Voltando a Viver

The violent and rebel twenty-five years old sailor Antwone Fisher (Derek Luke) is sent to three sessions for evaluation with the navy psychiatrist Dr. Jerome Davenport (Denzel Washington), after another outburst and aggression against a superior ranked navy man. Reluctant in the beginning of the treatment, he gets confidence in Dr. Davenport and discloses his childhood, revealing painful traumas generated in his foster house. Meanwhile, he meets Cheryl Smolley (Joy Briant), and they fall in love for each other. Resolving his personal problems, Antwone becomes a new man. This true familial drama is a touching and positive story of a man who finds a friend and is sent back to a regular life. The direction of Denzel Washington is excellent, making sensitive, attractive and with good taste, a story about child abuse. In the hands of another director, it might be a very heavy story. My vote is eight.

Title (Brazil): 'Voltando a Viver' ('Returning to Live')

A stunning film of high quality.

Apparently based on true events which, as told, has the clear ring of truth about it, this movie is highly emotional and deeply moving.

An abused and neglected child often becomes wayward in adulthood, as one of life's failures, be it as a gangster, drug addict or burden on society.

Antwone Fisher as a young adult in the navy, is troubled. He is on the brink of being a loser. He is counselled in therapy by a psychiatrist and it is that relationship which takes center stage in the play.

In flash-backs and therapy the source and remedies to Antwones angst are revealed.

Outstanding performances from the whole cast. The story is in effect a family tragedy with emotional and physical torment. All the actors give full blooded performances with conviction and realism.

One message from the movie is the importance of raising children decently.

The real Antwone deserves success. To have endured wickedness as a child but to rise above that, shows a magnificent character.

And to all those out there who have endured such torment but to have survived and succeeded: you are all winners. 10 out of 10.

It's Denzel Washington/s debut as a director, and his film does very well in exploring the moral dilemmas and redemption of his principal character, Antwone Fisher. Skirting the line between facts and fiction, he addresses the issues of pains, rage and aspirations of the young man. The film flows with a vividly soulful and engaging cinematic pace that is truly praiseworthy. There are many instances of sentimental exposes that viewers will find difficult to forget. The tale floats like an ordinary fare, but Denzel, the actor, keeps the story in motion as a priceless support to his refreshingly new protege actor, Derek Luke. Very cool performance! With every step he takes in the scenes, his presence commands the screen! Also, the heartfelt performance of the 28 year-old actor, Derek Duke, who plays the adult Antwone ‘Fish' Fisher, is equally awesome. This film does capture a journey that will keep the audience holding on to the belief that every human outcast can be saved, given the right guidance. A truly inspirational film that should be seen by all.

The story is really formidable and the overall cast is formidably impressive. The theme of redemption is solidly and beautifully expressed through the interaction of the characters. The flashback reminders of the tyrannically abusive past of young Antwoine work well to help explain the rage, lack of confidence and misbehavior of Antwone Fisher. The on screen chemistry between Washington's Dr. Davenport and Luke's Antwone, and between Antwone and Joy Bryant's Cheryl is captivating. Novella Nelson's Mrs. Tate is certainly a terror to meet. I was also impressed by young Cory Hodges' terrific performance. Overall, the cast presents their characters in a very believable manner. I find myself associating some of the characters with those from the writings of one of my favorite authors, James Baldwin. Unfortunately, with the exception of the Antwone, the D. Davenport and the Cheryl characters, many of the talented actors seem to ooze in and out of sight without solid positioning. I could sit and watch the melodrama of the last Thanksgiving scene over and over again.

The flow of events set forth the pace of behavioral and mental development of Antwone. They may seemingly appear as events flatly thrown in as mere excuses to show Antoine's faults, but succeeds in giving reasons and offering solutions to the problems faced by the Antwone character. I love the way they are presented, almost in a hurried pace as if to raise spontaneous questions in the audience's minds as they analyze the young sailor's attitude! The film does portray a sense of emotional parallel between Antwone and Davenport, both waiting for the correct moments to burst out with their hidden deep-rooted emotions. That `poem-reading' session is a definite highlight of the film. Derek Luke has a unique charismatic charm that will surely warm the hearts of many.

This is great family film that expounds on the battle of a man `under a rock' in his attempt to fight his internal demons. Yep, there are a lot of visual moments of traumatic pains and sufferings as there are many instances of emotional victories. And Mychaela Danna's music scores contribute wonderfully to the intensity of the moods of characters. Truly an inspirational film to watch! Thoroughly enjoyable!

I went to see "Antwone Fisher" as an accident of multi-plex sold-out theaters and was girded for schmaltz, but was curious to see Denzel Washington's directorial debut.

Whoa, the whole audience--including me-- burst out into tears at the same time, with many also bursting out into applause at a later moment. But could anyone have ruined such strong material as this autobiographical story by the screenwriter?

Washington's prim, prudish fingers are all over the structure-- I read that it was his decisions to tone down the abuse Fisher actually suffered, and to add in more of his character's, the shrink, role with his (yet another light-skinned, straight-haired) wife because he thought the audience needed a break from Fisher, and I disagree with both choices.

Where Washington is especially effective - and the scenes that prompted the tears and the applause-- is in showing African-American families so naturally, with a diversity of personalities, reactions, motivations, and interactions, comparable to Barry Levinson's Jewish family sagas. He's more pedestrian in the macho military environment, unlike, say, how comfortably in-your-face Curtis Hanson's "8 Mile" is with guys together.

This is very much like a black "Three Faces of Eve" showing the solution to psychological problems as remembering, talking about, and reconciling with the past.

The scenes with Fisher and his too-nice girlfriend are charming. But we don't really get an answer to the question, as to how it is that Fisher, who even at the beginning of the movie is not hardened but is basically a sweet guy who just happens to throw punches a lot, ended up all right when everyone else in his milieu ended up in jail or worse.

Not having seen the film in the original theater release, I was happily surprised when the DVD arrived, since this film did not have the wide distribution it merited.

Denzel Washington directorial debut and the finished product have nothing to envy other films about the same theme by more accomplished directors. The film has a very professional look. It shows that Mr. Washington has learned a lot being on the other side of the camera. He brings a different angle to this film.

One of the best things the film has is, without a doubt, the fine performance by Derek Luke. He is an actor who, with the right guidance, will go far, no doubt. His take on the troubled young man, at this point of his life, in turmoil and suffering for a bad hand life, up to now, has dealt him, is very true. His Antwone is a fine portrait of a man in pain who is basically very good and has so much to give, but no one seems to see that side of his character.

At the worst time of his despair, Antwone is sent to Dr. Davenport, played by Mr. Washington, in a very sober, if somehow subdued manner. Because of the angst within Antwone, he misses the opportunity of opening himself to this man, who wants to help, but because of the constrains placed on his office, just have three sessions and then has to dismiss his patient.

Things work out, as Antwone is able to convince the doctor to keep on working with him. Antwone's past is revealed in detail. The abuse he suffers at the hands of Mrs. Tate, his foster mother, is brutal, to say the least. The attempt at the hand of an older woman in the Tate's household of a sexual molestation, gives Antwone a bitter taste that stays with him throughout his adult life, as he has been scarred by the shame he carries with him.

Antwone finds love at last with Cheryl, who is patient enough to make him see a different world by the love she and support she gives him.

The lead performances are very good indeed. Denzel Washington's Dr. Davenport has his own problems too. He is not a happy camper either. He can help Antwone, but he cannot help himself, or his relationship with an adoring wife.

The talent in the film is incredible. Joy Bryant makes a fine Cheryl. Novella Nelson, who is a fine actress is superb as Mrs. Tate, the abusing foster mother.

The reunion of Antwone with his unknown family is a bit too sugary and sentimental, but of course, if one is to believe that Fisher finds happiness at last, one has to accept that part of the film as well.