Their interplay -- and remember, they only share a handful of scenes together -- is nothing short of riveting.

I first saw this in the early 90s on a vhs and i still remember how two very old ladies were petrified n blabbering about the movie to my dad and one thing which stayed with me after that conversation was the praising of Hopkins acting by the two grumbling old geezers.

I revisited it in the early 2k on a dvd which I own and was in awe by Hopkins mesmerizing performance.

Revisited it the third time today but this time with my kids as they are 18 now but my wife is still not agreeable.

Everything has been said about this first class thriller n there seems to be nothing left but i jus wanna contribute a lil by praising the performance of Hopkins.

In the entire movie, it is Hopkins' screen presence n footage which keeps u glued.

His character is charismatic but very dangerous that u don't wanna be rude with him.

Some scenes are far fetched but like i said it is the mesmerizing performance by Anthony Hopkins which is the highlight.

I'll never forget my first viewing of this movie at the theater and will always look back fondly on it for one reason: helping me quit smoking cigarettes.

I read the book first, was fascinated by it, and couldn't wait for the film to come out. That was the day I picked to quit smoking and I knew this movie would take my mind off that matter. I was expecting an intense movie and I got it. Little did I realize how well-received this film would be and how it propelled Anthony Hopkins to super-stardom.

Although entertaining, this is not always a fun movie to watch, especially with the scenes with Ted Levine who plays the killer, "Buffalo Bill." "Bill" and his kidnapped young woman are sick and profane people, respectively, and their scenes are very unpleasant. This movie is not for the squeamish with those and other scenes involving the infamous Dr. Hannibal Lecter (Hopkins). There also is some extreme crudeness in the jail/dungeon where Lecter and other inmates are held.

Jodie Foster is excellent as the FBI agent "Clarice Starling" and Scott Glenn is low-key and effective as "Jack Crawford." A major part of the film is psychological more than violent as Lecter constantly taunts "Clarice," while she tries her best to manipulate him to help with a case. The by-play between the two is a game in itself.

Hopkins, however, is the actor people remember best from this movie. His portrayal of the refined-yet-cannibalistic serial killer-doctor is one viewers will never forget. I've enjoyed watching him in the sequels, too. The looks on his face, his fascinating vocabulary with intelligent sarcasm and frankness, never ceases to entertain.

"Silence Of The Lambs" has turned into a modern-day "classic." If by some odd chance you have never seen this movie, be warned it is a dark, difficult story to watch at times....but it will get your mind off other things.

Admittedly, I am not the most well versed when it comes to cinema and more importantly well thought-out and thorough reviews of cinema however I wanted to attempt to talk about The Silence of the Lambs.

This is quite possibly one of my most revisited horror films, I find myself returning to it without boredom quite often. Re-watchablity is something I have noticed to be heavily lacking in the horror genre, something I personally equate to the overuse of the jumpscare, which isn't such a terrible thing but the intended effect wears thin by the third viewing.

Silence of the Lambs being a more psychological horror does an immensely interesting job in their depiction of "deranged" or mentally ill criminals. Obviously Hannibal himself can become quite alluring given his disturbed charisma alongside the dustings of his criminal, cannibal, activities. His interactions with Clarice are superb and I don't get tired of watching their bizarre chemistry. Plus Jodie Foster did an excellent job as an up and coming FBI student, evidently a small fish in a large, male dominated pond.

On that note I think the depictions of her relationships with men in the film are rather well executed. I would love to one day do a deeper more insightful reflection on this film and actually take into account story and cinematography, all factors really but I'll leave it here for now.