Impostor

I watched the feature length "director's cut", then viewed the 37 minute short version on the dvd. The short film is much better! It's more faithful to the PKD story and captures the theme of identity and illusion vs reality more concisely. It's essentially the beginning and ending of the feature w/additional scenes that flesh out the characters. The short makes Olham a little more contradictory - he tells his wife that his project is a good thing, then he questions what he's doing with his friend at the Project. What's missing is the interminable chase that's been done better in innumerable films (see The Running Man for example). Vincent D'Onofrio is a particularly good villain who's not really a villain (or is he?)......................

Impostor is a Sci-Fi movie mixed with some elements of action & mystery. This was better than I thought it would be. I even put off watching it for awhile because I did not have very high hopes for it, but it turned out pretty decent.

Gary Sinise plays Spencer Olham, a doctor along with his wife, Maya, played by Madeleine Stowe. Spencer wakes up and goes to work the next morning to find that he is a wanted man. It appears that the military and the U.S. Defense department think that he is actually a cyborg with a bomb placed in it's heart, with a mission to kill the Chancellor! Pretty far out stuff. The visuals explaining this were pretty cool, too.

Spencer manages to escape but always has the military hot on his trail. This is where the mystery comes in. The viewer is forced to wonder whether or not Spencer is actually himself, or the cyborg programmed to be Spencer. The movie does an excellent job of placing doubt in the minds of those watching, no matter which way they are leaning. If they think Spencer is really himself, it still makes you wonder. Major Hathaway, played by Vincent D'Onofrio, claims that the cyborg is merely programmed to act human, as if it really wants to live.

The special effects here are pretty good as well. At the beginning, I thought we would have another Starship Troopers (visually) on our hands. Since the story takes place in the year 2079, it would not be a good science fiction without the cool household gadgets and such. We see plenty of that here, especially in the beginning. Parts of the movie reminded me of I, Robot, Demolition Man and at times, even Star Wars. This comes recommended for science fiction fans.

The previously posted comment for this film would have successfully steered me away from it... If I weren't such a huge fan of "Criminal Intent" (Vincent D'Onofrio) and "Monk" (Tony Shalhoub) that I had to see it anyway.

I wondered throughout the movie, "Is this guy (Gary Sinise) a robot or NOT???" The sets and direction (not to mention the performances of Gary Sinise and Vincent D'Onofrio, which were intense) sucked me in. D'Onofrio makes a fabulous driven investigator. Shalhoub's role was small, but I was too busy grooving on the plot to care. My one regret in the performances is that Madeline Stowe didn't have much to do, except alternate between the roles of a stereotypical uber-doctor and a limpid, grieving wife. The one scene that hints at her acting talent occurs when she confronts her husband at the abandoned park.

Granted, the film does start out like it's going to be typical sci-fi schlock, but once it was past the first 15 minutes, I almost forgot it's science fiction.

The bottom line: This movie WORKED for me! 9 / 10 stars

This movie, which time will no doubt prove to be a sleeper, was well put together. The sets look good, and with the exception of the silly looking transport ship in the beginning of the movie, the props and costumes are also well done. I'm surprised that this movie didn't do better in the theaters, given the cast - which all perform marvelously. My favorite part about this movie is the way it explores a Dick theme that Blade Runner fans will no doubt recognize: What makes us human?

I was surprised to see that IMDB users had rated this movie as low as they did. This movie really exemplifies the paranoia that is typical of the works of Philip K. Dick much better than the more expensive and more widely-seen "Minority Report". As much as that movie had going for it (great visuals and action, leavened by the right amount of humor), it let the viewer off the hook at the end by resolving the story with a tidy, happy, feel-good ending. "Impostor" is a much lower budget film and very grim but remains true to its Phildickian origin throughout, with the plot unfolding layer by layer until the end, which is both shocking and inevitable. It's the kind of stuff great "Twilight Zone" episodes were made of.