Lobo Solitário - Contra os Ventos da Morte

It seems that with this movie, the third out of the Kozure Ôkami-series, they picked a sort of different approach. This time the movie gets a bit more personal and dramatic, which goes at the expense of the movie its action. However once you get over this and get more into the movie itself, you'll still be grabbed and entertained by it as well.

It's not even fair to say really that this movie does not have enough action in it. The movie still features quite a lot of fights and at the end Ogami Itto even takes on a whole army by himself. Still by comparison it's all a bit toned down and there is also less blood. The entire series is basically known for its fountains of blood but this movie does not provide the best example of this.

It's less entertaining but its a more solidly written story than its predecessors, as it seems. The first two movies were mostly adventurous ones in which lone wolf and cub wandered the country, meeting all kinds of people and getting into all kinds of problems. This movie does more clearly follow one story-line, that from beginning to end is basically all connected, without ever wandering off with its story and follow some side plots with it. Not everybody will like this and I must admit that I wasn't too fond about the approach the movie was taking at first but as the movie progresses it becomes more solid and you can also tell what the movie was heading towards to during its first half.

It seems like a weaker movie out of the series at first but once things start to take off you should be able to appreciate it different approach and see this movie as simply yet another great once within its great series.

8/10

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The 'Lone Wolf And Cub' series continues with its third outing, this time seeing its eponymous assassins help out an unwilling would-be prostitute by taking her place for punishment. It's probably the most 'noble' thing that its stoic anti-hero has done thus far, even if volunteering for torture seems far less convenient than just killing his aggressors (which we know he is capable of doing and usually willing to do so). After this, the assassins (yes, Diagoro is an accessory to most of the killings) are given the task of taking out a corrupt official, which leads to an absolutely fantastic finale that sees the pair take on what's seemingly a hundred foes at once. As usual, the baby cart has a few surprises in store for the protagonist's enemies (which also includes a string of assassins sent by the Yagyu clan they crossed in their first outing); this time, we're treated to possibly the best, most outlandish one yet. It's really this final movement that makes the affair as successful as it is. Though its overall story is a bit scatterbrained (I haven't even mentioned the third plot-line about a mercenary who wants to die an honourable death), 'Lone Wolf And Cub: Baby Cart To Hades (1972)' comes together in a satisfying and smile-inducing climactic battle that raises the quality of the entire effort. Before this, the film is somewhat meandering and, in a way, a little light on the bloodletting you expect from the series. It also doesn't have a solid through-line and, essentially, feels like more of the same. There's also an unnecessary and somewhat dodgy rape scene early on that lasts for far too long; it's the sort of sequence that seems to be aiming for the specific crowd that enjoys seeing that sort of stuff, which is a crowd I don't want anywhere near me. Still, the movie (which is an exploitation piece from the early seventies) is undeniably enjoyable when its focus is in the right place. It's a short, almost inconsequential action flick with a hint of stoic philosophy and a lot of dead bodies. 6/10

These movies were infamous for their incredibly brutal and bloody swordplay sequences, but equally impressive IMHO was the leading actor- Tomisaburo Wakayama a.k.a. "Lone Wolf" was surely the greatest martial arts star ever. The command and authority with which he wielded a sword (and other weapons) was just phenomenal. The blade truly was an extension of himself, and his use of it was the definition of lethal, with none of the unnecessary/show-off flourishes so desperately thrown about by today's wannabes. He had incredible presence and charisma- easily on a par with the likes of say Eastwood or Bronson- with eyes that reflected pure death, and the desolation in his soul. There were moments in the "Babycart" series where you'd swear he was the personification of his namesake, the Wolf. You never doubted for one second that he WAS shogun executioner, masterless samurai, assassin for hire. One look at him in action, and you could readily understand why his enemies trembled at the mention of his name, and ran from him in sheer terror. Alas, Lone Wolf is one with void now, but his legend will live on forever in these films.

Forget Toshiro Mifune. Forget Takakura Ken. Forget Sonny Chiba. Forget Bruce Lee, Jackie Chan, Jet Li, Donnie Yen, and any of those wire-reliant ballet dancers from Crouching Tiger Hidden Dragon. And CERTAINLY forget any American martial artists that you could care to name. Tomisaburo Wakayama was, is, and forever shall be, THE MAN!

You know when in sequels (this being the third movie in the series), certain things get an upgrade without any explanation? Well this happens with the baby cart here. And the baby is quite tech savvy ... or let's say participates more in the fights. Sort of, which is a nice touch. And I actually had to laugh out loud during the last battle, well at the start of it, when ... well you'll see and understand when you see what they do ... amazing.

And quite ridiculous, but that is what the movies are about. Blood gushes, squirts in very big fashion. Nudity and other things included. And our macho hero in the center of all of it. Do not take the movies for real and try to remember they are fiction, not telling you how to do things or be educational in any way, shape or form! It is imperative to never forget that, because otherwise you'd be close to cancel those movies. Sleaze and down and dirty nature is what they relish on. You may despise that (I am actually surprised that the rating is so high, but it probably only means, that only those who are not easily offended watched them), which is ok, but don't deny them others, who can differentiate ...

A wandering ronin and his young son continue their journey through feudal Japan, taking contracts when afforded the opportunity and facing assassination with each step. This chapter seems dedicated to clarifying our disgraced samurai's complicated code of honor. Though he'll gladly slice through an almost unlimited number of strangers in battle, Ittō's vision isn't clouded by a perennial bloodlust. We see restraint in several dangerous situations, respect for principled opponents, loyalty to his word and, in the film's most memorable scene, a willingness to take vicious punishment in lieu of the innocently accused. The story feels more episodic than ever, with various scenes playing out like a classic movie serial and an unresolved conflict lingering at the credits. Given the rate at which they were churning these things out in the early '70s, maybe there's something to that. The action is reliably good, still fresh and creative after three feature-lengths, though the gigantic slaughter instigated at the climax (ambushed, Ittō single-handedly takes out fifty men and a trio of mounted officers) does stretch things a bit. Wise, then, that the film went back to basics almost immediately after, closing the action with an eerily quiet, respectful duel amidst the dust of that epic battlefield.