Beleza Americana

What can I say, except that this film really knocked me on my keaster. I went in to the theater not knowing what to expect, but was pretty sure it would be worth the ticket price. Boy was I happy when I left. Not only was it worth the ticket, I paid to see this film two more times. This film is virtually perfect. The acting is superb, the story is magnificent, the narrative is brilliant, and the structure of the film is truly groundbreaking (absolutely loved the last 20 minutes). What really surprised me about this film was how well the cinematography was done. In a small, character driven film such as this, it is very unusual to have such great cinematography. With this film, there is something interesting going on in every scene, not many films you can say that about. In a year where first time directors have made some of the best films, Three Kings, Being John Malkovich, etc... Sam Mendes seems to have out-done them all. Though I have yet to see The Green Mile or Magnolia, I find it hard to believe that either film will out-shine American Beauty. This film should easily win a substantial amount of the Oscars this year. What's up with all the cirtics awards snubbing it so far?

This film is one of a kind. After seeing this film last week, I was left with a hole in the pit of my stomach. It left many questions in my mind, and most of them cannot be answered. In my view, a film that makes me think after I watch it is second-to-none, and this film certainly delivers in that aspect.

I was amazed with the vivid imagery in this movie, as well as with the symbolism. However, what makes this film the best of 1999 is the acting. Kevin Spacey shines as Lester Burnham, and Annette Bening (Carolyn Burnham) isn't far behind. Supporting cast members such as Wes Bentley (Ricky Fitts), Thora Birch (Jane Burnham), Mena Suvari (Angela Hayes), and Chris Cooper (Col. Frank Fitts) only add to the drama of this film. I think the most special aspect of this film is how all of the characters intertwine in a way that is believable, yet fantastic at the same time. I congratulate Sam Mendes for his direction of this film, as well as Alan Ball for writing it. I don't think it could have been any better.

Rated R in the U.S. for strong sexuality, language, drug content, and violence, the film obviously deserves its rating. However, none of the causes for the R rating are overbearing, and all of them add to the plot-line of this film. While I don't think that this is a film for children, I would suggest that adults should view it with an open mind. I believe that the traits which many of the characters in this film have are found in many people around the world. Perhaps that is why this film hits close to home for so many viewers.

While billed by some as a "comedy-drama", I don't see anything about this film as funny. Sure, there are some comedic moments, but by the end, those moments were all but forgotten when faced with the grim reality of the conclusion of the events portrayed in this film.

If you want to watch a light-hearted film with some elements of comedy and some elements of drama, don't see American Beauty. But if you enjoy films that make you think, and are entertained by an excellent cast, excellent directing, and an excellent screenplay, this film should be at the top of your list.

My Rating: 10/10

When I first saw this movie in theaters, I found it to be very funny. When I rented it at home, I found it to be very sad and complex. Looking at it now, I realize that it is surely one of the most extraordinary films ever to come out of Hollywood. To some it may look trite or cliched, or maybe too un-ordinary to be worthy of its praise, but the overall impact of this film is extremely powerful. After you've seen it, you know you've seen something.

A few notable elements stand out. The direction is superb; this is visually a superior film, for the director understands the subtle changes in tone. The writing is equally compelling; the story effortlessly interweaves multiple stories to create one amazing movie. The haunting music is also notable. Lastly is the acting. Kevin Spacey has done excellent films before, and he can add this one to the list. He may be a little to witty to suggest the overshadowed character he portrays, but he simply disappears into the role. Annette Bening is also fine; a less strong role, but she is magnificent none the less. As the teenagers, Thora Birch is able to mesmerize us with one intense look; her "typical teenager" role is fleshed out completely. I enjoyed Mena Suvari's character equally. It seemed that she did not receive as much acclaim, but her performance evokes both innocence and experience, and her scenes toward the end give her a depth unlike any other character. And Wes Bentley, as the video-taping boy next door, is easily the most original character. At first he seems a little tense, but, like Spacey, he sinks into the role. His "purpose" in the film, unlike anyone else's, is a mystery, thus making him the most enigmatic person.

Most films are able to make a lasting impression on its audience, but never has a movie been known to "move" its viewers as much as this movie. It truly says something about life, no matter how predictable or tacky it appears, this film disturbingly shows us how to appreciate our individual lives, so therefore, when they are over, we each have something to remember.

The intention is so clear that everything else falls into place, perfectly. Kevin Spacey's suburban husband and father reminded me of his character in "The Ref" and that could only be a good thing. Annette Bening and her giggle works wonders here. Their marriage is a tabloid version of a "Who's Afraid To Virginia Woolf" Which means very close to someone we know. The biggest surprises in the film. besides the amazing dexterity of Sam Mendes at his first outing behind the camera, are West Bentley. Chris Cooper, Thora Brch and Allison Janney. As I'm writing this 8 years after its first release, the Oscars and the whole hullabaloo, I'm very surprised that West Bentley hasn't become a major star. He is amazing in "American Beauty" the complexities of his character are based on recognizable human stands, the hardest to face up to and I went where he went. Thora Birch is lovely as the object of his attention and the film, I believe, is here to say.

Probably the best film of 1999. This dark comedy drama marks two fantastic feature film debuts with Alan Ball as writer and Sam Mendes as director (both winning oscars for their sterling efforts).

Kevin Spacey plays Lester Burnham, a man on the brink of a mid-life crisis, who suddenly becomes obsessed with one of his teenage daughters friends played by Mena Suvari. His daughter (Thora Birch) is, as Lester tells us; "a typical teenager. Angry, insecure, confused...". And his wife Caroline (Annette Bening) has an obsession of her own, her public appearance.

Life starts off on a downer for the Burnhams and their new neighbours the Fitts despite their lives looking good from the outside.

As life begins to improve (with most of the main characters finding what they think is love or new relationships) it soon all comes crashing down in the climactic final day.

The writing is nothing short of brilliant and made even more amazing by knowing that it comes from a first time feature film screen writer Alan Ball (who had had years of prior experience writing TV sitcoms - not that you'd be able to guess from the tone of this film).

The directing is on a par with the writing and Sam Mendes manages to get some brilliant performances from the great cast, who are all faultless. No doubt Mendes' theatre directing past played a huge part in directing the actors so well.

Another person worthy of a mention is the late director of photography Conrad L. Hall, another one of the five oscar recipients for this film.

All the elements in this film gel perfectly together to make one superb masterpiece. Not one person, either cast or crew, steals this film or does anymore than anyone else to make this film what it is. Truly an ensemble effort. 10/10.