Uma repórter investiga uma série de mortes atribuídas a uma lenda urbana sobre uma fita de vídeo que provoca a morte de quem a assiste depois de 7 dias. Porém, logo ela descobre que a lenda ... Ler tudoUma repórter investiga uma série de mortes atribuídas a uma lenda urbana sobre uma fita de vídeo que provoca a morte de quem a assiste depois de 7 dias. Porém, logo ela descobre que a lenda pode ser mais real do que ela imagina.Uma repórter investiga uma série de mortes atribuídas a uma lenda urbana sobre uma fita de vídeo que provoca a morte de quem a assiste depois de 7 dias. Porém, logo ela descobre que a lenda pode ser mais real do que ela imagina.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 vitórias e 1 indicação no total
- AD Okazaki
- (as Yanagi Yûrei -yûjô shutsuen-)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Again, not because the movie is bad per se, but because they're not used to what Japanese people watch in terms of storytelling! Some even laughed at very serious moments or even scary moments. So this shouldn't be necessarily your first Asian movie you watch, but if you can cope with those minor "flaws" (for most western audiences that is sadly true, although I myself don't see that as a flaw), than watch this horror movie! It's great! :o)
Still a great piece of horror film making.
The Hollywood version was quite an unsettling experience in it's own right and having seen it first I rather expected 'Ringu' would be a 'ruined' experience as I was already familiar with the overall story and, of course, THE scene. After all, when the scene finally occurs in 'The Ring' the unexpectedness of it very much increases the shock of it. I hadn't been truly frightened by a scene from a horror movie for a very long time so I was unequivocally impressed.
So when I got around to watching 'Ringu' my expectation was low. I assumed that the absence of surprise would diminish the experience greatly but, as it turns out, the difference in the styles (and some of the substance as well) was adequate enough to scare me all over again even though I thought I knew what to expect. Somehow I doubt that this would have been the case if I'd watched these movies in reverse order. I believe 'The Ring' would have been less enjoyable as it likely would have suffered from comparison.
The familiarity actually served as a primer for watching the original. I've found that reading subtitles often detracts from the complete enjoyment of a film as one's appreciation of the visual content usually suffers from the distraction. In this case though, I found it to be less of a problem. Of course it certainly doesn't hurt to have the ability to rewind and in instances where I was unable to finish reading the dialogue completely you can be sure that I made use of it.
The first difference that struck me was the teens found in the car. Like the girl in the closet in 'The Ring' their faces are frozen into grotesque masks, but the more terrifying aspect is that they have been 'gotten to' outside of their homes and all at the same time. This really drives home the realization that there may be no way to escape this thing. Safety in numbers? Nope. Don't go home? Nope, won't help.
'Ringu' is somewhat more detailed in providing background than is 'The Ring'. The demonic child is shown in a scene that was omitted from the copied version and it adds a little something extra to our understanding of this terrifying entity. Also, I found that the valiant attempt to lift the curse by trying to 'free' the spirit from the well was more intense and claustrophobic (not to mention yuckier) than the American film.
But what is it exactly that is so disquieting about both versions? Well, to begin with, the seemingly unrelated, disjointed and positively eerie imagery that is seen on the mysterious videotape really gets under the skin. The first time we see these we are troubled by the strangeness of them and thoroughly perplexed as to their meaning. We come to realize that a seed of uneasiness has been planted within us. The direction is masterful at nourishing this seed not only by showing short repeats of these images, but also by giving us incremental hints of what is still to come. We are briefly shown the well. Briefly again, the beginning of emergence. Briefly again, it's almost out. More and more I found myself getting cold shivers at each progression. The uneasiness is becoming dread.
But there's something else that frightens apart from the film's construction. Is it the ultimate realization that this thing will not be placated no matter the heroic and well-intentioned efforts of the film's principal leads? Yes, that's an acutely chilling slant to be sure. But ultimately, I feel that the most disturbing element is that, were we to find ourselves in this position, we would be faced with a terrible choice - face the horror ourselves or deliberately inflict it on another. Escape it and you condemn your own soul. Now that's some scary sh*t
The basic story is the same: cursed video tape, unexplained deaths, supernatural goings-on, etc. What makes the original so intriguing is its flashbacks of Sadako and her mother, and the child's dangerous psychic abilities early in her life.
Personally, I prefer RINGU's ending, which shows only Sadako's glaring eye through all that hair. It's more effective and a lot scarier! This movie marks the true beginning of the Asian horror explosion...
Você sabia?
- CuriosidadesThe 2001 UK DVD release back cover carries a disclaimer, stating that the distributor accepts no responsibility "for any injuries or fatalities that may occur during or after the viewing of this videocassette."
- Erros de gravaçãoIn a close-up of Sadako in the end scene, one of her fake finger extensions is coming off.
- Citações
Yoichi Asakawa: You know what, Mother?
Reiko Asakawa: Yes?
Yoichi Asakawa: Tomo-chan watched the cursed video!
- ConexõesEdited into Diminishing Returns: Diminishing Returns Are Dead (2022)
- Trilhas sonorasFeels Like 'Heaven'
Performed by HIIH
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 1.200.000 (estimativa)
- Faturamento bruto mundial
- US$ 362.944
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1