Adicionar um enredo no seu idiomaA ventriloquist is murdered, leaving a show to be done. So, a midget goes undercover as the dummy. But, he always needs to find the criminal!A ventriloquist is murdered, leaving a show to be done. So, a midget goes undercover as the dummy. But, he always needs to find the criminal!A ventriloquist is murdered, leaving a show to be done. So, a midget goes undercover as the dummy. But, he always needs to find the criminal!
- Direção
- Roteiristas
- Artistas
Ivy Benson
- Self - Orchestra Leader
- (as Ivy Benson's All Ladies Orchestra)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The film is more of a vehicle featuring British Music Hall talent then it is murder mystery. I'm shocked that someone hasn't done the same for America's got Talent: AGT, A Talent for Murder.
The Dummy Talks may make you consider if the title refers to the "little person" AKA the substitute ventriloquist dummy or Victor Harbord (Claude Hulbert, the ersatz detective. I am going for the later.
Watching the popular stage acts of the time is the best part of this film which makes it a bit of a documentary. Watching the Five Lai Founs spin plates on a stick took me back to my youth in the 1950s when the spinning plate toy was all the rage, second to the Hula Hoop. There are some great popular acts of the period featured including some very watchable acrobats, both serious and comedic.
The plot is pretty standard, ventriloquist star and overall cad Manning Whiley is murdered, and there are a plethora of suspects. After some entertainment from the acts and the bumbling Claude Hulbert, the major suspects are assembled to hear the evidence and most important-to hear the dummy J'Accuse.
Think of this film as more of a Music Hall/Vaudeville piece of history and you will be pleased.
The Dummy Talks may make you consider if the title refers to the "little person" AKA the substitute ventriloquist dummy or Victor Harbord (Claude Hulbert, the ersatz detective. I am going for the later.
Watching the popular stage acts of the time is the best part of this film which makes it a bit of a documentary. Watching the Five Lai Founs spin plates on a stick took me back to my youth in the 1950s when the spinning plate toy was all the rage, second to the Hula Hoop. There are some great popular acts of the period featured including some very watchable acrobats, both serious and comedic.
The plot is pretty standard, ventriloquist star and overall cad Manning Whiley is murdered, and there are a plethora of suspects. After some entertainment from the acts and the bumbling Claude Hulbert, the major suspects are assembled to hear the evidence and most important-to hear the dummy J'Accuse.
Think of this film as more of a Music Hall/Vaudeville piece of history and you will be pleased.
Lasted a bit too long, on this showing. Even the orchestra is beautiful - the deeply unhip Ivy Benson band. What a waste of talent!
Jack Warner was making the move from music hall and radio comedy to acting. As the great Nancy Banks Smith once said, if you can play comedy, you can play anything.
Beryl Orde is also appealing, but it's not always clear who she is taking off. Her act is embarrassing - but so are most of the others.
Cecil Hulbert is irritating as an upper-class twit, and the music hall performers spend their time backstage in palatial dressing rooms larger than a studio flat.
And yes, there's always something creepy about a ventriloquist's dummy.
Jack Warner was making the move from music hall and radio comedy to acting. As the great Nancy Banks Smith once said, if you can play comedy, you can play anything.
Beryl Orde is also appealing, but it's not always clear who she is taking off. Her act is embarrassing - but so are most of the others.
Cecil Hulbert is irritating as an upper-class twit, and the music hall performers spend their time backstage in palatial dressing rooms larger than a studio flat.
And yes, there's always something creepy about a ventriloquist's dummy.
A blackmailing ventriloquist (Russell Warren) is murdered backstage at a theatre putting on a variety show. An inept police detective (Claude Hulbert) investigates along with a counterfeit investigator (Piers Harriman) while the show goes on.
A rather poor backstage thriller comedy with it's main redeeming features being the first screen performance from then radio star Jack Warner and the performances of some long forgotten variety artistes. Among them is impersonater comedienne Beryl Orde, a Chinese acrobatic group, the Lai Foons, the Skating Avalons and the jaw dropping and gravity defying acrobatics of Sylvester & Nephew. The normally funny Hulbert, younger brother of the more famous Jack Hulbert stretches his schtick out a little too much and was at his best as a foil in the couple of Will Hay films he appeared in.
A rather poor backstage thriller comedy with it's main redeeming features being the first screen performance from then radio star Jack Warner and the performances of some long forgotten variety artistes. Among them is impersonater comedienne Beryl Orde, a Chinese acrobatic group, the Lai Foons, the Skating Avalons and the jaw dropping and gravity defying acrobatics of Sylvester & Nephew. The normally funny Hulbert, younger brother of the more famous Jack Hulbert stretches his schtick out a little too much and was at his best as a foil in the couple of Will Hay films he appeared in.
An escapist wartime revue film masquerading as a murder mystery historically notable as the big screen debut of Jack ('Blue Pencil') Warner when he was famous as a radio comedian.
Enlivened as usual by it's bit players, most of them uncredited, such as a statuesque young Hy Hazel when she answered to the name of Derna, and Ian Wilson and Olive Sloane, both of whom appeared memorably for the Boulting Brothers after the war in 'Seven Days to Noon'.
Enlivened as usual by it's bit players, most of them uncredited, such as a statuesque young Hy Hazel when she answered to the name of Derna, and Ian Wilson and Olive Sloane, both of whom appeared memorably for the Boulting Brothers after the war in 'Seven Days to Noon'.
Had "The Dummy Talks" been exactly like the summary on IMDB, I surely would have loved it. However, there is VERY little about any ventriloquist's dummy in this film and it's mostly just a stodgy music hall film with a bit of drama. In fact, no one is killed until very late in the film. Instead, you are treated to a variety of stage acts and you have to sit through them instead of focusing on plot. A few are good (such as the fighting couple) but most are dull and trite. Overall, a dull little film that could have been crazy and fun.Stodgy and dull...and the summary is not exactly incorrect and makes it sound far more interesting than it really is.
Você sabia?
- CuriosidadesFilm debut of Jack Warner.
- Trilhas sonorasThe World Belongs To Me
Written by Alf Ritter, Lawrence Wright (as Horatio Nicholls) and Jimmy Mesene (as J. Lester-Smith)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Le mannequin a parlé
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 25 min(85 min)
- Cor
- Proporção
- 1.37 : 1
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