Inferno

Certainly not a film for everyone, 'Jigoku' combines visions of Dante, surreal art, nightmarish tortures, and of course, Japanese camp. Director Nobuo Nakagawa presents it all in a dark, dreamlike way, shocking us (mildly) with the death of characters in the first part of the movie, and ramping this up to really shocking us with his vision of the torments of hell. It's in these that the film is at its best. There are the scenes of gore which may have you cringing, but the truly memorable scenes are those which are artistic, such as the field of hands reaching up out of the ground, and the whirling torment of people circling in a frenzy. In Nakagawa's hell, there is both physical pain and mental anguish, as people endlessly seek loved ones or slog through rivers of pus and waste. Where the film is weaker is in providing reasons for why all of the characters end up in hell in the first place. While the initial setup of a hit and run accident is pretty tight, expanding this to a broader set of characters gets a little contrived. Through it all, the character of the dark and sociopathic friend is played well by Yôichi Numata, who stands out in the cast.

I usually find it positive if I can't categorize a movie and Jigoku surely gets the point from that. It's somewhat bizarre combination of drama, horror, film noir and art house where happy moments are more rare than good movies in Hollywood.

While the hell sequences of Jigoku seem to gather most of the attention I think that the story as a whole is what makes this movie good. It proceeds fluently from disaster to another and while some events lead to unexpected results the script never leaves a viewer with a feeling that the twist was added just for the twist's sake (as is the case with many new movies).

Technically the movie is awesome; good acting, great score (especially the haunting vocals) and beautiful cinematography. From modern perspective some of the hell sequences are way outdated (mainly the demons) while some look brilliant even today (settings like the river bank and some of the gore effects like the guy who gets flayed).

I doubt that Jigoku pleases everyone but if you're into bleak and uncompromising movies this is almost a must see. 8/10

I had read about and seen stills from this movie for years. I had heard how freaky and bloody and scary this movie's vision of hell was, but I never got a chance to actually see it. Finally I was able to secure a copy and I sat down to watch the horror.

For the first hour of this film we watch as our hero lives a life that is more or less a living hell. More horrible, terrible things befall him and those around him than anyone outside of a soap opera has a right to expect. Very act is bound to damn someone to hell and it isn't long before our guilt ridden hero crosses over and experiences what true torment is. Its enough to make you want to laugh were it not played so painfully straight.

What we see once we get to Hell itself looks great. Even some 40 years after it first marched across theater some of the shots of flayed flesh and disemboweled intestines are still shocking. The cramped and dark vistas are something out of a nightmare. Many tormented images you'd almost be proud to have on your walls.

Is it scary a bit but its not the be all and end all that some had made it out to be. Then again the films images have been raided by others so it less shocking. I also find that some of the pacing is off and what may have once worked now borders on tedious.

The film seems to be saying that all life, here or in the next world is miserable hellish and that no matter what we do we're doomed simply to suffer. A happy little film if there ever was one.

I like the film but far from love it. The first part is very soapy and over blown, while the second is almost a catalog of horrors. I give it points for trying but I don't think it completely works.

Should you see it?

A coin toss. It really depends on what you're looking for. If you're looking, for gore and guts, its here but not enough to make you walk away happy. Are you looking for a meditation on sin, guilt and existence, you may like it, especially if you can get past the soap. If you want to see a technically well made film that doesn't quite work but influenced later films and which will provide some discussion over dinner, then try it.

I give it 7 out of 10 for the parts more than the whole.

This movie spends half of its time in the real world and half in the afterlife. During the first half you ask "where the hell is hell anyway?". After it goes to the "real" hell, you realize that hell is all the things that went undone in the mortal coil.

You realize that if you don't want to live in hell later, don't live in "hell" now.

A great psychedelic trip without psychedelic trappings.

I guess this doesn't really belong with my more extreme reviews but for all it's stunningly beautiful scenes, it's heavily symbolic imagery and symbolism this still, even over 40 years, has a punch or two to unleash. It is for the most part a tragic tale that involves an almost laughable number of deaths and other misfortunes but hell always beckons. The last half hour or so is a considerably finely worked series of hellish landscapes with not a little graphic violence that could certainly not have been shown in the UK in 1960. Along the way there are many delights and a cool jazzy score. Fascinating, groundbreaking and most enjoyable.