Adicionar um enredo no seu idiomaTonio, pretty Micheline's fiance, meets Georgia ,a gypsy who makes advances to him.Tonio, pretty Micheline's fiance, meets Georgia ,a gypsy who makes advances to him.Tonio, pretty Micheline's fiance, meets Georgia ,a gypsy who makes advances to him.
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Perhaps the only movie starring chanteur Tino Rossi which is not a complete vehicle for him ; the songs are ok for these whose taste runs that way,the others may regret that the lyrics were not written by Prévert .
Pierre Billon was an estimable director ,too often unfairly forgotten ; when he was given good material he was able to make interesting works ("Vautrin" " L'homme au chapeau rond" "Ruy Blas " "Agnès de Rien " ): here the dialogue was written by Jacques Prévert ,and his lines are on a much higher level than the average Rossi film ; bitter meditations on love, on beauty and ugliness,on life; besides the cast is excellent and features Pierre Brasseur,Charles Vanel ,Micheline Presles , who easily outclass the principal .Even Jacques Prévert's brother, Pierre , appears as the harbor's idiot .
Borrowing from Marcel Pagnol (the atmosphere of the café, the joie de vivre ) ,from Marcel Carné (Pierre Brasseur's ambiguous character who seduces the heroine with his islands in the sun ,a recurrent feature of the pre-WW 2 French cinema ) and from Julien Duvivier (the offbeat blackness of the scenes in the mas -Camargue farm -); in spite of Rossi's wooden acting and of the triteness of the love story ,the movie survives ; besides the twillight scenes on the Camargue swamp are admirably filmed by Louis Page.
Based on a short story by Pierre Galante who would later marry (and divorce) the great Olivia De Havilland.
Pierre Billon was an estimable director ,too often unfairly forgotten ; when he was given good material he was able to make interesting works ("Vautrin" " L'homme au chapeau rond" "Ruy Blas " "Agnès de Rien " ): here the dialogue was written by Jacques Prévert ,and his lines are on a much higher level than the average Rossi film ; bitter meditations on love, on beauty and ugliness,on life; besides the cast is excellent and features Pierre Brasseur,Charles Vanel ,Micheline Presles , who easily outclass the principal .Even Jacques Prévert's brother, Pierre , appears as the harbor's idiot .
Borrowing from Marcel Pagnol (the atmosphere of the café, the joie de vivre ) ,from Marcel Carné (Pierre Brasseur's ambiguous character who seduces the heroine with his islands in the sun ,a recurrent feature of the pre-WW 2 French cinema ) and from Julien Duvivier (the offbeat blackness of the scenes in the mas -Camargue farm -); in spite of Rossi's wooden acting and of the triteness of the love story ,the movie survives ; besides the twillight scenes on the Camargue swamp are admirably filmed by Louis Page.
Based on a short story by Pierre Galante who would later marry (and divorce) the great Olivia De Havilland.
Mediterranean fishing villages and misty Camargue flatlands. Fisherman Tonio (Tino Rossi)'s high tenor voice obviously makes him a babe magnet, but he has promised to be faithful to his cheerful and homely yet fiery fiancée Micheline (Presle), who herself has to fend off the approaches of scooter-boy Francis (René Alié) and wide-boy market trader Gabriel (Pierre Brasseur). Tonio is kind to the local innocent, so we basically know where we stand.
But he goes to the mas, the Camargue farm of strange old Charles Vanel, where he meets his discontented and shapely wife Georgia (Germaine Montero). If a gitan wife isn't happy, she smoulders morosely, she has the right to leave. Tonio can't think of a song to get himself out of this one. Oh, turns out he can.
For me the film takes off when the Camargue landscape adds a bit of menace, Montero appears, Vanel all-too-briefly stops Tino Rossi from singing, and Brasseur flirts with Presle. Quite enjoyable in the end.
But he goes to the mas, the Camargue farm of strange old Charles Vanel, where he meets his discontented and shapely wife Georgia (Germaine Montero). If a gitan wife isn't happy, she smoulders morosely, she has the right to leave. Tonio can't think of a song to get himself out of this one. Oh, turns out he can.
For me the film takes off when the Camargue landscape adds a bit of menace, Montero appears, Vanel all-too-briefly stops Tino Rossi from singing, and Brasseur flirts with Presle. Quite enjoyable in the end.
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By what name was Le soleil a toujours raison (1943) officially released in Canada in English?
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