AVALIAÇÃO DA IMDb
5,0/10
186
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaReporter Steve Haines (Boyd), on the trail of a business tycoon, follows his subject onto an ocean liner and gets wound up in a cruise full of intrigue, romance and murder.Reporter Steve Haines (Boyd), on the trail of a business tycoon, follows his subject onto an ocean liner and gets wound up in a cruise full of intrigue, romance and murder.Reporter Steve Haines (Boyd), on the trail of a business tycoon, follows his subject onto an ocean liner and gets wound up in a cruise full of intrigue, romance and murder.
William Boyd
- Steve Haines
- (as Bill Boyd)
Dick Curtis
- Mike - Cab Driver
- (não creditado)
Avaliações em destaque
The story goes that Steve Haines (William "Hopalong Cassidy" Boyd), a reporter, is trying to get ahold of a business tycoon and chases him onto a ship, only to leave with the ship when it casts off. Inevitably intrigue and suspense start to cautiously tip-toe into the light before taking center stage, as Haines runs into a few people he knows, as well as making a few new friends.
For the first half of the movie, the filmmakers rely mostly on comedy to get the story rolling. All the elements of screwball comedy are at play here, with some clever dialogue. For instance: Steve wants to know the stateroom number of a pretty girl (Sheila Terry) but the steward (Louis Natheaux) can't tell him. Flashing a bill, Steve asks "Would it be against the ship's rules if you were to tell me your age?" "Well, I'm afraid I can't tell you my age," replies the steward, "but I could tell you that, on my grandmother, she'll be eighty-four." A token perpetual drunk (Jimmy Aubrey) appears shortly after the above exchange, and assumes the comic relief responsibilities for the remainder of the film. And like most token comic relief characters of the 1930's (and unlike most comic relief characters of today), this dizzy, amusing character does actually help the narrative along, rather than just appear for the occasional comedy set piece.
I enjoyed this film over all, even though it started to drag a little in a few places. The story was pretty tightly written and it all actually held together quite well, for a B-picture. The ship-board location provides an interesting backdrop, and it seems as though most of the interiors, as well as exteriors, were shot onboard a modest commercial cruise vessel. What exactly it was like to shoot a movie like this I'd like to know. The acting was pretty good, with an excellent scene towards the end, where all is revealed. That's another thing: the movie keeps you guessing, presenting you with several possible outcomes, motives and suspects. If you can find it, it's worth a look.
For the first half of the movie, the filmmakers rely mostly on comedy to get the story rolling. All the elements of screwball comedy are at play here, with some clever dialogue. For instance: Steve wants to know the stateroom number of a pretty girl (Sheila Terry) but the steward (Louis Natheaux) can't tell him. Flashing a bill, Steve asks "Would it be against the ship's rules if you were to tell me your age?" "Well, I'm afraid I can't tell you my age," replies the steward, "but I could tell you that, on my grandmother, she'll be eighty-four." A token perpetual drunk (Jimmy Aubrey) appears shortly after the above exchange, and assumes the comic relief responsibilities for the remainder of the film. And like most token comic relief characters of the 1930's (and unlike most comic relief characters of today), this dizzy, amusing character does actually help the narrative along, rather than just appear for the occasional comedy set piece.
I enjoyed this film over all, even though it started to drag a little in a few places. The story was pretty tightly written and it all actually held together quite well, for a B-picture. The ship-board location provides an interesting backdrop, and it seems as though most of the interiors, as well as exteriors, were shot onboard a modest commercial cruise vessel. What exactly it was like to shoot a movie like this I'd like to know. The acting was pretty good, with an excellent scene towards the end, where all is revealed. That's another thing: the movie keeps you guessing, presenting you with several possible outcomes, motives and suspects. If you can find it, it's worth a look.
A maverick reporter becomes embroiled in a murder mystery when he follows a disgraced financier onto a cruise liner. Although he would go on to make another 61 screen appearances, this low-budget programmer was the last in which William Boyd would appear as anyone other than Hopalong Cassidy. There's a good gag in which he tricks each of two friends into believing the other is deaf, but otherwise this is pretty dull stuff.
Movie almost split in 3 it seems, the first almost is a comedy of manners, you know, those 1930's things with lots of characters, really no plot, and just sort of glides along. SO a whole whack of people get on a boat, a banker (or is it?) who has swindled a lot of money, an actress, her brother and other people are also on board too. Oops, and a reporter, who is trying to uncover the banker's saga. During the voyage, it is suggested that some of the passengers put on a show, which they do. This leads up to the 2nd part of the movie, where the musical takes place, and it's just nothing short of bizarre. It leads to a murder mystery play, where the banker is a last minute replacement for one of the actors. Anyways, the banker's character gets shot in the play - only of course SOMEONE has switched the guns and he's really dead! So then the third part comes up.. who did it? The captain and the reporter lead the inquest to find out the dirty secret! Honestly, I wasn't really absorbed in this movie at all, it wasn't really interesting, musical or suspenseful. The only weird thing that captivated me, was the very strange hair the reporter had, which looked like a sort of grayish blonde thing.
This is from back when movies were more about script and story line, when movies were movies. Classic romantic little guy against rich big guy and the girl in the middle. Haines is a reporter who believes that's powerful rich guy is not on the up and up, illegally profiting off others. Very cute movie and decent quality given its age.
William Boyd took a break from Hopalong Cassidy to do this B movie mystery for Republic Pictures in which he plays an investigative reporter hot on the trail of a Samuel Insull like utility magnate who is fleeing and absconding with a whole lot of his investor's money.
The culprit Lee Shumway takes a passenger liner bound for Europe and Boyd follows him on board and sails with him. During an amateur theatrical production on shipboard someone slips real bullets into a gun and Shumway is shot dead. There are a host of suspects as a whole lot of people lost money investing with the dead magnate.
Go Get 'Em Haines which sounds like a rousing sports drama instead of a murder mystery is a nicely paced mystery which we have to give some allowances for as it is the product of a B film studio. Herbert J. Yates didn't exactly bust the budget for this one, but Boyd does nicely in the role.
Alas though for his career and for better or worse he was Hopalong Cassidy and the public wasn't going to accept at this point as anything else.
The culprit Lee Shumway takes a passenger liner bound for Europe and Boyd follows him on board and sails with him. During an amateur theatrical production on shipboard someone slips real bullets into a gun and Shumway is shot dead. There are a host of suspects as a whole lot of people lost money investing with the dead magnate.
Go Get 'Em Haines which sounds like a rousing sports drama instead of a murder mystery is a nicely paced mystery which we have to give some allowances for as it is the product of a B film studio. Herbert J. Yates didn't exactly bust the budget for this one, but Boyd does nicely in the role.
Alas though for his career and for better or worse he was Hopalong Cassidy and the public wasn't going to accept at this point as anything else.
Você sabia?
- CuriosidadesExcept for one scene filmed in a studio, the entire picture was shot on an ocean liner traveling between Los Angeles and Panama.
- Erros de gravaçãoWhile Haines, Gloria and the Steward, Gloria and her father are talking to the captain on the boat deck, the shadow of the microphone is visible on the top of the captain's cap.
- Trilhas sonorasOh Willie, Oh Willie, Come Back
(uncredited)
Written by Bernie Grossman and Sam Perry
Sung by Eleanor Hunt
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Go-Get-'Em, Haines
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 3 minutos
- Cor
- Proporção
- 1.37 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Nas Águas do Culpado (1936) officially released in Canada in English?
Responda