No futuro, uma raça alienígena usará androides como bombas para atacar a Terra. Um especialista em armas do governo é acusado de ser um desses androides e precisa provar sua inocência.No futuro, uma raça alienígena usará androides como bombas para atacar a Terra. Um especialista em armas do governo é acusado de ser um desses androides e precisa provar sua inocência.No futuro, uma raça alienígena usará androides como bombas para atacar a Terra. Um especialista em armas do governo é acusado de ser um desses androides e precisa provar sua inocência.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
- Midwife
- (as Elizabeth Pena)
Avaliações em destaque
Impostor was the first of 2002's futuristic thrillers (the other two being Minority Report and the Equilibrium) and it's also easily the weakest, which is no surprise when you consider this is essentially nothing more than a blown-up short film. Not surprisingly, critics were harsh on this one, and while many of the complaints are valid, Impostor is still a bit better than its reputation.
The film's concept, that of a seemingly normal man accused of being a replicant, is a fascinating one, but it's unfortunately drowned by director Gary Fleder's obsession with shaky camera movements and quick cuts. The script, written by a committee (or at least a group of people who had a hand in it), suffers from too many logical flaws to fully work as the cerebral sci-fi it obviously aspires to be. Most importantly, the question of identity and what it means to be human is never fully addressed and only touched upon briefly.
But flawed as the film is, the cast is solid, with Sinise delivering yet again another terrific performance, and the special effects are actually convincing (the cityscapes are genuinely awe-inspiring). The movie's fast pace ensures it's never dull and there are even a few exciting action sequences (most notably the hospital fight/chase). But best of all is the climactic plot twist, a no-holds barred surprise that boosts the film up a notch. As a whole, the movie is mostly middling, but there are enough inspired moments to make this an enjoyable viewing.
The core of these stories by Dick has to do with the nature of reality and Impostor is no exception. If we have memories implanted in our minds, how can we tell what is real and what is an artificial memory? Added to this in the movie is the change in a society that comes from years of war. Can we have freedom and human rights when anyone can be a spy? This combines two great traditions in sci-fi; illusion vs. reality (Total Recall) meets taking over our minds and bodies by an alien power (Invasion of the Body Snatchers).
Add to the great story concepts is superior acting by Gary Sinise and Madeleine Stowe. The supporting cast is good with Vincent D'Onofrio playing a complex character. Is he a villain? Nothing is as it seems.
With all of these positive comments, I cannot give the film a 10/10. This is a low budget film which first started as a short film and grew into a feature. While the story of Impostor IMHO is superior in some ways to Minority Report and much better than typical sci-fi, the lack of money for Impostor shows.
The director, Gary Fleder is no Speilberg, Ridley Scott or even Paul Verhoeven. Sometimes the pace of the film seemed to need tighter editing. The script in the central part of the film could have used more work to learn more about this world. And the music was just ok in supporting the action and emotion of the film.
Still Miramax was right to decide on making this a feature film rather than a short subject or straight to TV film. Impostor has some great sci-fi story ideas and good performances. 8.5/10
From start to finish the twisted intrigue , thrills and action-packed are unstoppable . Runtime is adequate , it's fast-moving and is neither tiring , nor dull , but bemusing . In the motion picture there are pursuits , emotion , thriller, shootouts and being interesting enough. The final confrontation between the starring and the contenders is very thrilling and really stimulating.
The storyline from original novel by Philip K. Dick , author of great novels and being well adapted the following ones : ¨Blade Runner¨ , ¨Screamers¨ and ¨Total recall¨, among others . The film plot is pretty twisted and the ending has an extraordinary surprise . The picture takes parts here and there of other films , as in the opening scene of the film , footage of some soldiers is taken from the 1997 film Starship Troopers¨ Paul Verhoven , including some security forces who wear similar helmets ; and footage of a volcano and craters , with other explosions is taken from the film ¨Armageddon¨ . State-of-art Special effects , FX , are extraordinaries , they are made by the powerful enterprise ¨Industrial Light Magic¨ , courtesy of George Lucas Corporation . Interpretation by Gary Sinese is riveting , Madeleine Stowe is enjoyable and enticing . Vincent D'Onofrio is outstanding as his acting in ¨Full metal jacket¨.
The flick will appeal science fiction buffs and action fans. The movie didn't obtain success and failed at the box office in spite of the big budget. Rating: 6,5/10 . Well catching.
Gary Sinise plays Spencer Olham, a doctor along with his wife, Maya, played by Madeleine Stowe. Spencer wakes up and goes to work the next morning to find that he is a wanted man. It appears that the military and the U.S. Defense department think that he is actually a cyborg with a bomb placed in it's heart, with a mission to kill the Chancellor! Pretty far out stuff. The visuals explaining this were pretty cool, too.
Spencer manages to escape but always has the military hot on his trail. This is where the mystery comes in. The viewer is forced to wonder whether or not Spencer is actually himself, or the cyborg programmed to be Spencer. The movie does an excellent job of placing doubt in the minds of those watching, no matter which way they are leaning. If they think Spencer is really himself, it still makes you wonder. Major Hathaway, played by Vincent D'Onofrio, claims that the cyborg is merely programmed to act human, as if it really wants to live.
The special effects here are pretty good as well. At the beginning, I thought we would have another Starship Troopers (visually) on our hands. Since the story takes place in the year 2079, it would not be a good science fiction without the cool household gadgets and such. We see plenty of that here, especially in the beginning. Parts of the movie reminded me of I, Robot, Demolition Man and at times, even Star Wars. This comes recommended for science fiction fans.
Você sabia?
- CuriosidadesYoung Spencer Olham is played by Mac Sinise, Gary Sinise's son.
- Erros de gravaçãoThe bullet holes in Spencer's ESA jacket move around.
- Citações
Spencer Olham: [recounting the history of the atomic bomb] Oppenheimer sees the madness and urges the U.N. to gain control of thermonuclear development. The government turns around and calls him a Communist sympathizer. And when it was all over, Einstein said, "Only two things are infinite: the universe and human stupidity; and I'm not sure about the universe."
- Versões alternativasThe movie faced several release dates that were changed many times and one of those times resulting in editing and some reshoots. This was done to edit it down to PG-13 from a previous R rating.
- ConexõesFeatured in The Impostor Files: The Making of 'Impostor' (2002)
- Trilhas sonorasBoy from Ipanema
Written by Antonio Carlos Jobim / Norman Gimbel / Vinicius de Moraes
Published by Universal Duchess Music Corporation (BMI)
And New Thunder Music, Inc. (BMI)
Performed by Crystal Waters
Courtesy of The Island Def Jam Music Group
Under License from Universal Music Enterprises
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- Também conhecido como
- Прибулець
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.285.176
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.022.523
- 6 de jan. de 2002
- Faturamento bruto mundial
- US$ 8.694.320
- Tempo de duração1 hora 35 minutos
- Mixagem de som
- Proporção
- 1.85 : 1