Ruas da Liberdade

In Baltimore, 1954, the Kurtzman family is a Jewish family living in the area of Liberty Heights. Ben (Ben Foster) is a rebel teenager, who has a crush on his black friend Sylvia (Rebekah Johnson). His college brother Van falls in love with Dubbie (Carolyn Murphy – why this gorgeous actress has just this movie in her filmography?), a very problematic girl. He becomes friend of Trey Tobelseted (Justin Chambers), a young man from a very wealth family and boyfriend of Dubbie. Nate (the excellent Joe Mantegna) is the father, who lives from an illegal lottery of numbers. Nate loves his family and keeps them apart of his legal problems. Ada (Bebe Neuwirth) is the mother, who keeps the tradition of their family. Little Melvin (Orlando Jones) is a drug dealer, who wins a fortune of US$ 100,000 (in 1954) in Nate's lottery, raising a serious situation in the plot.

This movie is wonderful: the soundtrack, photography and costumes are marvelous. The story, about segregation of Jews and blacks and love between races, is very beautiful. The viewer will not be disappointed with this entertainment. My vote is eight.

Title (Brazil): "Ruas de Liberdade" ("Liberty Streets")

This movie is challenging on many levels and best of all is it does not insult the viewer's intelligence with pat plot lines and easy resolutions. It is very much a slice of life movie and provokes serious thought about growing up and the meaning of prejudice and racial barriers. It is a lovely film and I have resolved to see some other efforts from Barry Levinson as his is a rare talent. He lovingly captures Baltimore in the fifties in all its facets of neighbourhoods, the cast is stellar, not a false note among them, the music is wonderful and all the plot lines come together. I felt sad that it was over, I found myself quite involved with the characters who were multi dimensional with teasing snippets of background as in the disturbed Dubbie saying to Van she did not like spending time with her father and his boyfriend. And Sylvia's family being black and wealthiest by far than the others and she was following her mother and grandmother into a Black College so she could preserve the continuance. 8 out of 10. Recommended.

While hardly the gems that are Diner, and especially Avalon, Levinson here offers another sweet meditation on his Baltimore roots. The love story between Ben and Sylvia is especially moving to every white boy who ever fell in love with a black girl before it was acceptable, and most of the credit goes to the enchanting Rebekah Johnson. Older brother Van's travels in WASPland are more cliche-ridden, though one must salute the acting of Adrien Brody and his friend Trey, who actually make their unlikely friendship believable. Trey's deb girlfriend is pure cardboard. The real standouts here are Joe Mantegna and Orlando Jones going toe-to-toe in dangerously caricaturish territory. Both manage to pull it off. One anachronistic comment- Scribbles calls one of Nick's men the Pillsbury Jewboy--far as I know that advertising icon didn't appear till 10 years after the film's 1954-55 setting. Again, no one will call this film a classic, but seen as part of a 4 film whole (Tin Men is more the aberration than Liberty Heights) it stands proudly and pulls at these 40 year old heartstrings from a very similar North Bronx background.

LIBERTY HEIGHTS (LH) is a fine addition to writer/director Barry Levinson's series of nostalgic autobiographical Baltimore-set films. This episodic but heartfelt comedy-drama, set in the mid-1950s, stars Adrien Brody and Ben Foster as brothers Van and Ben Kurtzman, who come of age while grappling with anti-Semitism, their loving dad's (Joe Mantegna) shady business dealings (he runs both a burlesque house and a low-profile numbers racket. My late dad, a bookie, would've loved this guy! :-), racism (Ben and his pretty black classmate Sylvia, appealingly played by Rebekah Johnson, start seeing each other on the sly), and classism (Van falls hard for blonde WASP dream girl Dubbie, who turns out to be a nightmare -- a tragic figure, in fact -- but is capably played by supermodel Carolyn Murphy in her first and, to date, only film role that I know of). While LH isn't quite as sharp and knowing as Levinson's modern classic DINER (with which LH would make an interesting double feature; the DVD includes the DINER trailer, by the way), it's rendered with great affection and attention to detail about the characters, their world, and the changing times they're living in. For me, the wittier moments really made the film -- Ben's anarchic streak livens things up, to say the least! Best Ben moments: 1) his scandalizing his family by dressing as Hitler on Halloween; 2) the act of defiance he and his friends eventually pull at the "NO JEWS..." pool; and 3) the tender yet chaste kiss he gives Sylvia at graduation, freaking out both sets of parents. LH is worth a rental, at the very least!

Barry Levinson's LIBERTY HEIGHTS begins telling it's story through a variety of different viewpoints, and at the outset may give off the vibe of being somewhat unfocussed, but do not be misled by the elusive opening! Although unexceptional in terms of it's standard coming of age plotline, as the film progresses it becomes increasingly thoughtful and observant. It is the small details that make LIBERTY HEIGHTS seem so rich--and I wouldn't dream of giving any of them away--but needless to say, by the end of the film anyone who remembers their childhood fondly is bound to leave the theatre with a smile on their face. In a quiet and unassuming way, the movie manages to throw out many messages to its audience. Every single subplot in the film relates back to the family. Joe Mantegna plays the racketeering patriarch of a nice uppper-middle class Jewish family that resembles a lighter version of the Corleone's in THE GODFATHER. One of the sons falls for a Catholic girl, while the other pursues the black daughter of a prominent city doctor. They all live with their grandmother who is blinded to the "gentiles" by the Holocaust. The relationships between the youngsters naturally conflict with the views of their parents, and they are forced to form their own opinions on racial boundaries.

What is so refreshing about LIBERTY HEIGHTS is that it doesn't pull obvious punches or go for the cheap thrills that more sensationalized Hollywood films normally would. Not even in a subplot with an eccentric drug dealer do the characters resort to violence as might be expected with this sort of material. The characters in LIBERTY HEIGHTS are just ordinary people in relatively ordinary situations. It is not a fast paced film, some may find the midsection to be a little over-inflated. Personally I enjoyed the film a great deal. It grew on me to the point that by the end I was drawn to tears. Even fully aware of its old fashioned Hollywood corniness the movie touched a nerve with me. I found the performances very moving--in particular that of young Ben Foster, who we should exepect to see again in the near future. Adrien Brody is appealing and sympathetic as the eldest son. Bebe Neuwirth manages to create some interesting moments in her role as matriarch of the Kurtzman family--particularly in the final scene. LIBERTY HEIGHTS is not a perfect film to be sure, but in a season with a shortage of intelligent family oriented films LIBERTY HEIGHTS is a solid bet.