AVALIAÇÃO DA IMDb
6,2/10
7,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaRight out of police academy, Jeff/Omar Epps starts as undercover cop in Cincinnati. First it's small time cases but he proves himself and moves up to a big case - befriending a brutal crime ... Ler tudoRight out of police academy, Jeff/Omar Epps starts as undercover cop in Cincinnati. First it's small time cases but he proves himself and moves up to a big case - befriending a brutal crime boss.Right out of police academy, Jeff/Omar Epps starts as undercover cop in Cincinnati. First it's small time cases but he proves himself and moves up to a big case - befriending a brutal crime boss.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
Anna Carolina Arias
- Esperanza Batista
- (as Anna Alvim)
K.C. Collins
- Lookout
- (as Chris Collins)
Brenda Denmark
- Mrs. Coy
- (as Brenda Thomas Denmark)
Aunjanue Ellis-Taylor
- Denise
- (as Aunjanue Ellis)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
IN TOO DEEP is a movie that packs a good punch, violence wise. This film may shock you if you are not a seasoned movie vet(like myself). Aside from the violence and bad language, IN TOO DEEP gives us a nice look at what undercover police work might look like. This film is well acted by the whole cast(especially LL COOL J) and includes a "hip" sound track that adds to the films look and feel. The point of the film is about an undercover cop that tries to work his way into a drug king pin's dealing business in order to bring him down. This is a well done movie and I recommend it to those who like action and rap. I give it one thumb up. Rated R for STRONG VIOLENCE, A SCENE OF TORTURE, STRONG LANGUAGE, A SCENE OF SEXUALITY, AND BRIEF NUDITY.
Those looking for a rousing shoot-em-up action picture will probably be disappointed by `In Too Deep.' Those looking for a more low-keyed, subdued and thoughtful study of the realities of life as an undercover cop will, however, find much in this film to admire and appreciate. Omar Epps stars as a Cincinnati-based rookie cop, Officer Jeff Cole, who goes undercover to nab a major cocaine dealer from New Jersey who calls himself `God,' (played by rapper LL Cool J) and who, Godfather-like, involves himself heavily in familial values and efforts to `help' the struggling members of his blighted neighborhood. In its exploration of its subject, the film wisely eschews the over-the-top fantasy heroics that afflict so many action films and, instead, tethers itself to the harsh, often ugly realities of the dangerous criminal world in which it is set. The movie builds much of its drama and suspense by bringing to the foreground the fascinating logistics that go into undercover police work, forcing us to witness first hand the risks, the moral compromises (to be convincing, Cole has to snort cocaine himself, for example) and the psychological ambiguities that invariably accompany the job.
Cole is a man who has been obsessed from the early days of his underprivileged, slum-ridden childhood with making a difference in a crime-infested world he knows all too well from first hand experience. This makes him a natural choice for infiltrating this underworld existence since his background has given him the understanding he needs as a point-of-entry. Thus, as he embarks on this new and dangerous career, we see the innate compassion he extends to those caught in the same environment from which he has sprung, an empathy that, in the context of his job, often leads him into a `softness' that clouds his judgment and ends up endangering his life further. In addition, as he is accepted more deeply into the inner circle of trust that God has set up around himself, Cole begins to question his own loyalties or so, at least, the offers in charge of him begin to believe. (This, I imagine, is the undercover agent version of the Stockholm Syndrome that afflicts so many kidnap victims, often leading them to transfer their loyalties from their rescuers to their abductors).
The screenplay, though it could be sharper and more incisive at times, occasionally achieves substance in its examination of just what happens to an undercover agent's mind when he does indeed get `in too deep.' In addition, the film frequently achieves moments of genuine suspense, in truly scary scenes involving God's uncontrolled displays of manic violence and torture and in moments when Cole's entire cover seems to have been `blown.' In those moments, LL Cool J hits all the right notes in his performance but, both he and Epps, unfortunately, lack the dramatic and emotional range as actors necessary to make their quieter, more intimate moments effectively credible. In addition, the dialogue often rings untrue, especially in the conversations among the commanding officers played by Stanley Tucci and, in another weak portrayal, Pam Grier among others.
With better performances, harder-edged dialogue and slightly more energetic direction, `In Too Deep' might have been a great study of moral conflict set within the context of an exciting policier. On the other hand, the film could also have been much worse. As it is, `In Too Deep' respects the seriousness of both its subject matter and its audience and provides a number of powerful scenes - factors for which we are grateful but which also make us yearn for the high quality film that might have been.
Cole is a man who has been obsessed from the early days of his underprivileged, slum-ridden childhood with making a difference in a crime-infested world he knows all too well from first hand experience. This makes him a natural choice for infiltrating this underworld existence since his background has given him the understanding he needs as a point-of-entry. Thus, as he embarks on this new and dangerous career, we see the innate compassion he extends to those caught in the same environment from which he has sprung, an empathy that, in the context of his job, often leads him into a `softness' that clouds his judgment and ends up endangering his life further. In addition, as he is accepted more deeply into the inner circle of trust that God has set up around himself, Cole begins to question his own loyalties or so, at least, the offers in charge of him begin to believe. (This, I imagine, is the undercover agent version of the Stockholm Syndrome that afflicts so many kidnap victims, often leading them to transfer their loyalties from their rescuers to their abductors).
The screenplay, though it could be sharper and more incisive at times, occasionally achieves substance in its examination of just what happens to an undercover agent's mind when he does indeed get `in too deep.' In addition, the film frequently achieves moments of genuine suspense, in truly scary scenes involving God's uncontrolled displays of manic violence and torture and in moments when Cole's entire cover seems to have been `blown.' In those moments, LL Cool J hits all the right notes in his performance but, both he and Epps, unfortunately, lack the dramatic and emotional range as actors necessary to make their quieter, more intimate moments effectively credible. In addition, the dialogue often rings untrue, especially in the conversations among the commanding officers played by Stanley Tucci and, in another weak portrayal, Pam Grier among others.
With better performances, harder-edged dialogue and slightly more energetic direction, `In Too Deep' might have been a great study of moral conflict set within the context of an exciting policier. On the other hand, the film could also have been much worse. As it is, `In Too Deep' respects the seriousness of both its subject matter and its audience and provides a number of powerful scenes - factors for which we are grateful but which also make us yearn for the high quality film that might have been.
First of all I'll start by saying that "In Too Deep" is a watered down version of "Deep Cover", but that's not really a bad thing.
The movie looks, sounds and is acted in a very well put together way. The characters are even memorable, even LL COOL J's "God", is really effective. He's a family man, but a notorious and mean gangster all at once.
The look at what going undercover can do to one's mental well being is a really sharp and involving look. Stanley Tucci, excellent, Nia Long, let her have her own movie,PLEASE!!, Omar Epps as "J. Reid", very impressive. And look for Pam Grier, NAS, and a few others.
A really good African American crime thriller, with heart.
The movie looks, sounds and is acted in a very well put together way. The characters are even memorable, even LL COOL J's "God", is really effective. He's a family man, but a notorious and mean gangster all at once.
The look at what going undercover can do to one's mental well being is a really sharp and involving look. Stanley Tucci, excellent, Nia Long, let her have her own movie,PLEASE!!, Omar Epps as "J. Reid", very impressive. And look for Pam Grier, NAS, and a few others.
A really good African American crime thriller, with heart.
This is actually a very good film. A great watch, and tense all they way through. It was an incredible mix of scripting, acting, dialogue and cinematography that uncovered an understanding of truth on both sides of the issue.
In this film, Omar Epps plays a rookie, undercover cop, whose first small assignment actually leads him into the number one crime syndicate in all of Cincinnati. The inexperienced cop uses his urban upbringing and street smarts to get him to the top, where he really has to decide which side he wants to be on. Also LL Cool J showed that he had much talent in acting as in Hip-Hop music. Omar Epps is also great, and Nia Long, nice eye candy from fresh prince of Bel Air and Stanley Tucci, who added further weight to the cast. The soundtrack is great too, especially at the end with the Mobb Deep track, it's a perfect fit.
Overall rating: 7 out of 10.
In this film, Omar Epps plays a rookie, undercover cop, whose first small assignment actually leads him into the number one crime syndicate in all of Cincinnati. The inexperienced cop uses his urban upbringing and street smarts to get him to the top, where he really has to decide which side he wants to be on. Also LL Cool J showed that he had much talent in acting as in Hip-Hop music. Omar Epps is also great, and Nia Long, nice eye candy from fresh prince of Bel Air and Stanley Tucci, who added further weight to the cast. The soundtrack is great too, especially at the end with the Mobb Deep track, it's a perfect fit.
Overall rating: 7 out of 10.
Plot (7 out of 10): An OK plot about J. Reid developing as an undercover cop. No major investigation facts or any plot twists. It's straightfoward and simple, but a nice story.
Acting (7 out of 10): Acting is good, even though everyone is pretty much as plain as it is.
Entertainment (8 out of 10): It's good entertainment. No major action scenes or unbelieveable shots. Everything is just like a real book about a guy that wants to make a difference. You're in tension on any other scene, vowing for Reid.
Soundtrack (5 out of 10): No major scores.
Special Effects (10 out of 10): Max rating, since everything tha's shown feels real. Makeup is good and no CGI is seen. Keep in mind that this movie uses little special effects.
Movie's main characteristic: Character-driven.
Final Score: 7.4 (7).
Summary: In Too Deep is a solid crime drama about an undercover cop struggling with his personal life plus his own mind. Being in too deep in the scheme makes him start to forget who he really is, although even that is not strongly developed. The movie runs for a short time and shows us what we need to know without dragging too much.
Acting (7 out of 10): Acting is good, even though everyone is pretty much as plain as it is.
Entertainment (8 out of 10): It's good entertainment. No major action scenes or unbelieveable shots. Everything is just like a real book about a guy that wants to make a difference. You're in tension on any other scene, vowing for Reid.
Soundtrack (5 out of 10): No major scores.
Special Effects (10 out of 10): Max rating, since everything tha's shown feels real. Makeup is good and no CGI is seen. Keep in mind that this movie uses little special effects.
Movie's main characteristic: Character-driven.
Final Score: 7.4 (7).
Summary: In Too Deep is a solid crime drama about an undercover cop struggling with his personal life plus his own mind. Being in too deep in the scheme makes him start to forget who he really is, although even that is not strongly developed. The movie runs for a short time and shows us what we need to know without dragging too much.
Você sabia?
- Citações
Preston D'Ambrosio: I got 7 other officers. 7 of them, good ones. And none of them fuck with me but you!
- Trilhas sonorasQuiet Storm (Remix)
Performed Mobb Deep featuring Lil' Kim (as Lil' Kim)
Written by Havoc (as K. Muchita), Prodigy (as A. Johnson), Lil' Kim (as K. Jones),
J. Lighty, Melle Mel (as M. Glover), Sylvia Robinson (as S. Robinson)
Produced by Havoc
Mobb Deep appears courtesy of Loud Records
Lil' Kim appears courtesy of Queen Bee Records/Undeas Entertainment/Atlantic Recording Corporation
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- How long is In Too Deep?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- In Too Deep
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 14.011.454
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.220.297
- 29 de ago. de 1999
- Faturamento bruto mundial
- US$ 14.011.454
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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