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Adicionar um enredo no seu idiomaAn independent group of researchers actively track Godzilla as a giant meteor is discovered. The mysterious rock begins to levitate as its true intentions for the world and Godzilla are reve... Ler tudoAn independent group of researchers actively track Godzilla as a giant meteor is discovered. The mysterious rock begins to levitate as its true intentions for the world and Godzilla are revealed.An independent group of researchers actively track Godzilla as a giant meteor is discovered. The mysterious rock begins to levitate as its true intentions for the world and Godzilla are revealed.
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"Godzilla 2000," actually completed in 1999 (and was released during the summer of 2000 in America), was the first Toho-backed kaiju-eiga film to receive a major theatrical distribution in the U.S. since 1985. I saw "Godzilla 2000" at the theater and wasn't disappointed, even though a lot has changed since Toho killed off their iconic monster at the end of 1995's "Godzilla Vs. Destoroyah."
I'm 19; I've been a hardcore "G"-fan since I was four years-old and of course, I was quite hesitant about seeing a new "Godzilla" film, being that the Americanized 1998 version wasn't that good. The Toho logo that appears during the opening credits reassured me that "Godzilla 2000" was taking me back to the good old days when Godzilla wasn't afraid to knock down a building or stomp down the military when they threatened him.
With their third generation of "Godzilla" films being kicked off with this flashy new movie, Toho continued a trend that was seen in generation two, where they discard the events of the previous Godzilla incarnation and instead start with the original 1954 "Godzilla" and work from there.
Toho took full advantage of this new series by designing a distinctly reptilian Godzilla, who as the film opens, has already popped up on the radar of some brainy scientist who argues that Godzilla should be studied, instead of destroyed.
And Toho didn't skimp on creating a new monster either, which is a giant UFO that yields something a lot more than just martians. This new foe is actually a nasty little creature that's never given a name, though subsequent debate about the film has concluded that its name is "Orga," who proceeds to try to consume Godzilla and his powers, thus creating one powerful monster.
"Godzilla 2000" has a lot of problems too, which may or may not mar an otherwise decent stomping experience. Though on the whole, it's nice to see Godzilla back in form (somewhat) and this Toho production firmly returns their most beloved creation to dominance, it also suffers a lot from the problems that have plagued its predecessors, and some of those problems may have been due to Roland Emmerich's 1998 Americanized version of the big green guy.
Of course, since I never really cared for the people in a "Godzilla" movie and those feelings haven't changed, it must be pointed out here that the people have been drastically short-changed in favor of the all-out monster showdown that is the film's climax. You're really given a reason to not care about humans in this picture, whereas any previous "Godzilla" movie may have made you have an inkling of feeling for them.
Godzilla himself has changed a lot, with massive plates that line his back and he's also been given a pretty nifty set of fangs. But the thing is, this Godzilla looks and behaves quite... different. Though it's evident with this production that Godzilla is the bad guy (pending on your view), this was one of the things that really struck me as unique about the previous generation of kaiju-eiga films - in that you never really knew if he was the bad guy or not - this movie makes that pretty clear to you, even though the new monster Orga is clearly the bigger problem for the people of Japan.
The special effects in this third generation "Godzilla" film seem to actually be a step back too. The previous generation (the first two movies at least) had really beautiful and thoughtful effects that put you into wonder about how they were achieved. This series doesn't have that level of wonder for some reason. You'd expect their effects to improve over five years or so, but these effects look rushed and unrealistic.
Aside from these quibbles, "Godzilla 2000" doesn't suffer a whole lot, but I was glad to see that it firmly reestablished Godzilla back to his good old, stomping self.
7/10
I'm 19; I've been a hardcore "G"-fan since I was four years-old and of course, I was quite hesitant about seeing a new "Godzilla" film, being that the Americanized 1998 version wasn't that good. The Toho logo that appears during the opening credits reassured me that "Godzilla 2000" was taking me back to the good old days when Godzilla wasn't afraid to knock down a building or stomp down the military when they threatened him.
With their third generation of "Godzilla" films being kicked off with this flashy new movie, Toho continued a trend that was seen in generation two, where they discard the events of the previous Godzilla incarnation and instead start with the original 1954 "Godzilla" and work from there.
Toho took full advantage of this new series by designing a distinctly reptilian Godzilla, who as the film opens, has already popped up on the radar of some brainy scientist who argues that Godzilla should be studied, instead of destroyed.
And Toho didn't skimp on creating a new monster either, which is a giant UFO that yields something a lot more than just martians. This new foe is actually a nasty little creature that's never given a name, though subsequent debate about the film has concluded that its name is "Orga," who proceeds to try to consume Godzilla and his powers, thus creating one powerful monster.
"Godzilla 2000" has a lot of problems too, which may or may not mar an otherwise decent stomping experience. Though on the whole, it's nice to see Godzilla back in form (somewhat) and this Toho production firmly returns their most beloved creation to dominance, it also suffers a lot from the problems that have plagued its predecessors, and some of those problems may have been due to Roland Emmerich's 1998 Americanized version of the big green guy.
Of course, since I never really cared for the people in a "Godzilla" movie and those feelings haven't changed, it must be pointed out here that the people have been drastically short-changed in favor of the all-out monster showdown that is the film's climax. You're really given a reason to not care about humans in this picture, whereas any previous "Godzilla" movie may have made you have an inkling of feeling for them.
Godzilla himself has changed a lot, with massive plates that line his back and he's also been given a pretty nifty set of fangs. But the thing is, this Godzilla looks and behaves quite... different. Though it's evident with this production that Godzilla is the bad guy (pending on your view), this was one of the things that really struck me as unique about the previous generation of kaiju-eiga films - in that you never really knew if he was the bad guy or not - this movie makes that pretty clear to you, even though the new monster Orga is clearly the bigger problem for the people of Japan.
The special effects in this third generation "Godzilla" film seem to actually be a step back too. The previous generation (the first two movies at least) had really beautiful and thoughtful effects that put you into wonder about how they were achieved. This series doesn't have that level of wonder for some reason. You'd expect their effects to improve over five years or so, but these effects look rushed and unrealistic.
Aside from these quibbles, "Godzilla 2000" doesn't suffer a whole lot, but I was glad to see that it firmly reestablished Godzilla back to his good old, stomping self.
7/10
Godzilla saves Tokyo from a flying saucer that transforms into the beast Orga.
There are some noteworthy firsts in this film: we have the first green Godzilla (no longer the dark gray we are used to), and the first Toho Godzilla using CGI (for better or worse) in some scenes.
No, could this be the best looking man-in-suit Godzilla yet? I think so. While a bit more "rock star" this time around, he looks incredibly mean and aggressive, the monster you do not want to mess with.
This may have been the last good Godzilla movie made (as of 2014). Although, I suppose that is all a matter of taste. Some people probably dislike this one while others probably love the Gareth Edwards version.
There are some noteworthy firsts in this film: we have the first green Godzilla (no longer the dark gray we are used to), and the first Toho Godzilla using CGI (for better or worse) in some scenes.
No, could this be the best looking man-in-suit Godzilla yet? I think so. While a bit more "rock star" this time around, he looks incredibly mean and aggressive, the monster you do not want to mess with.
This may have been the last good Godzilla movie made (as of 2014). Although, I suppose that is all a matter of taste. Some people probably dislike this one while others probably love the Gareth Edwards version.
I was fortunate enought to see the original Japanese version of Godzilla 2000. I have to say that this is The Best Godzilla Movie Of All Time. Instead of the futuristic technologies of the Heisei series (maser tanks, mechas and ESP), G2K presents more or less ordinary Japanese life. The only thing slightly futuristic in the movie are the JSDF's Full Metal Missiles (and the UFO itself).
I loved the human cast. G2K will be the second movie that I loved which has a human cast I enjoyed watching, the other being "Gamera: Guardian of the Universe". Katagiri and Shinoda shined throughout. Yuki Ichinose and Io Shinoda are just as good to. One of my favorite scenes with the humans is Io and Shinoda giving Yuki the runaround in their little headquarters (a scene deleted from the American version, I believe). The Godzilla Prediction Network is very well thought-out organisation. Shame they don't really exist ^_^*
MireGoji (the fan name for the 2000 suit) is one of the best G-suits in existence. The new dorsal plates are just great, especially as they light up. They seem to heat up from the inside, rather than flash. The new heat beam is just marvellous. Shame Goji lost the ability to blink.
The UFO and Orga are one of the greatest enemies Goji's had yet. Shame Orga didn't get much to do. However, his destruction was new and refreshing.
The special effects are fantastic. It's so relieving to see missiles hit their target. The CGI shots are great. My favorites are the shot of Goji swimming underwater and the tracking shot of the Full Metal Missiles under the bridge. The music by Takayuki Hattori is also fabuluous.
To sum up: GOJIRAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA!!!
I loved the human cast. G2K will be the second movie that I loved which has a human cast I enjoyed watching, the other being "Gamera: Guardian of the Universe". Katagiri and Shinoda shined throughout. Yuki Ichinose and Io Shinoda are just as good to. One of my favorite scenes with the humans is Io and Shinoda giving Yuki the runaround in their little headquarters (a scene deleted from the American version, I believe). The Godzilla Prediction Network is very well thought-out organisation. Shame they don't really exist ^_^*
MireGoji (the fan name for the 2000 suit) is one of the best G-suits in existence. The new dorsal plates are just great, especially as they light up. They seem to heat up from the inside, rather than flash. The new heat beam is just marvellous. Shame Goji lost the ability to blink.
The UFO and Orga are one of the greatest enemies Goji's had yet. Shame Orga didn't get much to do. However, his destruction was new and refreshing.
The special effects are fantastic. It's so relieving to see missiles hit their target. The CGI shots are great. My favorites are the shot of Goji swimming underwater and the tracking shot of the Full Metal Missiles under the bridge. The music by Takayuki Hattori is also fabuluous.
To sum up: GOJIRAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA!!!
Goji 200 is a rather poorly paced film with uninteresting human characters and a rather bland telling of the "Goji Attacks Japan" story.
The effects however are cool and I am very fond of the Goji 2000 design, so it gets 6 Missiles out of 10 from me.
Yes, Godzilla 2000 ain't the most stellar movie ever made. It's slow in some spots and the story is very slight. But I liked it. The previous reviews posted before mine makes me wonder if they saw the same movie.
A tragic waste of talent? Eh? You mean the US version was a tragic waste of talent AND money. For what little money they had with Godzilla 2000, I'm pretty impressed with what Toho made. Some FX scenes were really cool, like when we see the van driving on the road with Godzilla in the background. The battle at the end is great and I love Godzilla's new look, even though he should see a dentist with his really toothy grin. Anyway, I'm a Godzilla/Japanese Monster movie fan since I was a kid and I'm glad I finally saw a Japanese version of Godzilla on the big screen here in North America.
A tragic waste of talent? Eh? You mean the US version was a tragic waste of talent AND money. For what little money they had with Godzilla 2000, I'm pretty impressed with what Toho made. Some FX scenes were really cool, like when we see the van driving on the road with Godzilla in the background. The battle at the end is great and I love Godzilla's new look, even though he should see a dentist with his really toothy grin. Anyway, I'm a Godzilla/Japanese Monster movie fan since I was a kid and I'm glad I finally saw a Japanese version of Godzilla on the big screen here in North America.
Você sabia?
- CuriosidadesGodzilla vs. Destroyer (1995) was intended to be the last Godzilla movie until the 50th anniversary of Godzilla (1954) in 2004, allowing TriStar to make a trilogy of American Godzilla movies in that time, but the poor response to Godzilla (1998) caused TriStar to abandon plans for a second and third film and Toho to bring back the original Godzilla sooner than planned with Godzilla 2000. Producer Shogo Tomiyama admitted that Godzilla 2000: Millennium was "made abruptly" since there were no plans to create another Godzilla film until 2005. But because of the failure of the TriStar film, Tomiyama said that studio felt that they "couldn't keep silent until 2005".
- Erros de gravaçãoWhen we see Shinoda inspecting Godzilla's footprints on the beach, Godzilla's heavy tail dragging behind him seems to have not left a trail among the footprints. Even the very first Godzilla movie included a tail trail in between Godzilla's footprints in a similar scene.
- Citações
Mitsuo Katagiri: GODZILLAAAAAAAAAAAAAAAAAAA!
- Cenas durante ou pós-créditosOver the closing shot of Godzilla blowing up Shinjuku, a green "THE END" is superimposed, with a red question mark that appears over between the two words. (Theatrical US version only)
- Versões alternativasThe US version takes out about 9 minutes of the film and changes a lot of the dialogue.
- ConexõesEdited into Godzilla Tales: Godzilla World Tour 2020 (2020)
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- How long is Godzilla 2000?Fornecido pela Alexa
- Is this the only time Godzilla is actually green in a film?
- What are the differences between the US Version and the original Japanese Version?
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Godzilla 2000: Millennium
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 10.037.390
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.407.720
- 20 de ago. de 2000
- Faturamento bruto mundial
- US$ 12.924.063
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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