AVALIAÇÃO DA IMDb
6,9/10
1,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDuring the currency devaluation by the Edo treasury, officer Hanzo deals with a temple priestess who sells her pupils as prostitutes, and a notorious thief who plans to rob the mint.During the currency devaluation by the Edo treasury, officer Hanzo deals with a temple priestess who sells her pupils as prostitutes, and a notorious thief who plans to rob the mint.During the currency devaluation by the Edo treasury, officer Hanzo deals with a temple priestess who sells her pupils as prostitutes, and a notorious thief who plans to rob the mint.
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Avaliações em destaque
From the dead naked girl in the beginning of the movie to the naked and bald abortionist, this movie delivers whatever fetishes you cannot find elsewhere. And, for those of you who like rape, there is rape...
Shintaro Katsu has created a character that is at the same time highly moral and deviant. He fights his way up the ladder of government officials to find the most corrupt. Along the way, he kills, rapes and hides in a closet for a while.
Who should see this movie? Any male for who Mathew Broderick is an abomination and any woman under the age of twenty five who listens to industrial goth (and can read the subtitles). This movie is NOT for those with "standards"...
Shintaro Katsu has created a character that is at the same time highly moral and deviant. He fights his way up the ladder of government officials to find the most corrupt. Along the way, he kills, rapes and hides in a closet for a while.
Who should see this movie? Any male for who Mathew Broderick is an abomination and any woman under the age of twenty five who listens to industrial goth (and can read the subtitles). This movie is NOT for those with "standards"...
I mean, it's better than the first, because it might have been a tiny bit less gross and there was definitely more action, which I appreciated. All those traps and weapons he revealed in his house in the first are actually utilised here, which was cool.
Unfortunately, there's still a lot of gross and unpleasant stuff, and it doesn't really seem to serve a purpose or say anything truly insightful through such confronting material. Hanzo himself is still ridiculously unlikable, even if you can tell Katsu is giving it his all, and as such it's just hard to care when he's so gross in his behaviour and actions.
It drags in places, and even if it wasn't unpleasant it still wouldn't be great, but at least some of it works as a sort of "turn your brain off and enjoy" bloody action movie. If you want that kind of sleazy samurai film done well, though, which doesn't cross the line into being too uncomfortable, I'd recommend the Lone Wolf and Cub film series made around this time.
Unfortunately, there's still a lot of gross and unpleasant stuff, and it doesn't really seem to serve a purpose or say anything truly insightful through such confronting material. Hanzo himself is still ridiculously unlikable, even if you can tell Katsu is giving it his all, and as such it's just hard to care when he's so gross in his behaviour and actions.
It drags in places, and even if it wasn't unpleasant it still wouldn't be great, but at least some of it works as a sort of "turn your brain off and enjoy" bloody action movie. If you want that kind of sleazy samurai film done well, though, which doesn't cross the line into being too uncomfortable, I'd recommend the Lone Wolf and Cub film series made around this time.
overly endowed Samurai who doesn't take sh^# from anyone is back in the sequel to "Sword of Justice". Hanzo 'The Razor' Itami ( Shintarô Katsu, best known for the Zatôichi films) returns with his two ex-con assistants to kick more ass, rape more women, train his penis more, more corrupt government officials, and generally do away with more evil doers. This one adds demonic abortions, S&M clubs, and the best looking bald chick this side of Lt. Uhura. A bit more perverse and a lot more violent, this film as well as the whole trilogy is only recommended for the more adventurous, but if you approach it with an open mind you will NOT be disappointed. NOT for the PC crowd, and all the better because of that. But sometimes more is less. The film feels more like a retread in spot, and not as good as the original or the third one, but still watchable, even if it's the worst of the series.
My Grade: C+
DVD Extras: Merely Trailers for all 3 Hanzo the Razor films
Eye Candy: 18 breasts. 1 ass
My Grade: C+
DVD Extras: Merely Trailers for all 3 Hanzo the Razor films
Eye Candy: 18 breasts. 1 ass
Proud and well-endowed Edo lawman Hanzo 'The Razor' Itami (Shintarô Katsu) returns for a second adventure, this time directed by Yasuzo Masumura, who makes his movie even more depraved (and therefore even more enjoyable) than Kenji Misumi's reasonably sleazy first instalment, Sword of Justice.
This time around, Hanzo leads an investigation into the death of a young woman, who underwent an abortion procedure shortly before carking it (Hanzo arrives at this conclusion by shoving two fingers up her bloody cooch; Sherlock Holmes, he ain't!!). Suspecting the involvement of a local priestess, Nyokai, who is known to help ladies 'in trouble', Hanzo sneaks into the Kaizan temple, where he discovers the existence of an operation that caters for rich traders willing to pay handsomely to carry out acts of sexual perversion.
At his personal torture chamber, Hanzo ruthlessly interrogates the priestess, but when inflicting pain fails to make her talk, he decides to use another method to loosen her lips (phnarr, phnarr!): he unleashes the beast in his pants. This does the trick, for once a woman has felt the pleasure of Hanzo's massive schlong, it seems that she will do absolutely anything to prolong the experience. Unable to control herself, Nyokai gives Hanzo the name of the man who is profiting from her nefarious activities: Lord Treasurer Okobo.
With his hatred of corruption, and a total disregard for authority, Hanzo is determined to bring the evil official to justice, but must first apprehend Japan's most wicked thief, Shobei Hamajima, who is planning to steal the gold from the Edo mint.
Technically, Masumura's film is superb, with excellent direction, beautiful photography, well choreographed swordplay, an excellent funky soundtrack, and a plot that I found easier to follow than Sword of Justice, despite being just as convoluted. And despite the fact that The Snare recycles many of the elements from the first film, it's more outrageous sex and gore guarantees another thoroughly satisfying experience for those exploitation fans who enjoyed the original: as in Sword of Justice, Hanzo subjects himself to bizarre tests of endurance, rigorously working out his wang by beating his meat and rogering rice bails, but he also places his legs under massive weights, almost breaking his bones; once again, Hanzo offs a horde of attackers with his booby trapped house, only this time there is a lot more blood (there is also some extreme arterial spray during a nasty robbery by Shobei and his gang); and of course, there is plenty of misogyny and violent sex, and the depiction of rape—particularly as a pleasurable experience for the victim—proves to be even more unsettling than before.
This time around, Hanzo leads an investigation into the death of a young woman, who underwent an abortion procedure shortly before carking it (Hanzo arrives at this conclusion by shoving two fingers up her bloody cooch; Sherlock Holmes, he ain't!!). Suspecting the involvement of a local priestess, Nyokai, who is known to help ladies 'in trouble', Hanzo sneaks into the Kaizan temple, where he discovers the existence of an operation that caters for rich traders willing to pay handsomely to carry out acts of sexual perversion.
At his personal torture chamber, Hanzo ruthlessly interrogates the priestess, but when inflicting pain fails to make her talk, he decides to use another method to loosen her lips (phnarr, phnarr!): he unleashes the beast in his pants. This does the trick, for once a woman has felt the pleasure of Hanzo's massive schlong, it seems that she will do absolutely anything to prolong the experience. Unable to control herself, Nyokai gives Hanzo the name of the man who is profiting from her nefarious activities: Lord Treasurer Okobo.
With his hatred of corruption, and a total disregard for authority, Hanzo is determined to bring the evil official to justice, but must first apprehend Japan's most wicked thief, Shobei Hamajima, who is planning to steal the gold from the Edo mint.
Technically, Masumura's film is superb, with excellent direction, beautiful photography, well choreographed swordplay, an excellent funky soundtrack, and a plot that I found easier to follow than Sword of Justice, despite being just as convoluted. And despite the fact that The Snare recycles many of the elements from the first film, it's more outrageous sex and gore guarantees another thoroughly satisfying experience for those exploitation fans who enjoyed the original: as in Sword of Justice, Hanzo subjects himself to bizarre tests of endurance, rigorously working out his wang by beating his meat and rogering rice bails, but he also places his legs under massive weights, almost breaking his bones; once again, Hanzo offs a horde of attackers with his booby trapped house, only this time there is a lot more blood (there is also some extreme arterial spray during a nasty robbery by Shobei and his gang); and of course, there is plenty of misogyny and violent sex, and the depiction of rape—particularly as a pleasurable experience for the victim—proves to be even more unsettling than before.
I am a huge Shintaro Katsu fan. He is mostly famous for portraying Zatoichi the blind swordsman in literally dozens of films and television episodes. Katsu is probably one of the greatest actors that ever lived and is absolutely the best action flick icon of all time. Hanzo the Razor is a fairly drastic departure from Zatoichi in many respects. Yeah, both both series of films are Samurai flicks and great ones but the characters and feel is very different. Zatoichi is basically a nice guy...sure hes a gambler, killer, bum, and woman chaser but he actually feels badly after he dices up a horde of bad guys. Hanzo is a lawman...a very dedicated lawman who will literally stop at nothing to do his job. He makes Matt Dillon look like Barney Fife. The Hanzo films are extreme to an outrageous degree. The blood flows like Niagara Falls, Hanzo has no problem torturing folks during interrogations, he does his own autopsies using mostly his fingers, and he his pretty much a rude jerk to everyone he encounters. During the course of this film Hanzo allows himself to be buried alive in order to infiltrate the bad guys' compound, he battles ninjas, hordes of thugs, a satanic witch giving abortions, evil nuns, corrupt government officials, macho samurai, and a gang of gnarly mass murdering thieves.
If all else fails....threats, torture, insults, etc. Hanzo rapes any woman who withholds information (including the good ones!!???) It seems that Hanzo's reproductive appendage is so enormous that any female will spill her guts to receive more of Hanzo's "pleasure" torture. Also nicknamed the "razor", our hero is the envy of all the other men in town....not to mention the most feared.
If you like Samurai flicks and you want something bloody, lurid, and featuring Shintaro Katsu you can't go wrong here. Not for the squeamish or easily offended...not hardly!!! I liked it but even I must say there were numerous scenes where I found myself thinking....you got to be kidding me...he didn't just do THAT????
A real can't miss for fans of Shintaro Katsu or Zatoichi the Blind Swordsman. While Hanzo the Razor is not the friendly blind guy it is fascinating just the same.
If all else fails....threats, torture, insults, etc. Hanzo rapes any woman who withholds information (including the good ones!!???) It seems that Hanzo's reproductive appendage is so enormous that any female will spill her guts to receive more of Hanzo's "pleasure" torture. Also nicknamed the "razor", our hero is the envy of all the other men in town....not to mention the most feared.
If you like Samurai flicks and you want something bloody, lurid, and featuring Shintaro Katsu you can't go wrong here. Not for the squeamish or easily offended...not hardly!!! I liked it but even I must say there were numerous scenes where I found myself thinking....you got to be kidding me...he didn't just do THAT????
A real can't miss for fans of Shintaro Katsu or Zatoichi the Blind Swordsman. While Hanzo the Razor is not the friendly blind guy it is fascinating just the same.
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- ConexõesFollowed by Goyôkiba: Oni no Hanzô yawahada koban (1974)
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By what name was Goyôkiba: Kamisori Hanzô jigoku zeme (1973) officially released in India in English?
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