Pânico em Bangkok

Hubert Bonisseur de la Bath, aka secret agent OSS 117, sets out to stop an evil scientist about to unleash a virulent biological strain on the world that he developed during experiments on rats ...

Kerwin Matthews plays OSS 117 and he does a very good job, coming across smooth with the ladies (Pier Angeli being the main squeeze) and quite adept in the action scenes. There's an energetic, though a little unpolished, fight scene in a hotel room which has plenty of judo throws. At one point I thought he was going to lose the fight. The plot is busy enough- there's shootouts, speedboat chase, kidnappings, double-crosses, a bit of romance, and some adventurous escapades ...

However, languidness lingers a little in the first half, but thanks to Matthews, Pier Angeli and the Thai scenery it keeps one's attention until the second half where things pick again, the pace increases, action infuses a shot of adrenaline much needed. Remember seeing this on LWT in 1991 ( UK TV)

Despite the bad rap this OSS 117 adventure has taken over the years, a recent reevaluation suggests that kinder words be spoken about it. The U.S. re-titling, Shadow of Evil, turns out to be quite appropriate for a low-key adventure that relies more on atmosphere than action. This is not to say that the film is a resounding success but neither is it one of the genre entries that should be passed by entirely.

Director Andre Hunebelle, credited on this print as Cyril Grize, made four OSS 117 movies in the sixties of which this is the second. One might argue that Hunebelle's familiarity with the character of Hubert Bonnisseur de la Bath aka OSS 117, lead to his experimenting with different approaches in filming his adventures.

Hunebelle takes a noir approach, at least visually, to large sections of the film. Much of the action takes place at night with plenty of shadows in which our characters can hover about. Contrary to what the film's detractors say, this is a good looking film even if experienced as a bad VHS dupe. The score by Michel Magne, credited here as Garry Sherman, uses eastern influences to good effect in creating soundscapes rather than themes, an unusual approach for the genre.

Shadow of Evil is not a failure but neither will it land at the top of most people's list. Make up your own mind.

1964's French-Italian "Shadow of Evil" (Banco a Bangkok pour OSS 117 or Panic in Bangkok for OSS 117) was the second OSS (Office of Strategic Services) title for director Andre Hunebelle (first in color, following "OSS 117 is Unleashed") in the long running series of films that kicked off in 1957 (five years before "Dr. No"). Hollywood leading man Kerwin Mathews returns for the second and last time in the title role of Hubert Barton, the subject of 88 published stories by French author Jean Bruce dating back to 1949, four years before Bond's 1953 debut in Ian Fleming's "Casino Royale." Barton is dispatched to Thailand to replace an assassinated operative on the trail of an organization called 'The People Elect,' elitists out to use a new plague virus in place of vaccines to orchestrate a vast takeover of the entire world, killing huge numbers of animals as well as 'inferior people.' The obsessed villain is established early on as Hindu seer Doctor Sinn (Robert Hossein), whose lovely sister Lila (Pier Angeli) is quick to switch sides when Barton is endangered. Structurally, it truly plays out like a Bond film with OSS 117 briefed by a supervisor before his assignment, then filming on location to ensure authenticity, but even on his second go round in the part one wishes for greater charisma out of Kerwin Mathews, already a Hammer veteran with Christopher Lee's "The Pirates of Blood River" and Jimmy Sangster's "Maniac" on his resume (one more reunion with Pier Angeli for her final movie role, 1971's hideously cheap "Octaman"). Alas, these henchmen prove a bit too easy to defeat, from an intruder who leaps to his death rather than be interrogated, to a scientist falling victim to his own truth serum, revealing all to Barton at roughly the halfway mark; it's still diverting enough and certainly benefits from a rat infested climax, Robert Hossein returning as a different villain in 1968's "OSS 117 Double Agent."

This movie was released in India as 'Panic in Bangkok' around the same time that Goldfinger became a raging hit. Panic in Bangkok was a big hit too and it launched a huge following for the OSS 117 franchise, which went on to star Fredrick Stafford. This movie was so popular that it was remade in Tamil as 'Vallavan Oruvan' which made actor Jaishankar a star. I loved this movie and although I was hooked to Sean Connery's Bond franchise, I found the OSS 117 series equally credible and most of them were good. Panic in Bangkok was the best and Kerwin Mathews was one of the popular stars of the time with his other movies like 'Viscount' also doing great business. I have been trying to get hold of DVD's of the OSS 117 films, which unfortunately are never played on TV in the US.

This film begins with an American spy being killed while attempting to piece together information related to a rise in the cases of bubonic plague in India following cholera vaccinations developed by one specific lab in Bangkok. Recognizing the importance of this information OSS Agent 117 "Hubert Barton" (Kerwin Mathews) is sent to try to piece together what he can to prevent a world-wide pandemic. What he doesn't know is how close a secret criminal organization called "the People Elect" are in accomplishing their diabolical plans. Now rather than reveal any more I will just say that most of those who are familiar with the OSS 117 series will admit that it doesn't have the same level of intensity as those films found in the James Bond franchise. Along those same lines, most people will also admit that Kerwin Mathews doesn't have the same level of charisma as either Sean Connery or Roger Moore. Having said that, however, he still performs well enough to get the job done. Likewise, having two attractive actresses in Eva Davidson (as "Dominique Wilms") and Pier Angeli ("Lila Sinn") certainly didn't hurt in this particular case either. In short, while this certainly wasn't a great spy film by any means, it was sufficient to pass the time and I have rated it accordingly. Average.