Not Tonight, Darling

The demise of the British theatrical feature of the end of the sixties, along with the proliferation of sex cinemas, tempted a number of fringe operators into the production of Girlie Movies.

This one looks quite handsome, with established director of photography Waxman (Waterfront, I Thank A Fool) on board, as a favor to the then young crew. By the standards which must apply, it met the needs. The women are presentable. The dialogue is audible and the plot can be followed without any effort - enough for the demands of the British skin flic.

The real action had already moved on to TV where the technical standards left much to be desired but talent and ideas were showcased. These films proved a dead end.

Back in 1971, if you had never seen this and someone summarised it as "young blonde wife, frustrated by her husband's total lack of libido, decides to explore her sexuality", then I'm sure you'd have parted with your 50p at the cinema just as I would.

However, you'd have barely had time to lick your drink-on-a-stick before you'd have realised you'd been sold a pup.

The film says nothing, the acting is dire, the direction non- existent, the storyline meanders, wanders, then concludes by saying "make of this what you will. I give up"

However, this film is not without redemption. Here's why:

a) If you ever wondered what a seedy Soho strip club looked like in the daytime, this is for you. And what about that compere? ("Okay, remove your raincoats")

b) Captain Harrison (Bill Shine) may not be on screen for long but he does have the best lines. ("He called me Bill. Well, it was my name)

c) You really have to see the camera-work in the health club scenes to believe it. The young lady on the vibrator belt especially.

d) Thunderclap Newman playing live (along the lines of The Yardbirds in 'Blow Up' or Alan Price in 'O Lucky Man'). A previous reviewer mentioned this would interest those interested in the music of the era. It does.

e) The, shall we say, 'incredible' dream scene in the grocer's shop. Hard to believe and more than a touch of The Bonzo Dog Doo Dah Band about it (if you recall Magical Mystery Tour).

So, all in all, a dreadful film if you look on it as a film - but a fascinating slice of what 1971 was capable of, if you come at it from another angle!

I saw this movie because I am a fan of Luan Peters and she looked great.

She was playing the role of a bored housewife....not trying to act! I believe this was made nearly 40 years ago...before all the digital, the CG, the high-tech that modern filmmakers are blessed with, but with a the little money that was available told a simple story of it's time.

The camera-work was unobtrusive...thank the Lord, unlike nowadays when cameras can go up somebody's nose or come out of their ****, for no other reason except... that the camera can! The mood of suburbia and the boredom was well displayed.

Someone writes, "Stop me if you've heard this one before: A bored housewife. A frigid husband. A scheming Lothario. A steamy affair. Secret photographs. Uh oh, blackmailed! Now she must star in some X-rated tapes or hubby will find out about her extra-marital activities....." This was 40 years ago...This was the original! The idea was so good, it's been copied hundreds of times DUH!

The people in the Olympics long ago ran as fast as they could in their time. Their numbers are laughingly slow compared to now, but they did their best and we should not make comparisons. Art is not comparative, art should be judged on its own merits. Luan rules OK!

Confirming my theory that the 70s were the decade that taste forgot this movie has the production values of a school play and looks like it was shot in various crew members flats.

By modern standards it is utterly unsexy - it as also unfunny, undramatic, badly lit, the leaden dialogue is almost inaudible (spectacularly drowned out by traffic noises at one point) and there is no resolution to the incredibly thin story.

There is nothing to recommend it at all apart from the odd flash of breast - and a brief, weird interlude where two of the characters watch the band Thunderclap Newman rehearse a couple of numbers. (I guess that might be of historical interest to musicologists of the era... but it's easy to see why they only got to release one album.) The two watchers were shot without any idea of the music they were supposed to be listening to and probably had no playback to respond to so they tap their feet, nod their heads, and snap their fingers (groovy man!) in several random rhythms simultaneously - none of them unfortunately matching the music.

Avoid. (Why doesn't IMDb allow you to rate films as a zero ?)

Now for the true story which explains how such an awful film came to be made and why.

The original screenplay, working title 'The Loving Game', was an intelligently written 3 hander about a, impossible to live with love affair. Alright, it was not exactly 'Casablanca' but not bad for its genre.

The eventual financial backers and distributors of 'Not Tonight Darling' (for such it had been renamed), Border Films, were the very last to be approached in the quest to raise the production budget.

Situated at the time at the very end of Wardour Street, the script had been touted around the circuit and, having been rejected by all and sundry, was surprisingly picked up by Border.

The real reason was simply that they were short of a British produced film which qualified for the Eady levy, allowing the lucrative import by Border of more foreign rubbish......but cheap rubbish.

This small distributor specialised in a more racy film style and the 'quid pro quo' for putting up the cash was a total rewrite. Lots of sex, nudity and a leading lady chosen more for her relationship with a big-wig with responsibility for circuit booking of films than for any special acting skills.

This is not meant to denigrate the lady in question or her acting talent but applies accurately to this production.

As part of the deal, an additional 2 minutes of 'hard-core' shooting were needed close the territorial film rights' sale to the Far East.

And so production started, lurching from one disaster to the next with Border not transferring money into the production company account as agreed and crew and actors going unpaid for long periods.

Finally, the special 2 minutes of hard-core required several good men and true to step up to the mark.

The first attempt at filming proved the old adage that 'the spirit is willing but the flesh is weak'. The poor lads just couldn't keep it up long enough to commit to film.

So a specialist troupe were flown in from New York for the scene and they proved well able to match the director's stringent requirements.

'Not Tonight Darling' was to be the first time that hard core material was sent to Humphries Labs for processing since the censorship laws had changed.

It was not until the rushes were delivered back to the production offices that the crew knew whether or not the scene had been junked. It hadn't and the 2 minutes were the best part of the film (never seen in the UK of course).

With money running out, tempers shortening, writers removing their name from the script and all of the normal problems of post-production, it is not surprising that all that came out was a turkey.

Ah well.........