Mifune

I didn't know much about this movie going in, but I got a very nice surprise. The Kresten plot -- a yuppie summoned home to deal with his redneck past by the death of his father -- could have been a dull family drama, but this movie was much better than that. It turns out that he has a number of things about his past that he's kept secret from the people in his city life -- his retarded brother, the badly run-down farm he grew up on, and more. Some of his story is serious, and much is played for humor, with good taste separating the drama and humor.

The Liva plot -- a woman escaping prostitution into an honest common job -- was completely opposite the Hollywood presentation of prostitution. (Hollywood either glamorizes it, uses it as an opportunity to add gratuitous sex before switching to the gratuitous violence.) Liva's prostitution pays fairly well, but it's clearly miserable, degrading, full of fear, and sometimes danger. The movie shows why she wants out with understated drama -- instead of rubbing her misery in our faces, it shows us hints of it, but leaves room for us to imagine just how bad it is for her.

When Liva escapes prostitution with a job as Kresten's housekeeper, the her part in the movie switches from drama to comedy, in the form of funny situations and events that feel natural, rather than contrived gag situations.

The acting was very good, particular Iben Hjejle's portrayal of Liva. Anders W. Berthelsen played Kresten well, and Emil Tarding's smaller role as Liva's young brother Bjarke was also very good.

I had never heard of the Dogme film series until after seeing this movie. The only one Dogme rule that really matters to the movie was that the plot must stick to real life and avoid superficial violence. That demanded a plot where the characters and story matter, and Søren Kragh-Jacobsen delivered. The simple camera work, natural lighting, minimal set dressing, etc., didn't improve the movie. But neither did the simple movie-making detract from the quality -- they deserve praise for doing so well within their rules of simplicity. One additional benefit of the movie-making simplicity rules was that it kept the budget low, so that more good movies like this could be made.

Mifune is a surprisingly easy film to watch, delightful in many respects and certainly original. The comedy is in many ways unique; nothing hits you in the cinema, but you still leave with a smile on your face. The acting is, in my view, superb, the locations fitting, and the plot; well, original and refreshing. If you need cheering up or it's a rainy day then I recommend this film. Very refreshing indeed.

A movie to fall in love with. Simple as that. A tender, sweet love story that will make your heart melt (I know how terribly cheesy that sounds, but I stand by my words), unless your heart is made of stone. It's another Danish masterpiece and yet another Dogme movie (but don't worry; once you get used to the shaky cam, these films are all richly rewarding). 8 stars out of 10.

In case you're interested in more underrated film gems, here's some of my favorites:

imdb.com/list/ls070242495

This was the first film I had seen from the Dogma series and I didn't know quite what to expect. Mifune is actually a very moving and personal insight into the life styles of a small handfull of characters. The acting in the movie is superb and it follows the rules of dogma down to a tee (natural lighting, no sound effects etc.). The film at face value is also very funny, although the source of comedy is rather disturbing. This is a film that will stay fresh in your mind long after you leave the cinema. 7/10.

Mifune starts off a little slow and at first you are really not sure where it is going. Thankfully this does not last for long. The characters have many dimenions and the viewer quickly cares and grows more curiousity towards the characters. Yes, many of the Dogme 95 guildlines are in this film however (must like Festen... another fabulous film) it is the story that makes this such a great film.

All characters in this film are completly different from eachother. The dialouge itself is not what makes this film great, it's the story of all these people combined.

Dogme films often show things that an American audience may have a hard time dealing with. If seeing something and learning from something that Americans can hide from is something that holds an interest than I highly recommend this film.