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6,0/10
9,9 mil
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Adicionar um enredo no seu idiomaAn independent group of researchers actively track Godzilla as a giant meteor is discovered. The mysterious rock begins to levitate as its true intentions for the world and Godzilla are reve... Ler tudoAn independent group of researchers actively track Godzilla as a giant meteor is discovered. The mysterious rock begins to levitate as its true intentions for the world and Godzilla are revealed.An independent group of researchers actively track Godzilla as a giant meteor is discovered. The mysterious rock begins to levitate as its true intentions for the world and Godzilla are revealed.
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Avaliações em destaque
Yes, Godzilla 2000 ain't the most stellar movie ever made. It's slow in some spots and the story is very slight. But I liked it. The previous reviews posted before mine makes me wonder if they saw the same movie.
A tragic waste of talent? Eh? You mean the US version was a tragic waste of talent AND money. For what little money they had with Godzilla 2000, I'm pretty impressed with what Toho made. Some FX scenes were really cool, like when we see the van driving on the road with Godzilla in the background. The battle at the end is great and I love Godzilla's new look, even though he should see a dentist with his really toothy grin. Anyway, I'm a Godzilla/Japanese Monster movie fan since I was a kid and I'm glad I finally saw a Japanese version of Godzilla on the big screen here in North America.
A tragic waste of talent? Eh? You mean the US version was a tragic waste of talent AND money. For what little money they had with Godzilla 2000, I'm pretty impressed with what Toho made. Some FX scenes were really cool, like when we see the van driving on the road with Godzilla in the background. The battle at the end is great and I love Godzilla's new look, even though he should see a dentist with his really toothy grin. Anyway, I'm a Godzilla/Japanese Monster movie fan since I was a kid and I'm glad I finally saw a Japanese version of Godzilla on the big screen here in North America.
Heh heh, what isn't there for me to love "Godzilla 2000"? Minimal computer graphics, well built city models, awesome looking makeover for the big G and a neat and fierce looking foe named Orgah. Oh, and not to mention a cute little girl named Iyo, who shows a big interest for Godzilla and Orgah (perhaps a nostalgic refrence to the monster loving kids Ken Yano and Rokku-chan?).
Alot of people seem to hate this movie due to it not having too much CG, no "super sexy" model actor or actresses or were just spoiled off of the recent Hollywood trash cinema. OMG, and someone even compaired the recent Godzilla movies to Evangellion (GAG ME!).
I however, stand up for Toho. Long live Toho! Long live the King of Monsters!
Alot of people seem to hate this movie due to it not having too much CG, no "super sexy" model actor or actresses or were just spoiled off of the recent Hollywood trash cinema. OMG, and someone even compaired the recent Godzilla movies to Evangellion (GAG ME!).
I however, stand up for Toho. Long live Toho! Long live the King of Monsters!
This is old school Godzilla plain and simple. Nothing terribly exciting, no super cool computer effects. Just a guy in a rubber suit and godzilla breathe drawn on the film. Actually there is a little computer stuff, but nothing that hasn't been done for years.
This is not a great movie, by any stretch of the imagination, but nostalgia makes it enjoyable. I think this is also a better movie for kids than most of the action monster movies coming out. Almost no one dies in the movie and there is little swearing or sexual overtones. This might make it too simple for adults who are not nostalgic for the old movies, but others should enjoy it.
This is not a great movie, by any stretch of the imagination, but nostalgia makes it enjoyable. I think this is also a better movie for kids than most of the action monster movies coming out. Almost no one dies in the movie and there is little swearing or sexual overtones. This might make it too simple for adults who are not nostalgic for the old movies, but others should enjoy it.
I enjoyed this flick. Sure it wasn't the best movie made and it surely would not win an award, but it was a fun film. There are a couple of the Godzilla movies in the 90's I liked more, but this one did not disappoint. The dubbing is rather good for everyone except the guy who is trying to kill Godzilla. He sounds a bit to deep voiced and at one point when he laughs he goes "Ha, Ha, Ha", but other than him the dubbing is good. There is also a bit of dead zone where godzilla isn't around between godzilla's first encounter the flying saucer and the final battle, but it is not to bad. Also, they kind of ignore the movie Godzilla vs. Destroyah even though they show Godzilla's son taking over the reigns this fact is ignored and all the characters from the 90 films are ignored as well. All and all it is a fun movie and there is a good battle at the end.
"Godzilla 2000," actually completed in 1999 (and was released during the summer of 2000 in America), was the first Toho-backed kaiju-eiga film to receive a major theatrical distribution in the U.S. since 1985. I saw "Godzilla 2000" at the theater and wasn't disappointed, even though a lot has changed since Toho killed off their iconic monster at the end of 1995's "Godzilla Vs. Destoroyah."
I'm 19; I've been a hardcore "G"-fan since I was four years-old and of course, I was quite hesitant about seeing a new "Godzilla" film, being that the Americanized 1998 version wasn't that good. The Toho logo that appears during the opening credits reassured me that "Godzilla 2000" was taking me back to the good old days when Godzilla wasn't afraid to knock down a building or stomp down the military when they threatened him.
With their third generation of "Godzilla" films being kicked off with this flashy new movie, Toho continued a trend that was seen in generation two, where they discard the events of the previous Godzilla incarnation and instead start with the original 1954 "Godzilla" and work from there.
Toho took full advantage of this new series by designing a distinctly reptilian Godzilla, who as the film opens, has already popped up on the radar of some brainy scientist who argues that Godzilla should be studied, instead of destroyed.
And Toho didn't skimp on creating a new monster either, which is a giant UFO that yields something a lot more than just martians. This new foe is actually a nasty little creature that's never given a name, though subsequent debate about the film has concluded that its name is "Orga," who proceeds to try to consume Godzilla and his powers, thus creating one powerful monster.
"Godzilla 2000" has a lot of problems too, which may or may not mar an otherwise decent stomping experience. Though on the whole, it's nice to see Godzilla back in form (somewhat) and this Toho production firmly returns their most beloved creation to dominance, it also suffers a lot from the problems that have plagued its predecessors, and some of those problems may have been due to Roland Emmerich's 1998 Americanized version of the big green guy.
Of course, since I never really cared for the people in a "Godzilla" movie and those feelings haven't changed, it must be pointed out here that the people have been drastically short-changed in favor of the all-out monster showdown that is the film's climax. You're really given a reason to not care about humans in this picture, whereas any previous "Godzilla" movie may have made you have an inkling of feeling for them.
Godzilla himself has changed a lot, with massive plates that line his back and he's also been given a pretty nifty set of fangs. But the thing is, this Godzilla looks and behaves quite... different. Though it's evident with this production that Godzilla is the bad guy (pending on your view), this was one of the things that really struck me as unique about the previous generation of kaiju-eiga films - in that you never really knew if he was the bad guy or not - this movie makes that pretty clear to you, even though the new monster Orga is clearly the bigger problem for the people of Japan.
The special effects in this third generation "Godzilla" film seem to actually be a step back too. The previous generation (the first two movies at least) had really beautiful and thoughtful effects that put you into wonder about how they were achieved. This series doesn't have that level of wonder for some reason. You'd expect their effects to improve over five years or so, but these effects look rushed and unrealistic.
Aside from these quibbles, "Godzilla 2000" doesn't suffer a whole lot, but I was glad to see that it firmly reestablished Godzilla back to his good old, stomping self.
7/10
I'm 19; I've been a hardcore "G"-fan since I was four years-old and of course, I was quite hesitant about seeing a new "Godzilla" film, being that the Americanized 1998 version wasn't that good. The Toho logo that appears during the opening credits reassured me that "Godzilla 2000" was taking me back to the good old days when Godzilla wasn't afraid to knock down a building or stomp down the military when they threatened him.
With their third generation of "Godzilla" films being kicked off with this flashy new movie, Toho continued a trend that was seen in generation two, where they discard the events of the previous Godzilla incarnation and instead start with the original 1954 "Godzilla" and work from there.
Toho took full advantage of this new series by designing a distinctly reptilian Godzilla, who as the film opens, has already popped up on the radar of some brainy scientist who argues that Godzilla should be studied, instead of destroyed.
And Toho didn't skimp on creating a new monster either, which is a giant UFO that yields something a lot more than just martians. This new foe is actually a nasty little creature that's never given a name, though subsequent debate about the film has concluded that its name is "Orga," who proceeds to try to consume Godzilla and his powers, thus creating one powerful monster.
"Godzilla 2000" has a lot of problems too, which may or may not mar an otherwise decent stomping experience. Though on the whole, it's nice to see Godzilla back in form (somewhat) and this Toho production firmly returns their most beloved creation to dominance, it also suffers a lot from the problems that have plagued its predecessors, and some of those problems may have been due to Roland Emmerich's 1998 Americanized version of the big green guy.
Of course, since I never really cared for the people in a "Godzilla" movie and those feelings haven't changed, it must be pointed out here that the people have been drastically short-changed in favor of the all-out monster showdown that is the film's climax. You're really given a reason to not care about humans in this picture, whereas any previous "Godzilla" movie may have made you have an inkling of feeling for them.
Godzilla himself has changed a lot, with massive plates that line his back and he's also been given a pretty nifty set of fangs. But the thing is, this Godzilla looks and behaves quite... different. Though it's evident with this production that Godzilla is the bad guy (pending on your view), this was one of the things that really struck me as unique about the previous generation of kaiju-eiga films - in that you never really knew if he was the bad guy or not - this movie makes that pretty clear to you, even though the new monster Orga is clearly the bigger problem for the people of Japan.
The special effects in this third generation "Godzilla" film seem to actually be a step back too. The previous generation (the first two movies at least) had really beautiful and thoughtful effects that put you into wonder about how they were achieved. This series doesn't have that level of wonder for some reason. You'd expect their effects to improve over five years or so, but these effects look rushed and unrealistic.
Aside from these quibbles, "Godzilla 2000" doesn't suffer a whole lot, but I was glad to see that it firmly reestablished Godzilla back to his good old, stomping self.
7/10
Você sabia?
- CuriosidadesGodzilla vs. Destroyer (1995) was intended to be the last Godzilla movie until the 50th anniversary of Godzilla (1954) in 2004, allowing TriStar to make a trilogy of American Godzilla movies in that time, but the poor response to Godzilla (1998) caused TriStar to abandon plans for a second and third film and Toho to bring back the original Godzilla sooner than planned with Godzilla 2000. Producer Shogo Tomiyama admitted that Godzilla 2000: Millennium was "made abruptly" since there were no plans to create another Godzilla film until 2005. But because of the failure of the TriStar film, Tomiyama said that studio felt that they "couldn't keep silent until 2005".
- Erros de gravaçãoWhen we see Shinoda inspecting Godzilla's footprints on the beach, Godzilla's heavy tail dragging behind him seems to have not left a trail among the footprints. Even the very first Godzilla movie included a tail trail in between Godzilla's footprints in a similar scene.
- Citações
Mitsuo Katagiri: GODZILLAAAAAAAAAAAAAAAAAAA!
- Cenas durante ou pós-créditosOver the closing shot of Godzilla blowing up Shinjuku, a green "THE END" is superimposed, with a red question mark that appears over between the two words. (Theatrical US version only)
- Versões alternativasThe US version takes out about 9 minutes of the film and changes a lot of the dialogue.
- ConexõesEdited into Godzilla Tales: Godzilla World Tour 2020 (2020)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Godzilla 2000: Millennium
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 10.037.390
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.407.720
- 20 de ago. de 2000
- Faturamento bruto mundial
- US$ 12.924.063
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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