O Filho de Jesus

It's not "Panic in Needle Park" 1975 or "Rush" 1991. It's not heavy at all. True, the subject is about the drug scene in the '70's, but how can anything be heavy with Jack Black in it? (Yes, the one who delivered a surprisingly impressive singing at the finale of John Cusack's passion "High Fidelity" 2000). JESUS' SON is neither your usual Hollywood glamorized drug movie.

I was skeptical when I first heard about this film in Dec. '99 -- another one on drugs. Then when the trailer started, it grew on me. The image of framing an arc of a wreath above Crudup's head was the crowning influence that I must see this movie. In any case, Billy Crudup and Samantha Morton are quite an intense pairing.

The whole film seems like it's on it's own trip (pun intended). Crudup is FH, a rather lovable character. He is actually a shy person. Now and then he emits a sense of humor and it comes across so innocently -- you just can't blame him. He's trying to do right. Billy Crudup carried the picture from beginning to end. We see him and hear him narrating. The words uttered are eloquent. Crudup's clear enunciation adds to the fluidity of the text that we're hearing throughout the film.

Watching this film is rather like playing an album, you can go back and forth just by lifting the turntable needle. The vignettes are different tracks: on the road trip with Jack Black and the rabbits, and dealing with the knife in the head emergency case during a hospital shift (with Jack Black contributing his comic rhythm and delivering his lines equally fun to hear); shaving Dennis Hopper and interviewing him at the same time; interactions with Holly Hunter before and after AA meetings; staff routines at the senior home in Phoenix; repeatedly watching the Amish couple through the window glass; going to Denis Leary's house and the aftermath; of course, the interludes and episodes with Samantha Morton as Michelle. Humor is ever present.

Bravo to the script by three screenplay writers, based on Denis Johnson's short stories, and kudos to director Alison Mclean. She directed a film with such clarity and simple strokes. Billy Crudup would be the reason to see this film if not anything else, he exudes a halo of light about him -- his angelic face, even with his coy whiskers, still has a certain innocence about him, and according to FH, he does have ominous feelings in him of what to come. Jesus' son, he very well is. Enjoy this film, it's an excellent effort and production all round, including the soundtrack music and songs of the 70's.

Don't miss "Without Limits" 1998, another Billy Crudup must-see, if you haven't yet.

This film was buried here- apart from the acclaim in 'Uncut' magazine; I didn't manage to see this 'til this year. My initial viewing was a little underwhelmed- being a fan of Johnson's book I had worked this up to impossible heights in my mind. However, on a second viewing I enjoyed the film more- the nouvelle-vague via Scorsese editing & structure seemed much better 2nd time around.

The film is closest to 'Drugstore Cowboy'- though parts such as the split-screen or the digital editing as F***head takes pills in the Emergency Room could have come from 'Requiem for a Dream'. The source stories have been extended and made more cohesive- as with the adaptation of Hubert Selby Jr's 'Last Exit to Brooklyn' by Uli Edel.

The film is wonderfully shot- a great scene is the drive-in/cemetery that plays 'Carnival of Souls' (though I thought I saw Samantha Morton caught in an almost Anton 'Depeche Mode' Corbijin style!); imagine 'Zabriskie Point' without the metaphysical masturbation...

The acting is uniformly great- Crudup & Morton are fantastic leads, while Denis Leary, Greg Germann, Holly Hunter are among the excellent supports. The short Dennis Hopper shaving scene is one of the greatest pieces of cinema I have seen in recent years; while Jack Black almost steals the film with his amusing "listen to my shoes". And Denis Johnson is great as hunting knife in eye guy. Oh and Will Patton pops up as 'John Smith'- still he was in 'The Postman', so not quite yet forgiven.

The soundtrack (chosen by Johnson) is great- Neil Young's 'Cowgirl in the Sand', Wilco's 'Airline to Heaven' & 'She's a Jar', 'Hang on Sloopy' and the great score. The highlight is Morton's gyrating dance to 'Oh Sweet Pea'- almost as great as that dance scene ripped off for 'Pulp Fiction' from Godard's 'Bande a Part'.Only quibble is- where was 'Heroin' by The Velvet Underground?

'Jesus' Son' is a touching, funny, and tender film that deserves to find an audience. There are too many great moments here- Hunter's arm waving in the air, Beverly Home, the Amish, the laundry scene, the ER scene, the rabbits roadtrip etc. Terribly depressing that mediocrity like 'Human Traffic' & 'Trainspotting' finds an audience here- but a film like this isn't allowed to (except at a few arthouse cinemas). Pity- and Alison MacLean's debut 'Crush' is also excellent; here's to possible adaptations of Denis Johnson's 'Already Dead' & 'The Name of the World'- by David Lynch and Paul Schrader respectively (hopefully)...Check out Johnson's books- as this film's use of voiceover stems right from them.

Beautiful, humane film filled with menagerie of "off-the-wall" (sorry) supporting characters. This film succeeds where all other "drug films" fail. It doesn't cram a message down your throat. It's not concerned with retreading the territory of "Trainspotting" or its clones. It has similar scenes, but the tone is completely different. Billy Crudup also delivers his real star-making performance (this came out before "Almost Famous") as a young man whose name begins with an 'F' and ends with an 'uckhead'. His rambling narrative makes this film seem more like a friendly anecdote than a wittier-than-thou voice-over which always seems to do more to flatten out a film than to expand it. This film uses drugs as a vehicle to show how all of us need some sort of redemption, but we have to get it on our own terms.

I enjoyed this, it's different. The plot is non-linear, but that doesn't really matter. It contains scenes that may disturb, but for one reason or another, I forgot to be disturbed. The acting is very good, I don't think I'd ever seen a Billy Crudup film before, and came away with a new name to search for. The soundtrack is excellent, the humour is odd, but it's the supporting cast which make the film; the cameo's are all spot on. I dislike Denis Leary, but he's good here, I wasn't a particularly big fan of JB Jack Black either, but he shines here and I saw him in a new light.

Low budget, sure, more films could do with the charm of this one, it tries to do something different, and I think it's a winner.

"Searching for Meaning" could be the title of the movie as well as of the reactions of many people who didn't want to see below the mixed-up surface of the film. The story is the random ramblings of a reformed drug addict looking for some meaning to life, death, and the difference between the two.

There are some interesting symbols: a man with Jesus' heart, a singing Menonite mermaid in a shower, drugs as an escape from the drug called life, etc. Not the average stuff of a mainstream movie which explains why this is an independent film.

We go along on an oddly comic journey during which we contemplate the price we pay for our dreams, explore the way we hide our deformities from the world, realize that we pretend to be normal because we want to be normal -- whatever normal is. We all want to find our place in a strange world where we have to consider the answers to the questions "Why did God make us?" and "Why did God make us the way we are?"

The solution to the riddles seems to be connecting with all our fellow riddlers, realizing that we'll understand someday what it all means.

This is a disturbing, funny, sad film -- not for everybody, but an interesting experience for people who don't mind thinking about what is being shown on the screen.