Pode Bater que Ela é Francesa

I saw this movie back in 2002 when it came out, luckily I went to the cheap theater. Imagine my surprise when I saw a preview on ABC for a new movie, the "Premiere," they were saying. I watched the preview and the more times I saw it the more I insisted to family and friends that I had seen this film. They pointed out it was an "ABC Family Original," and this was the premiere, no way could I have seen it. Raunchy cheerleader moves, flippy hair, French student, girly cat fight, lots of posturing in front of mirrors, yeah I've seen this movie. However, ABC decided to get a little more PC (guess we're on better terms with France,) and they changed the title to "She Gets What She Wants."

She Gets What She Wants, also known as "Slap Her, She's French," this little movie is about a solipsistic Texas high-school cheerleader named Starla (Jane McGregor), whose family takes in a foreign exchange student from France named Genevieve (Piper Perabo). The plot then devolves into a less subtle version of Mean Girls (2004) with the Genevieve becoming popular at school, stealing the affections of the family and taking Starla's place on the cheer- leading squad. Will young Starla be able to take her social life back or will the conniving Genevieve successfully ruin her future.

This movie was released overseas mere months before the invasion of Iraq and wasn't given a TV release in the United States until 2005. By that time freedom-fries were all the rage and Franco-hatred was on the rise. The creators probably felt there was finally a market for this unfairly shelved movie. Thing is this movie is less about Americans hating on France's stance on Iraq than it is a sardonic and satiric look at American culture told from an outsider's perspective. Starla, our protagonist is so insulated to the trappings of American life that she doesn't realize there's something very off about Genevieve. The final reveal at the end of the film only reinforces that idea that our culture as a whole conditions us to be self-centered, confrontational and petty. Even if that comes at the cost of our reputation. Now, in 2015 we've stopped eating freedom-fries but there's not a chance in hell we're eating humble pie.

Many of the negative reviews of this film are obviously written by francophiles who have had their feathers ruffled by the original title and apparently haven't actually seen the movie. Slap her She's French makes fun of generically American and more specifically Texan culture, FAR more than the French. I was delighted(and surprised)to find this a very well acted and cleverly written teen comedy that provided a vehicle for showcasing the talents of a number of young actresses. The film does stereotype and titillate but it is a teen comedy and they tend to do that. Those who are offended by such things should consider therapy to get over themselves or simply avoid this genre. Personally I was too busy laughing to be bothered.

Rating: 12 Stars: Piper Perabo, Jane McGregor Theme: Teen comedy Violence/Language/Nudity: Comedy violence and occasional strong language

Very few films these days have a title which deserve the applause this one does. Regardless of the quality of the movie, Slap Her.She's French is simply a brilliant, and completely unexplained, title. So after worshipping one of the funniest film titles of all time, is the movie any where near as good as the name promises. Well, no. But then the title is a lot to live up to, so its not to say that the film isn't any good at all. A French foreign exchange student comes to stay with a stereotypical hicksville Texan family and their beauty pageant winning daughter. The French girl, however, is not all that she seems. Essentially this film abuses the French and the Texans, so far its appealing to most Brits.

The story is pretty predictable, as are most of the jokes. The characters are all stereotypes, conforming to tried and tested formulae. Slap Her. sets itself up as an inferior version of Drop Dead Gorgeous. The narrative is slow to start and when it eventually does, has plot holes the size of the Lone Star State. Not all the jokes miss the mark though. For every couple of missed funnies, there is one laugh out loud moment. Some of the set pieces are neat and will appeal to the audience with a slightly more discerning tastes, but these moments are rare and unappreciated by the film's creators. You can't help but feel that had this been made by a British team the humour would have been that bit more subtle and consistent. The narrative itself is incredibly slow to start, something which could have been avoided had the director (Melanie Mayron) realised that we already knew everything she was telling us about her characters. A montage sequence would have been far more successful method of exposition.

The performances are varied. Perabo as the "obviously" French Genevieve is either wasted or just plain useless, we can only hope its the former. McGregor's Starla (even the name's obvious) is over the top but appealing. The supporting cast often fair better, but are hideously underdeveloped. The entire lesbian relationship sub plot of Starla's two best friends comes and goes without rhyme nor reason. Starla's mum (Julie White) and her alcoholic ice tea habit could have been a thread worth developing, but there is no reason for it being mentioned at all with the script the way it stands. Even Starla's consumption of an entire flask of her mum's favourite tipple fails to create any humour from her inevitable drunkenness. Starla's saviours are her brother (Jesse James) and school newspaper photographer Ed (Trent Ford). Neither of whom are used anywhere near as much as they should have been. These actors and their performances suggest that this movie could have been so much more than it is, had the actors been given the script that you get the impression could have existed.

Many of the movies problems stem from the sensation that there was originally a much larger and more complete script that followed through some of the story lines suggested in the final piece. It is almost as if the makers didn't want to offend anyone too much and therefore removed lots of the superior narrative. This all leads to an average movie that could have been so much more. Never quite reaching straight to video levels, this is never going to be a classic in the vein of Ten Things I Hate About You, which it easily could have been. As a Sunday night diversion Slap Her.She's French is acceptable. There are enough laughs to prevent you feeling cheated, and a slightly warm fuzzy feeling that you just can't help getting in your stomache. This is simply a teen comedy which missed the opportunity to be a classic of the genre, and you just can't help feeling that it really could have been a contender.

Mark: 5/10 Who to go with: Your girlfriend or younger sister

OK, I'll go out on the limb here by stating that I really liked this movie, and was pleasantly surprised by it. This flick simply does what it says on the cover: a comedy that is actually funny, rather than gross or grotesque. There is a real story, real development, a real turn-around, real acting; the plot is funny, as are the quotes and dialogues ("Our love dried up like a three day-old croissant!") and the running gags (such as the students adopting "Ouais!" as their interjection-du-jour in an attempt to emulate Geneviève, or Starla's alcoholic mum's fixation on her "special" ice tea); in fact, and especially considering the movie's provenience and target audience, the humour is often astoundingly dark. This is all the more laudable as both cast and production are sort of B-listish (by fame, not performance).

My only brickbat would be that I thought that Starla's magic conversion from teenage queen-bee to "real person" with concomitant change of boyfriend was predictable, moralistic, unnecessary and naff.