O Último Xerife

If a SMILE could be the star of a movie, Sam Elliott's inimitable smile would be the star of "You Know My Name." Elliott may well be the greatest leading man in westerns in the post-1970 period, and he is at the top of his game in this based-on-a-true-story oater set in Oklahoma in the early twentieth century. There have been better westerns, sure, but there have not been many better western star turns than this. Elliott makes you want to laugh and cry at the same time, ALL the time, and at the end you just do both.

Sam Elliott was made for the lead in this film, playing William Tilghman in his final weeks as a lawman in an Oklahoma "Oil Patch" town in the mid-1920s. He's simply over-powering in demeanor and gait and attitude. Pay special attention at the end when he bids farewell to his family. Oh, my!... Other mostly unknown actors are mostly okay, but Arliss Howard's drug-addled primary bad guy seems a tad much over the top (I reckon I cotton to heavies who are bad _and_ smart).... Best all is the production which features a roughneck oil town and mud and iron/steel workers and noise and mobs and blacksmiths and misery and saloons and cathouses and ... well, you get the idea.... As a bonus, movie buffs get to see reproductions of Tilghman's own silent movies about his exploits as a young lawman.... Thus, a many-dimensional treat for us hero-worshipers who grew up with the movies.

This film essentially documents the real-life story of a famous American lawman by the name of "Bill Tilghman" (Sam Elliott) who rode with legends such as Wyatt Earp and faced down notorious outlaws in the process. Having retired from law enforcement his fame subsequently attracted the attention of Hollywood where he has starred in numerous silent films which further increased his popularity. And it's at this time that a prominent citizen from Cromwell, Oklahoma approaches him and offers him a position as sheriff in order to bring some law-and-order to the town. At first he declines but after further consideration he accepts even though his wife "Zoe" (Carolyn McCormick) tries to advise him against it. It's only later that he realizes that due to the Volstead Act--and the implementation of prohibition--that crime has become much more organized that it was in the 19th century and all of his skills and experience will be put to the test from that point on. Now rather than reveal any more I will just say that this was an interesting "transitional" film in that it managed to capture the impact of the changes brought on by the dawning of the Industrial Age quite well. To that extent, Sam Elliott put in a solid performance as a cowboy who finds himself becoming more and more obsolescent as time passes by. Be that as it may, while certainly not one of Sam Elliott's best films ever made, I found it to be enjoyable enough and for that reason I have rated it accordingly. Slightly above average.

Any western that stars Sam Elliott is usually a good one. Few people have ever looked and sounded more like a cowboy than Sam. Also, most westerns feature beautiful landscapes and overall photography, and this film is no exception. Being made-for-TV, it could have been made on-the-cheap but it wasn't. I am not a fan of Ted Turner but his TNT westerns look beautiful, all of them.

Elliott plays a lower-key role than usual, being an appealing sort as a loving father and husband and a good-guy marshal. This western is a bit different in that the time period is the early 1900s with automobiles and such dotting the landscape.

There is not a lot of action in here and not an especially happy ending, either, but it's a good western that worth you while to check out.

This movie definitely could have been better. First, you've got a great story of a great man to the people and law of Cromwell. Second, without a doubt, you've got Sam Elliot! After Clint Eastwood, nobody took the role of a great western actor...until Sam Elliot.