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IMDbPro

O Anjo e o Malvado

Título original: Angel and the Badman
  • 1947
  • Approved
  • 1 h 40 min
AVALIAÇÃO DA IMDb
6,8/10
7,2 mil
SUA AVALIAÇÃO
John Wayne and Gail Russell in O Anjo e o Malvado (1947)
Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
Reproduzir trailer3:25
1 vídeo
50 fotos
Western clássicoDramaOcidenteRomance

Adicionar um enredo no seu idiomaQuirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Pe... Ler tudoQuirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.

  • Direção
    • James Edward Grant
  • Roteirista
    • James Edward Grant
  • Artistas
    • John Wayne
    • Gail Russell
    • Harry Carey
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    7,2 mil
    SUA AVALIAÇÃO
    • Direção
      • James Edward Grant
    • Roteirista
      • James Edward Grant
    • Artistas
      • John Wayne
      • Gail Russell
      • Harry Carey
    • 77Avaliações de usuários
    • 32Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 3:25
    Trailer

    Fotos50

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    Elenco principal51

    Editar
    John Wayne
    John Wayne
    • Quirt Evans
    Gail Russell
    Gail Russell
    • Penelope Worth
    Harry Carey
    Harry Carey
    • Marshal Wistful McClintock
    Bruce Cabot
    Bruce Cabot
    • Laredo Stevens
    Irene Rich
    Irene Rich
    • Mrs. Worth
    Lee Dixon
    Lee Dixon
    • Randy McCall
    Stephen Grant
    • Johnny Worth
    Tom Powers
    Tom Powers
    • Dr. Mangram
    Paul Hurst
    Paul Hurst
    • Frederick Carson
    Olin Howland
    Olin Howland
    • Bradley
    • (as Olin Howlin)
    John Halloran
    John Halloran
    • Thomas Worth
    Joan Barton
    Joan Barton
    • Lila Neal
    Craig Woods
    • Ward Withers
    Marshall Reed
    Marshall Reed
    • Nelson
    Doc Adams
    • Quaker
    • (não creditado)
    Larry Arnold
    • Gambler
    • (não creditado)
    John Barton
    • Gambler
    • (não creditado)
    Rosemary Bertrand
    • Christine Taylor
    • (não creditado)
    • Direção
      • James Edward Grant
    • Roteirista
      • James Edward Grant
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários77

    6,87.1K
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    Avaliações em destaque

    8hitchcockthelegend

    What about the Bible? You can't throw it away, that would be bad luck.

    Angel and the Badman is written and directed by James Edward Grant. It stars John Wayne, Gail Russell, Harry Carey, Bruce Cabot, Irene Rich, Lee Dixon and Stephen Grant. Music is by Richard Hageman and cinematography by Archie J. Stout.

    Quirt Evans (Wayne), a notorious gunman is hurt and on the run. Taken in by The Worth's, a Quaker family, Quirt forms a "special" bond with daughter Penelope (Russell). With the law and other badmen on his tail, will Quirt change his ways before it's too late?

    John Wayne's first film as a producer and star is also his most romantic. That's not to say it lacks action or Wayne's fine tuning of his macho image is halted, because that's not the case, but this carries a dreamy like old fashioned value that has helped the film endear over the years. It's a touch too slow at times for its own good and runs for ten minutes longer than was needed, things that no doubt stunted its financial growth at the 1947 box office, but there is much to enjoy here.

    Technical values are high, from Stout's photography that beautifully realises locations in Sedona, Arizona (Monument Valley standing out, naturally!), to cast performances from Carey, Wayne and the gorgeous Miss Russell (chemistry unbound between the three actors), film never lacks for quality. Memorable scenes are plenty, such as The Duke sitting in a chair facing down three henchmen led by Cabot's Laredo Stevens; his gun empty, a free-for-all punch up in a saloon, and some very tender moments between Wayne and Russell. While narratively there's the deft pitching of Quaker values into a wild west setting.

    A lovely film which also manages to pump the adrenaline as well. 7.5/10

    DVD version viewed was Region 2 taken out of the John Wayne Out West 6 film Box Set. A good quality black and white print.
    8MartianOctocretr5

    Great western with a sweet romance

    John Wayne got to kiss a score of pretty ladies on screen, but his romance with Gail Russell as Penelope, the "Angel" in this story, shows the best screen chemistry I can recall. Wayne is the "Badman" Quirt Evans meaning that he settles a lot of arguments with guns a'blazin'.

    He's used to fast draws, fast women, booze, bar fights, and so on. Penelope is a gentle Quaker woman living in the wilderness of the Old West. She and her parents model their lives on the teachings of scripture, especially the "Love your neighbor" ideal. Quirt gets shot in one of his many battles with gun wielding black hat bad guys; Penelope's family takes him in and nurses him back to health; during which time Quirt and Penelope get a look at each other with the obvious chemical reaction. Her sweet and vulnerable demeanor mixes splendidly with his gruff but awkwardly gentle persona.

    When Wayne's nemesis Laredo (Bruce Cabot) shows up, Wayne is faced with the conflict of adapting the peaceful ways of Penelope, or reverting to his violent shoot-first-and-ask-questions-later lifestyle. Wayne's inner conflict to change his outlook on life is illustrated well, a great performance for the Duke. This all goes on under the watchful eye of the Marshall (Harry Carey), who serves as not only a foil for Wayne constantly threatening him, but almost like a self-appointed guardian who sees Quirt's potential for good, trying to steer him toward the light. Carey's humor, and good spirit plays off Wayne perfectly.

    The film builds to a brilliant finish, with Quirt forced to choose between peace or violence once and for all. One of my favorite westerns. Great cast, great story.
    7ma-cortes

    Memorable Western with an excellent role by John Wayne and an attractive Gail Russell

    A famous gunfighter (John Wayne) is wounded in crossfire and a quaker family cares him and heals . During recuperation the daughter named Penelope Worth (Gail Russell) has a romance and falls in love for him . She eventually humanizing the gunslinger . And he has to choose between his violent world or the pacifist existence in which Penelope Worth lives . Meanwhile , he'll have to confront a malicious ringleader (Bruce Cabot) and his henchmen .

    This well-handled production is a thoughtful Western but with average budget . By time this western was popular with the public . The film has rider pursuits , stampedes , shootouts , struggles and an agreeable love story . John Wayne gives one of the best interpretations of his long career . Bruce Cabot as Wayne's friend has an important and well featured role , he's habitual in his films . Gail Russell shined in the role as Penelope and provided a great acting . Rare and enjoyable beauty , she was to be groomed one of Paramout's top stars , but the alcohol took her and she was found dead and it attributed to the drinking . Gail was only 36 years old . Had it not been for the alcohol , Gail's career could have been one of the biggest . Besides , there appears Harry Carey Sr. as a tough sheriff , Carey was a veteran actor who played numerous Western . The motion picture is finely directed by the Wayne's usual screenwriter named James Edward Grant . There's also a lousy version in computer-colored . The flick will appeal to John Wayne fans and Western moviegoers . Rating : Nice and well worth watching .
    10winner55

    redemption and respect

    John Wayne's performance in this film is one of my favorites from his long (if not exceptionally versatile) career. As an embittered gunslinger groping his way toward love and redemption, he makes the character's inner growth apparent by not allowing it to come to the surface except in neatly timed glance, frowns and smiles. The cool detachment of his character reminds us that he is really more dangerous than the young Penny (Gail Russell) perceives, and more thoughtful than those who know him as a gunfighter understand.

    As dramatic action film, the film is well paced, and glows with considerable polish throughout. The production team is that of John Ford's of the time, and they are in top form here. Writer-director Grant (another Ford insider) has given us an excellent script and able direction.

    The film was produced by John Wayne himself, who knew a good story, and who here allows us an odd insight into his personal politics - which were far more complicated than his right-wing fans or left-wing detractors ever understood. In the wake of the Second World War (and we all remember Wayne's war films), Wayne here produced one of the best defenses of religion-based pacifism on film. It should be remembered that during the First World War, Woodrow Wilson had pacifists jailed; in a little known incident in Wyoming Army recruiters dragged several Amish into jail and beat them brutally - several died. If I had to choose between Woodrow Wilson and John Wayne for president, I'd vote for Wayne.

    Angel and the Badman speaks well of Wayne's conscience, and reminds us that, in his own rough way, he could respect the honest consciences of others. Whatever else we think of him, let us remember that he was a man who deserved - and gave - respect. This is, over all, the most respectful film he ever made, giving us his most respectable performance.
    7utgard14

    "You can ask anybody and they'll tell ya -- Quirt Evans is a mighty cautious citizen."

    Very different John Wayne film. A romantic western, if you will. Wayne plays notorious gunslinger Quirt Evans, who is wounded and nursed back to health by a Quaker family. The sweet and innocent daughter, Penelope (Gail Russell), falls in love with Quirt. But the gunfighter's got some bad guys to deal with, chiefly an hombre named Laredo (Bruce Cabot). Quirt will have to choose between his way and the Quaker way, which means choosing Penelope or the gun.

    John Wayne is really good in this one. He's a very underrated actor that is often slighted by people that don't like the man, usually because they don't like his politics or something along those lines. But he was actually a very good actor who brought depth to most of the characters he played. Here he gets to show his softer side and it's one of his best performances from the '40s. Gail Russell is young and very pretty here. She does a great job in one of her two best-known films (the other being The Uninvited). Russell and Wayne have terrific chemistry. It's sad how her life turned out as she had the potential to be one of the greats. Harry Carey, Sr. plays a grizzled old marshal dubious of whether Quirt can change. As was often the case, he stands out above the pack. An excellent actor who could say more with a smile or a look than most could with a page of dialogue.

    Amusingly there are characters in this movie named Hondo and McClintock, both names for future Wayne characters. It's a charming and enjoyable western that fans of the Duke will love but also I think people who don't normally like westerns can enjoy.

    Interesses relacionados

    Gary Cooper in Matar ou Morrer (1952)
    Western clássico
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
    John Wayne and Harry Carey Jr. in Rastros de Ódio (1956)
    Ocidente
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Contrary to popular belief, no clips from this movie were used in the flashback scenes in John Wayne's final movie, O Último Pistoleiro (1976).
    • Erros de gravação
      When Penny wheels the wagon around to pick up Quirt at the beginning of the movie, you can see an extra set of reins coming out of a small "window" that is visible below the wagon seat where the actual wagon driver (the stunt driver) is controlling the team of horses.
    • Citações

      Quirt Evans: I thought you weren't allowed to work on Sunday.

      Penelope Worth: Oh, Quirt, there's nothing we're not allowed to do. It's just that we don't believe in doing what we know is wrong.

      Quirt Evans: Well, that makes it pretty much each fella's own guess.

      Penelope Worth: But each fella knows inside.

      Quirt Evans: Well, there's a lot of gents I wouldn't want to give that much leeway to.

    • Versões alternativas
      Also available in a colorized version.
    • Conexões
      Featured in Se Meu Apartamento Falasse (1960)
    • Trilhas sonoras
      A Little Bit Different
      (uncredited)

      Written by Kim Gannon and Walter Kent

      Performed by Joan Barton

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    Perguntas frequentes18

    • How long is Angel and the Badman?Fornecido pela Alexa
    • Is this available on DVD?
    • Can I watch this film online?

    Detalhes

    Editar
    • Data de lançamento
      • 15 de fevereiro de 1947 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • O Anjo e o Bandido
    • Locações de filme
      • Sedona, Arizona, EUA
    • Empresa de produção
      • John Wayne Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 4.070.000
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 40 min(100 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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