Gideon's Way

Happily 'Gideons Way' was recently released on DVD in the UK in full.

At 32, I obviously missed the series first time round, and some may suppose a B&W police series for 1965 may be somewhat old fashioned for a thirtysomething. However, its blend of well crafted story lines, an often shocking brutality for 1960s television, and the honest and natural acting make it unmissable. It represents now a lost London : of gangs and protection rackets, Soho coffee bars, undeveloped docklands and seedy rooming houses. Superb!

John Gregson was hugely underrated as an actor. A biography on this talented man is highly overdue. Anyone know of one? Or shall I have to write one myself?!

For anyone interested in Scotland Yard, London of the 60's and a veritable conveyor belt of some of the best British character actors, this box set is a must have. Starring the ever likable John Gregson as Commander George Gideon (who never monopolises the story lines) and the handsome Alexander Davion as Det. Inspector David Keen this takes you back to the era of run down streets, policemen still visible on those streets, old cars, motor scooters, pork pie hats and ersatz Rock 'n Roll. Amongst those appearing are George Cole, Ray Barratt, Harry Fowler, George Sewell, Justine Lord, Victor Maddern, Sydney Tafler, Ray Brooks, Jack Hedley, Angela Douglas, Patrick Allen, Eric Barker, Alfie Bass, Bryan Pringle, Ann Lynn and an extremely young looking John Hurt and a rarity for the time, just one token American in Donald Sutherland. A mention also for the magnificent Derren Nesbitt who turns up in the first episode 'The Tin God', I've never seen an actor use such exaggerated hand movements as he did in every appearance he ever made on celluloid. Worth the price of the box set alone to watch his performance!

I gave it 9 instead of 10 stars due to two things; the so called 'special features' are quite laughable, i.e. The opening credits without the theme tune, plus the fade to adverts being considered as worthy of inclusion when they are of a length of a minute if that. The booklet included cannot be read unless you possess the vision of Superman, bifocals or a magnifying glass, plus why show photographs in colour when the series is black and white? Having said that it is well worth buying; maybe it doesn't contain the stark realism of 'Z Cars' or the tough 'up and at 'em' style of 'The Sweeney' but nevertheless it is a series to cherish and while away those long winter's nights with.

*Although I derided the 'special features' on the first disc there is in fact, a very long stills gallery from the series on the second disk showing many of the actors and actresses plus scenes from the series plus a soundtrack of different music heard in the programme. If you love Scotland Yard type police series then this is the one for you; you'll be transported back to a world and London of the mid 60's.

With the arrival of the box set of Gideons Way, hopefully more people will get a view of the superb John Gregson. Jack Hawkins played Gideon in a very flaccid film directed by John Ford. As much as I love Jack Hawkins, John Gregson is the definitive George Gideon. The series really does evoke England of the sixties and there is a multitude of famous names cropping up in this series. John Gregson was a superb actor and he is largely forgotten now 30 years after his death in Porlock Weir. With this box set and his appearances in Genevieve and Rooney perhaps now people will realise how good he was. There is a web site showcasing the great man designed by his great nephew http://www.johngregson.org.uk/. John Gregson is George Gideon but George Gideon is the great John Gregson

John Creasy left a still uncharted ouevre of well over 500 books. Given that number it's not surprising that some of them are of indifferent quality. The Gideon series to me were his strongest books: Creasy is one of the few authors who can write realistic police procedurals from the point of view of a manager rather than the ordinary copper. Gideon is not only in charge of solving crime but also encounters leadership issues and has a lively and large family. This makes the books original reading. Plus in the Gideon books there is interesting comment on the state of the nation- hardly surprising when you know that Creasy was head of a political movement in the 60s. The TV series takes many elements of the books. Needless to say that the 40/45 minutes format does not manage to present a variety of cases at a given moment but rather one case per episode. The interstinmg thing about the series is that within this format there are hardly any flat characters particularly amongst the bad guys. Although there is no sympathy there is a lotof empathy in the complex character sketches: check out the episodes "White Rat" with a great performance by Ray Mcanally as psychotic albino gangster or the episode about a former concentration camp inmate. That's what makes the series so special, this wealth of character. I think only The Sweeney ever managed to get anywhere near that. The stories are well paced, well told and there is an amazing array of really great actors in this series. The other thing is that in view of censorship in the 60s Gideon's Way is quite amazingly open and realistic (particularly compared to US stuff of the time). What really impressed me was the stark contrast of the "new" London of the 1960s and the squalor some people were still living in at the time (Creasy points that out in Gideon's Fire) and the enormous social change going on at the time. My favourite episode is "The thin red line" -not based on a Creasy novel- which is both a fairly touching story but also a scalding satire on the army.

Long forgotten police drama series featuring the cases and adventures of honest family man copper Inspector Gideon.All the hallmarks of its production company are there,such as easily digestible stories that had an international appeal and production values that were head and shoulders above the well remembered police series of that day such as 'Z Cars' and 'Dixon Of Dock Green'. Shot entirely on film it was possibly one of the first British police series to escape the studio and use extensive location filming. TV stations have prejudice against shows made in black and white so consequently this has probably not been on TV since its first or second showing?