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Although I'm a little fatigued with the 'bullets and blood' shorts and features that are produced wholesale, I was genuinely stunned with the quality of this production. I have produced 10 shorts and 2 micro-budget features, so I feel the pain of being held back by monetary restrictions. Yet with this film I never once thought 'if only they had the funds and/or time to do that the right way'. If they would have announced the budget at 5 million, I would have said that it was money well spent. The cinematography was the best I have seen from a local production, the characters and acting were completely convincing, and the editing, pacing, and score were spot-on (if you notice any of these, then it becomes irritating) and did nothing to detract from the story…which I found refreshingly unique and richly layered. If I had a distribution company I would have signed them in the lobby after the screening.

I was invited to their private screening in Dallas as a friend of a friend of a friend. I had no info on the film, so I didn't really know what to expect. My expectations were minimal. About a minute into it (very cool credit sequence hits), I realize that I was not about to watch your typical low-budget indie film. The Prodigy is one of the most intelligent thrillers I have seen at any budget level. The film tells the story of Truman Fisher (an incredible, A-list performance by Holt Boggs)a small time hood and the jaded anti-hero of the film. What he doesn't know is that he is being watched and studied by a legendary killer that we as the audience never see until the end. No, I'm not going to spoil it, but this film kept me guessing in disbelief with every turn. What impressed me the most, is the attention to detail that was paid to every element of the film. The acting, the fight scenes, the wardrobe, the visual style and last but not least, the script were so very specific and well thought out. In a genre that is known for being over the top and cheesy, especially at this level, it's the subtleties that put this film in a class by itself. The Prodigy is a thinking man's film, set in a genre that will entertain the most simple minded audience member. For a film trying to get out there and launch careers, this is the perfect vehicle for everyone involved. Bottom line, is this film was done for very little money, by a group of complete unknowns across the board. The Producer (Rucker) had to be some kind of miracle worker to help Kaufman pull this off. It resets the bar in my opinion of what is possible of film-making at this level. If this is truly his first film, then the William Kaufman is going to join the likes of great directors like Michael Mann, Walter Hill and David Fincher. I am a fan and can't wait to see what he does next.

I saw THE PRODIGY on its last night screening in Dallas and was delighted with the outcome. As an independent filmmaker myself, it was great to see such local talent (Both in front of and behind the camera) doing such wonderful jobs with a script that could have been very formulaic. A great job was done all round, from the overall quality of the film to the cast and crew, I really enjoyed this film and would be very surprised if it weren't picked up for distribution along the way. If you get the chance to see this film, I would not pass it up. You will be pleasantly surprised. There is more freshness and originality in this independent film than there is in most of the big studio films that are being thrown at us constantly. Great job to all involved!

From the first gun shot to the last gun shot, The Prodigy was unlike any other film. The writing(Kaufman), acting, and Producing(Rucker)were all first class. The story line was quite fascinating, every character is involved in the underground crime scene, still a good guy is able to emerge from this violent circle. Truman(the lead character), is a complex character with a dichotomy of emotions, that leads one to wonder how he ever got involved in this lifestyle. The movie explores and shows a different side of crime that most have not ever thought about. How the producers and everyone involved made this first class film without the backing of a major movie house is testament to the creativity and dedication by everyone associated with the film.

Interesting that the IMDb recommends the 1995 Bond film GoldenEye as a companion piece for admirers of The Prodigy. But the fact is that Prodigy likely has more inventiveness, directorial savvy, frightening villainy, editing prowess, and well-spent money in its cutting-floor leavings than GoldenEye, or dozens of other big actioners for that matter, have from beginning to end.

Genre films are often cranked out as hasty marketing gimmicks; perhaps they are watched and perhaps not, but in most cases either way, they're quickly forgotten. Here, we have a psychological/crime thriller that stays in the viewer's lens long after the credits have rolled. The acting is solid throughout--superb in spots, actually, especially from star Holt Boggs and costar and co-writer Matt Beckham--and the surprises are well-plotted and considered. Just as importantly, intricate, minutes-long gunbattle and action scenes, which would normally be confusing failures in most low-budget hands, are directed and edited with a precision that allows us to follow the jarring action with the same attention and involvement that we do when we see Prodigy's less-interesting big-budget brethren. Sometimes as many as ten characters are involved in these sequences, but we are never distracted, confused or annoyed by their number, as they are showcased only when needed, to maximum effect. (Added note, and kudo to director Kaufman: Thanks for not filming yet another Nine Inch Nails video and passing it off as an action film.)

I was surprised and impressed at a recent Texas screening of this film, and can only hope that some attentive distributor realizes that memorable, riveting action can be done for less than $10 million. If this one surfaces at a festival or theater near you, don't waste any time--see it.