Cão na Chuva

Rainy Dog is one of four movies that Takashi Miike shot in 1997, and is the second part of his "Shinjuku Triad Society" trilogy. I am not sure what connection it has to parts 1 & 3 - being set in Shinjuku certainly isn't one of them though, as it is set and filmed in Taipei, Taiwan. It also works perfectly well as a stand alone movie.

Rainy Dog is a movie about a yakuza who has ended up in Taipei, apparently on the run from some gang or other. He works as a hitman for a local boss and tries to stay out of the rain. Apparently it rains a *lot* in Taipei. He forms the beginnings of a family when a woman he slept with many years ago turns up and announces that the mute kid she dumps on him is his.

Rainy Dog is quite an unusual movie for Takashi Miike, being almost totally free of the extreme, unusual and shocking elements for which his work is known. The movie is played pretty much straight, just focussing on old fashioned elements like characters, script, cinematography and symbolism. Not a lot of dialogue (Yuuji barely speaks more than his kid), but when people do speak it is quite thoughtful and insightful.

Rainy Dog is one of Takashi Miike's most technically accomplished films. The cinematography and soundtrack are excellent and editing superb. Despite the fact that most of the cast is speaking Mandarin, which I doubt Miike speaks, he is able to elicit excellent performances from everybody.

Rainy Dog is an artful kind of gangster movie, gently paced and philosophical. It's the closest Miike has come to making a Takeshi Kitano movie (it even has the requisite scene at the sea). It doesn't have anything that really leaps out and grabs the viewer by the balls like other movies such as Dead Or Alive, Visitor Q, Happiness Of The Katakuris or Full Metal Gokudo, but it's probably one of his most well balanced films.

Recommended!

I've been a Miike fan for quite some time, and truly love his wild and crazy approach to film making. But this movie proves that he can also do serious films, and better than many serious directors. It is part 2 of his Triad society trilogy, and once again his themes of outsiders and innocence vs. violence is very obvious. The story is about a japanese hitman (beautifully down-played by Sho Aikawa) who has immigrated to taiwan. At the beginning a woman shows up at his doorstep and leaves a boy, whom she claims is his. The hitman doesn't really acknowledge the boy, and simply goes about his business (which mainly consists of killing people). But the boy follows him everywhere, and when the hitman later develops a sort of relationship with a prostitute, the three slowly grows closer, and become like a sort of family. The movie is very melancholic and has a tremendously moving atmosphere. It is completely rinsed of the usual Miike insanity and it actually works really well. It reminded me very much of Jarmusch, right down to the Neil Young-like slide guitar that makes up the soundtrack. If you've only seen his "crazy"-films you should really give this one a chance, since it really proves what an absolutely brilliant director this man is. "Rainy Dog" is with out doubt a masterpiece in modern cinema, and is even more impressive coming from the hands of the guy who brought us Ichi the Killer, Fudoh, Happiness of the Katakuris etc. etc. Takashi Miike continues to impress!

10/10

Director Takeshi Miike takes a break from his usual trademark ultra-violent comic book style action to bring us this slow paced, yet interesting drama, portraying an ex-Yakuza hit-man exiled to Taiwan for reasons unknown. The rain throughout the movie not only sets the mood but also symbolises the monotony of normal, everyday life felt by the protagonist as a contrast to his previous life as a Yakuza. Coming to terms with his new life, he does small time hits for a local gang and manages to maintain some stability and a sense of purpose in the otherwise meaningless existence of a hit-man. However, his world is turned upside down when a woman he doesn't remember leaves him with a child who is supposedly his. As he goes about his business of contract kills, his newly acquired 'son' follows him with fascination, observing and mentally clinging onto his alleged father in a cold, lonely and rainy city. Things get even more twisted when he befriends a prostitute and here starts the mingling of this unlikely trio, a subtle touch, typical of the twisted world of Miike. Overall, a heart warming yet poignant drama depicting the harshness of life, comparable to Luc Besson's Leon or Takeshi Kitano's Kikujiro no natsu.

Yuji lives as a hit-man. One rainy night a girl he screwed awhile back bursts into his apartment tells him the kid she brought with her is his then leaves as quickly as she came. the second film in the loosely grouped together "Black Society Trilogy". "Rainy Dog" is a notable improvement on the first film "Shijuku Triad Society". While it was much slower and more introspective, it had a certain poetry to it that made it highly watchable. More akin to Miike's "Blues Harp" or "Graveyard of Honor" than his manic DOA films. And this one is better played straight.

My Grade: B+

DVD Extras: An EXTREMELY informative Commentary by Tom Mes (the guy really knows his stuff); 2 interviews with Takashi Miike; Yasushi Shimamura interview; Artwork; Bio/Filmograhies; and 2 theatrical Trailers

Rainy Dog, part of Miike's Triad Society is a truly beautiful film. A lot of people are going to notice, and quite rightly, that it does not conform to the traditional Miike template. Instead it moves at a slow pace with long lingering shots of the rainy streets of Taipei. The action is restrained to only a few brief gun "battles" and a stabbing, but the film is not about violence. It is about the aftermath of violence. As one character says towards the end, it is about life, death and hate. There are no opportunities to glorify the violence and every murder carries with it intense and very real consequences.

The sound track flitters between Shinjuku Triad style electronic drum effects and keyboards and country style slide guitar which really hints at the films Western roots. Essentially it is a film about an outsider used to fending for himself who is forced to care about another person and in doing so realize the value of his own life. This is not a new format and is a storyline you can find in variation in many John Wayne movies, the difference here is that I bet you won't be expecting it in a film by the man who brought the world Fudoh or Ichi the Killer.

Before his turn in Dead or Alive, Sho Aikawa turns up here as ultra cool ex-Yakuza, Yuuji, who has retired to the back alleys of Taipei to earn money as a hit-man. Early on in the film a young child is left in his house by an unknown woman. At the heart of the film, and it is a genuine heart, is the relationship between Aikawa's character and his supposed son. Without wanting to give anything anyway, it is the developments between the two which make the final scene one of the most tense scenes I have seen in film for a long time. Rarely is an audience allowed to sympathies and care for characters in a film like Rainy Dog yet it is as if Miike deliberately wants to alter our expectations. It is through caring about the characters that you realize you want them to live happily ever after.

Tomorowo Taguchi, returning from his role as the psychotic Wang in Shinjuku Triad Society has a minor but important role in Rainy Dog. His obsessive pursuit of Sho Aikawa which we see has destroyed his life mirrors intelligently Aikawa's character who is also letting his obsessions drive him to ruin. Taguchi I consider to be one of the best Japanese actors in the last decade, he is certainly one of the most prolific, and here his meagre five or six scenes are infused with an energy which helps motivate the rest of the film. I am looking forward to the next film I see with him in.

I believe that Miike had to produce this film with a largely non-Japanese crew, it is a testament to his bravery as a film maker (I dare say few directors would risk such a venture) that Rainy Dog looks and feels as it does. There are a few moments when the sound does not quite match the action (check out Aikawa beating up Taguchi early in the film for some of the most bizarre punching sound effects) but the film as a whole does not suffer. I do not know whether it was a lack of Japanese crew and skills that led Miike to make a slower movie, if so, his ability to compensate is second-to none. Instead of trying to make viewers vomit (no sick bags dispensed at viewings of this film) Miike has done something that only Japanese directors seem willing to do (Takeshi Kitano or Takashi Ishii are prone to this) and that is to promote thought and feeling during a film that is essentially a "mobster" movie. There are few forgettable scenes and some are utterly heart wrenching (Aikawa sleeping indoors with a prostitute whilst his son sleeps under a blanket with a dog in the rain).

In honesty there is little I can say against Rainy Dog. It is a superb film, a moving film and one which will make you think long and hard. Above all else it will, like most Miike films, reinforce your sense of relief that somewhere there is someone with a brain making films with a brain. And a hell of a lot of style too.