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IMDbPro

Lobo Solitário - Na Terra dos Demônios

Título original: Kozure Ôkami: Meifumadô
  • 1973
  • Not Rated
  • 1 h 30 min
AVALIAÇÃO DA IMDb
7,5/10
4,9 mil
SUA AVALIAÇÃO
Lobo Solitário - A Espada da Vingança (1972)
ActionCrimeDramaThriller

Adicionar um enredo no seu idiomaFive warriors challenge Ogami to duels. Each holds a part of information needed to complete the assassination of a mad clan leader.Five warriors challenge Ogami to duels. Each holds a part of information needed to complete the assassination of a mad clan leader.Five warriors challenge Ogami to duels. Each holds a part of information needed to complete the assassination of a mad clan leader.

  • Direção
    • Kenji Misumi
  • Roteiristas
    • Kazuo Koike
    • Goseki Kojima
    • Tsutomu Nakamura
  • Artistas
    • Tomisaburô Wakayama
    • Michiyo Yasuda
    • Akihiro Tomikawa
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    4,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Kenji Misumi
    • Roteiristas
      • Kazuo Koike
      • Goseki Kojima
      • Tsutomu Nakamura
    • Artistas
      • Tomisaburô Wakayama
      • Michiyo Yasuda
      • Akihiro Tomikawa
    • 26Avaliações de usuários
    • 53Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos142

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    Elenco principal39

    Editar
    Tomisaburô Wakayama
    Tomisaburô Wakayama
    • Ogami Itto
    Michiyo Yasuda
    Michiyo Yasuda
    • Shiranui
    Akihiro Tomikawa
    Akihiro Tomikawa
    • Ogami Daigoro
    Shingo Yamashiro
    • Sazare Kanbei
    Tomomi Satô
    • Quick Change Oyô
    Akira Yamanouchi
    Akira Yamanouchi
    • Shinnoji Senzo
    • (as Akira Yamauchi)
    Hideji Ôtaki
    • Abbot Jikei
    Taketoshi Naitô
    Taketoshi Naitô
    • Mawatari Hachiro
    Fujio Suga
    Fujio Suga
    • Tsukude Sozaemon
    Rokkô Toura
    Rokkô Toura
    • Ayabe Ukon
    Yoshi Katô
    Yoshi Katô
    • Kuroda Naritaka
    Teruo Ishiyama
    • Mogami Shusuke
    • (as Ritsu Ishiyama)
    Hiroshi Tanaka
    • Murao Koyata
    Michima Otabe
    Kôji Fujiyama
    Kôji Fujiyama
    • Tsutsumi Rokurojiro
    Kazuyo Sumida
    • Otae no kata
    Bin Amatsu
    • Kikuchi Yamon
    Manabu Morita
    Manabu Morita
    • Dogawa Saburobei
    • (as Gakuya Morita)
    • Direção
      • Kenji Misumi
    • Roteiristas
      • Kazuo Koike
      • Goseki Kojima
      • Tsutomu Nakamura
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários26

    7,54.8K
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    Avaliações em destaque

    6Leofwine_draca

    Entry 5/6 in tough samurai series

    The indefatigable Itto Ogami continues his journey through feudal Japan with his son in tow. BABY CART IN THE LAND OF DEMONS is the fifth in the six-film series and for the first time, the film shows signs of flagging. It's not that I didn't enjoy this movie, because I did; rather, I started to find the plot shenanigans to be ever-so-slightly familiar, if not a little tired. Much of what goes on in the film has been seen before, and although the action sequences are as vivid as ever, there's little here that hasn't been done previously (and better).

    As per usual, Ogami finds himself caught up in plotting between various factions and must form political allegiances to see him through. The opening of the film sees him tackling a series of martial arts masters, all of whom test him unawares to make sure he's worthy of the job. The plot then takes a lengthy and slightly pointless detour to a market village where Daigoro is accused of helping a pickpocket conduct her business. Although this sequence has been incorporated to allow greater characterisation of Ogami's son, I found it dragged the pacing down to crawling speed.

    Thankfully, things pick up for a relatively exciting climax which sees Ogami finishing off his job. There's still a great deal of entertainment value from watching the various characters occupying different positions in Japanese society at this time and how they react to our hero. The cast give understated performances and the action is typically well shot, but I'm actually looking forward to the end of this series now: better to end on a high than dragging it into the ground.
    8SnoopyStyle

    kill time

    This is the fifth of six films of the Lone Wolf & Cub Series. A clan offers to hire Lone Wolf Ogami Itto for an assassination but they want to test his skills. They set five individual warriors upon him, each to test a certain skill. After each is defeated, the warrior is to give part of the story and a fifth of the payment. Upon defeating the fifth warrior, he is finally given his full mission.

    Of the five, the poisoning is the most dramatic and the most interesting. The story is relatively simple except the side trip with the Cub. It's interesting that the Cub has his own little adventure. As always, Lone Wolf and Cub do a mass slaughter in the end. My only concern is that he has kill a little girl. It doesn't matter how bratty the girl gets. He still kills a little girl but I still like the massacre. I also really like Cub having his own adventure.
    SaracenReborn

    Tomisaburo Wakayama is simply without equal.

    These movies were infamous for their incredibly brutal and bloody swordplay sequences, but equally impressive IMHO was the leading actor- Tomisaburo Wakayama a.k.a. "Lone Wolf" was surely the greatest martial arts star ever. The command and authority with which he wielded a sword (and other weapons) was just phenomenal. The blade truly was an extension of himself, and his use of it was the definition of lethal, with none of the unnecessary/show-off flourishes so desperately thrown about by today's wannabes. He had incredible presence and charisma- easily on a par with the likes of say Eastwood or Bronson- with eyes that reflected pure death, and the desolation in his soul. There were moments in the "Babycart" series where you'd swear he was the personification of his namesake, the Wolf. You never doubted for one second that he WAS shogun executioner, masterless samurai, assassin for hire. One look at him in action, and you could readily understand why his enemies trembled at the mention of his name, and ran from him in sheer terror. Alas, Lone Wolf is one with void now, but his legend will live on forever in these films.

    Forget Toshiro Mifune. Forget Takakura Ken. Forget Sonny Chiba. Forget Bruce Lee, Jackie Chan, Jet Li, Donnie Yen, and any of those wire-reliant ballet dancers from Crouching Tiger Hidden Dragon. And CERTAINLY forget any American martial artists that you could care to name. Tomisaburo Wakayama was, is, and forever shall be, THE MAN!
    6drqshadow-reviews

    Pressure Mounts for Both the Lone Wolf and His Growing Cub

    Where the Lone Wolf and Cub adventure has been delightfully frenetic up to this point, the fifth film is a decided change of pace. Much more deliberate and pensive, Baby Cart in the Land of Demons spends an unusual amount of time in one place, toying with a more nuanced (at times even confusing) story, while also fleshing out an important supporting character. Young Daigoro, stone-faced son of the wandering master at the center of this great storm, finally gets his close-up and proves to be every bit as determined, soft-spoken and unflappable as his father. His scenes are the ones that stuck with me afterward, resonating in a way that felt fresh while also remaining loyal to the saga's identity. Daddy, meanwhile, has his hands full with a difficult five-pronged onslaught and a pair of complex, intertwined kill contracts. His actions at the film's climax once more cast the character in dark grey fabric, a recurring theme for the series, and prove that (where duty is concerned) he hasn't changed all that much from the very first time we met. Less visceral and rubber-tendoned than any of the earlier entries, and perhaps overly ambitious with that tangled primary storyline, it's good stuff if a touch below the standard its brethren have thus far maintained. An outlier in many ways.
    7kosmasp

    More (?)

    There might come a time, where some might get fed up or at least might not be as excited about something that is going on for seemingly forever. Then again, who can say no to nudity and blood mayhem all over the place? Well maybe quite a few can, but bare with me on this. Or with the movie for that matter, because that is more important of course.

    Apart from the main actor, the cub might be the same one too. Since they made them back to back, it is possible. And while especially part 2 and 3 had some innovations gadget and gimmick wise, those are being now repeated or re-used I reckon. That's not overall a bad thing, but just so you know. Not sure where the anime went, but it is obvious that this had something to rely back on. Those who loved the previous entries (though you can watch them however you like almost - except from the evolution of the "weapons"), will like this too - or even love it. Dependng on your taste of course.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This film is part of the Criterion Collection, spine #841.
    • Erros de gravação
      In the fight scene in the sand dunes, the conditions change randomly between overcast (dull light, no shadows) and sunny (bright light, distinct shadows).
    • Citações

      Ogami Itto: [slowly pulling his sword partially out of its sheath] I have come for your life.

      Abbot Jikei: [Unperturbed] You cannot kill that which is naught. I have brought subjective and objective into one. I have forgotten myself and merged with nothingness. I am but a piece of totality of inside and outside. Thus, you cannot kill my body.

      Abbot Jikei: [Turns to look at Ogami] When you meet Buddha, you'll kill Buddha. When you meet your parents, you'll kill them. It's all for nothing, however. You only have the way of the assassin. When you are able to kill me, you will have achieved the gateless barrier on the way of the assassin.

      [looks away; Ogami slowly re-sheathes his sword]

    • Conexões
      Featured in Lame d'un père, l'âme d'un sabre (2005)

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    Perguntas frequentes14

    • How long is Lone Wolf and Cub: Baby Cart in the Land of Demons?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 11 de agosto de 1973 (Japão)
    • País de origem
      • Japão
    • Idioma
      • Japonês
    • Também conhecido como
      • Lone Wolf and Cub: Baby Cart in the Land of Demons
    • Empresa de produção
      • Toho
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 30 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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