Bater ou Correr

Pairing Jackie Chan and Owen Wilson together may seem the most unlikely thing to do since color televisions were first invented. But both of these actors are funny, in one way or another--Chan through his innocence, Wilson through his sarcastic, snide remarks. Wilson is as impressive an actor as he is a writer--he shares writing credits on such films as "Rushmore" and "The Royal Tenenbaums."

Chan, on the other hand, is a better martial arts master than Jet Li and a more likable character actor than Chow Yun Fat (whose disastrous film "Bulletproof Monk" made me want to split his head open to prevent him from ever making another American mainstream motion picture ever again).

In "Shanghai Noon," Chan plays Chon Wang, a 19th century Chinese martial arts master who ventures out to Nevada in order to rescue the kidnapped Princess Pei Pei (Lucy Liu), whose name is misused by Roy O'Bannon (Wilson) on at last one occasion.

After Chon Wang (mistakenly pronounced "John Wayne") meets up with Roy, the two decide to form an alliance and rescue the princess -- one for honor, the other for loads of money awaiting them upon her safe arrival back home in Imperial China's Forbidden City.

Roy is a lousy wannabe cowboy who used to stage clumsy train robberies along with his band of thieves, who betrayed him and left him for dead. He offers his help to Wang, and tries to play it cool, but he can't -- after all, he's not a very convincing cowboy. But, as the smarmy wisecracking sidekicks always are, O'Bannon just wants money. But as his friendship with Chan grows stronger, he realizes that money isn't everything.

Sounds routine, doesn't it? Well, it is, to a certain extent. But it succeeds due to a fine cast -- Chan and Wilson are extraordinarily good together; so good, in fact, that Chris Tucker is just a forgotten memory by the time that the film is over.

It's a classic spin on the Old West formula; what "The Princess Bride" or "Shrek" did for fairy tales, "Shanghai Noon" does for Westerns. All the old cliches are poked fun at in a light way. And as great as Chan is, and as much as he carries most films he's in with his sweet charms and likable personas, Wilson comes across as equally likable as Chan.

Chan's martial arts are usually the highlights of these films, but in this he proves he can do more than just kick -- he can be funny. Well, okay, he proved that in "Rush Hour" (1998), but I like this better.

The jokes in "Shanghai Noon" aren't "great," but I laughed a lot at this film. It's smarter than one might think, and is certainly one of the most enjoyable experiences I've had in quite some time. Probably years. I wasn't expecting much (especially because I wasn't an enormous fan of the sequel--see below), but if fun could be rated on a scale of 1 - 10, this would be an 11.

I give this film nothing more than four out of five stars because it's not a great film on all critical levels. But it's certainly fun--likely more fun than any film you'll see for quite some time--and for that it will soon be earning a place in my sacred DVD collection.

I must say that I wasn't a huge fan of "Shanghai Knights," the sequel to "Shanghai Noon," which involved Chon Wang and Roy O'Bannon venturing to England in order to save Wang's sister. But after seeing this film I'm thinking I might just have to pay a small revisit the sequel again.

4/5 stars.

• John Ulmer

'Shanghai Noon' is a western-comedy starring Jackie Chan and Owen Wilson. Chan is Chon Wang (sounds like John Wayne) and Wilson is Roy O'Bannon, a perfect name for the outlaw he is. Wang is in the USA because he has to save a princess, played by Lucy Liu. He and O'Bannon have to work together, why and how is not important at all.

What is important is the fun they have together, and therefore the fun we have while watching that. We have the usual Jackie Chan martial art and this time it is combined with the very funny Owen Wilson talking. For some reason I like him in almost every movie and here he gets at least one laugh in every scene. Try not to think too much and you must be able to enjoy this movie as much as I did.

The film is developed in the Forbidden City , Being , 1881 , and begins when the Chinese princess (Luci Liu) is kidnapped by the villain Fong (Yuan) and asking for a rescue . A faithful servant named Wang (Jackie Chan) follows the tracks until Nevada, and along the way he teams up with a roguish gunfighter (Owen Wilson). Once in the West they will confront Indians , a treacherous sheriff (Xander Berkeley) and perfidious Chinese people.

The motion picture displays Western action , humor with tongue-in-cheek , spectacular struggles in Jackie Chan style and results to be pretty funny. Jackie Chan and Owen Wilson create an enjoyable and amusing couple . The highlights of the movie are the breathtaking movements executed by Jackie Chan himself , as he goes into action with his kicks , bounds and leaps . It's usual in Chan movies to form enjoyable duos , -in buddy movie style- , as male partner : Chris Tucker (Rush hour I, II and III) , as female: Jennifer Love Hewitt (The Tuxedo) and Claire Forlani (The medallion) and this one to pair off splendidly with Owen Wilson . Furthermore, Chan owns a funny horse, Jolly Jumper-alike from Lucky Luke series . The movie gets a glimmer cinematography and appropriate music score accompanying to action by Randy Edelman , composer along with Trevor Jones , of the classic soundtrack for ¨The last Mohican¨. The film was well directed by Tom Day and followed by a inferior sequel : ¨Shanghai knights¨ , set in 1887, London , where our two friends recover a valuable royal jewel robbed in the forbidden city.

Great fun!

Jackie Chan brings his brand of physical comedy to Hollywood with another buddy movie. Similar to his "Rush Hour" series with Chris Tucker, Chan sets this one in the American old west and chooses Owen Wilson as his partner.

I like these better than the Rush Hours. Tucker and Owen are both excellent playing opposite Chan in both series, but the Shanghai series seems to offer Jackie better venues for his elaborate fight sequences. Saloons, brothels and even wilderness settings are used with great success.

And make no mistake, the fight sequences are what make (or break) a Jackie Chan movie. "Fight sequence" of course means something different in a Chan movie as opposed to normal action fare. Rather than true violence, Jackie's fight scenes are more Vaudeville than "Pulp Fiction". More Chaplin than Jet Li. Each fight is painstakingly choreographed to interact with the set surrounding it. Tables, chairs, vases, antlers, shrubbery... the list goes on.

A successful Jackie Chan movie seems to contain a comedy-oriented story, a lightly delivered moral message, and lots of action. Shanghai Noon certainly delivers here.

I spent the entire movie either chuckling to myself or laughing out loud, and had a very satisfied smile when the credits rolled. Highly recommended.

7 out of 10.

Jackie Chan does it again; this time with "Shanghai Noon." Unlike his previous films, Jackie has finally found a sidekick that works well alongside him and is able to play off of his physical stunts.

"Shanghai Noon" is unlike any other Jackie Chan movie I have seen. It is his best since "Rush Hour" and is among one of the best all-action movies that I've seen with an actual plot behind it.

After watching previous Jackie Chan movies such as "Rush Hour" and "Rumble In The Bronx, I was expecting to be dazzled with his comedic talent as well as action filled sequences. I was pleasantly surprised to learn it had every one of the components and requirements that I require for a good movie.

Owen Wilson was comedic treat to this film as he added spark to an already great movie. Other than the cliché plot, "Shanghai Noon" brings a lot of excellent comedy, dialogue, action, thrills and even a little romance. I was expecting Owen Wilson to be similar to Chris Tucker, but in "Shanghai Noon" Wilson proved himself to be much better than other Jackie Chan sidekicks I've seen him teamed with.

I was glad I rented this movie so I would be able to recommend it to everyone.