A Carta Anônima

Helen (Kate Capshaw) owns a bookstore in the sleepy, coastal town of Loblolly by the Sea. Divorced, Helen has a young daughter who is going to camp for the summer, giving mother a bit more freedom. Working at Helen's store are the manager, Janet (Ellen DeGeneres), a man-crazy village-gossip girl who has eyes for the handsome fireman, George (Tom Selleck), and two young college students, Jennifer (Julianne Nicholson) and Johnny (Tom Everett Scott). One day, Helen stumbles across a romantic, tender love letter and she suspects that Johnny has written it for her. Throwing caution to the wind, Helen and Johnny begin a small-time "thing". But, the letter subsequently lands in others' hands, including Janet's, who thinks George has sent it to her, and Johnny's, who imagines Helen has penned it for him. And, on and on the letter goes. But, in truth, George possibly has eyes for Helen and Jennifer has fallen hard for Johnny. The town's museum curator, too, may have a secret love. Will tangled affairs like these ever straighten themselves out? This is a cute movie with a gorgeous setting and capable stars. Each of the main actors gives a pleasing performance, including the addition of Blythe Danner and Gloria Stuart to those mentioned previously. Then, too, the coastal scenery is most lovely, the costumes quite well-chosen, and the photography very nice indeed. There are a few surprises, including a subtle gay plot development, which may not please all viewers. But, for those who love romantic comedies, this one should be included on any list of good choices for the genre.

This is not typical Hollywood cookie cutter love story. The tone and style reek of French cinema (although it doesn't seem to be a remake). There are some lovely performances, and exquisite scenes. I found myself smiling a lot throughout this movie, and will look out for more of the directors work. Plus anything that gives Geraldine McEwan work is to be supported.

One of the greatest and most wonderful surprises of 1999, "The Love Letter" is a sparkling little film. Held back by a remarkably asinine trailer--which manages to combine the three or four dull, brief moments in the movie--the picture is a warm-hearted, eminently watchable tale. I had assiduously avoided the flick because of that very trailer, but ended up having to watch "The Love Letter" on an 11 hour flight from Seoul to Vancouver. I could easily have watched it three times--it's that much fun.

Kate Capshaw is bent and broken-down but somehow manages to be both incredibly lovable and believable. Tom Everett Scott is absolutely priceless in his role as a confused young hunk. but any damage they may have done to the overall film is negated by the superb performances of Scott and Capshaw. Sure, it's not worthy of an Oscar. But neither was "Shakespeare in Love", and look what happened there.

Wow! I'm surprised to see so many negative and lukewarm opinions on this movie, which I had never heard of (apparently it was not highly promoted by the studio) but which I luckily stumbled upon on an international flight. I so thoroughly enjoyed it that now I'm interested in more by director Peter Chan and screenwriter Maria Maggenti. I did not know there was a book, either, but I've made a note of it for future reading, too.

I admit I feel a bit defensive now, in the face of the other comments here on IMDB. So, what did I like and why did I like it? First of all, unlike some other viewers, I thought the movie WAS very funny. It takes sort of a Steve-Martinesque view of the tender absurdity of humans and their feelings about each other (OK, OK, I just saw a stage production of Picasso at the Lapin Agile, and the tone reminded me somewhat of this). Although there is physical humor, too, what I liked most were light touches, like how Ellen DeGeneres' character instantly, wordlessly went back to working for her boss (played by Kate Capshaw) as soon as she got the apology she felt she deserved -- after insisting with great finality that it was all over.

I also felt this film was a celebration of the beautiful but almost lunatic breadth and diversity of the kinds of feelings we group together under the heading of "love": everything from young (and older) wide-eyed lust, to slow steady enduring commitment. As well as friendships, coworker relationships like the one just mentioned, family bonds . . . the list goes on.

Most of all, I guess I appreciated the fond, loving tone of the movie. The artists seem really to like, and love, people. Yes, there ARE quite a few characters, and they're all different ages and different sexes, they're about different trials and tribulations, but they're all treated with light-hearted love and respect, for the sometimes silly but vulnerable beings we all are.

So, if YOU like people, I think you'd like this movie.

This film was panned by critics, all of whom were male.

This is a wonderful little film with fun, funny and realistic characters, and an interesting, romantic story that will touch the inner romantic in all of us. It's not laugh-out-loud funny, but it is pleasant to watch these characters interact and is very fun to watch.

And for the guys, Kate Capshaw isn't bad to look at, either.