Agente 117: Rio Não Responde Mais

Apparently, there was some OSS 117 series back in the 60s. I have never seen it and know nothing about the films. I do know, however, that just recently there have been a couple cute French spy films starring Jean Dujardin. Neither film makes a lot of sense, but they are entertaining and fun. Previously, OSS 117 went on a mission to Egypt. Now he's being sent to Rio to track down an ex-Nazi and obtain a list of French collaborators. Oddly, this film is set in the 1960s--and the previous one was set in the 50s. No matter, it's the same silly old spy character.

As I said above, the film makes almost no sense at all. The Nazis have two Mexican luchadors (wrestlers in hoods) who run about Brazil in suits! This is an obvious nod to the silly Mexican luchador films where you see characters like el Santo going on dates, fighting crime or monsters or making love--all in the silly hood. There are also some black Nazis--again, this film never tries very hard to make sense! While it is all silly fun, this is still a rather adult movie--much more so than the one set in Cairo. There is some nudity, a lot of blood and a CIA agent named Bill who uses the most amazingly colorful language I've seen in a long time. Also, while it makes fun of OSS 117's racism, sexism and overall arrogant xenophobic manner, the easily offended might still blanch at the film. But considering he IS supposed to be an idiot, his comments about Jews, women and the like are all intended to point out his idiocy.

In many ways this film is like an Austin Powers and Matt Helm film put together. Like Helm, there is the Dean Martin music and OSS 117's manner is pure Helm. Plus, like Helm, Dujardin is a nice looking guy. It is a bit Powers-like....but much, much more subdued and subtle--something you'd never call a Powers film! Cute and entertaining in a very low-brow sort of way.

In late 2011, "The Artist" got released. It went on to win Best Picture (only the second silent movie to do so), as well as Best Actor and Best Director. Prior to its release, I had never heard of Michel Hazanavicius or Jean Dujardin. Right after I saw "The Artist", I saw an earlier collaboration of theirs: "OSS 117: Cairo, Nest of Spies".

"OSS 117: Rio ne répond plus" ("Lost in Rio" in English) is the sequel to that movie. It's a litany of silly fun as Dujardin's suave spy gets sent to the Brazilian metropolis to find a Nazi fugitive. The movie finds time to make fun of stereotypes, namely the chauvinistic Frenchman and the ugly American. There are a few incongruous aspects, but this sort of movie is all about blatantly silly fun, and it's very much a good time, as was "Nest of Spies". As for "The Artist", its win combined with the Oscars won by "Hugo" have hopefully put the "freedom fries" attitude to rest forever.

OSS 117 is a french secret agent, a very very french one. His new mission is to exchange a microfilm for money with an ex Nazi in Brazil. for this mission, he will have to team up with a Jewish sexy secret agent and the hippie son of the ex-Nazi. Whatever...The story is not that interesting, this is a parody of 007, a fine one. here, the hero is stupid and old fashioned, but sure to be the opposite. every single line he says is full of anachronism and ignorance, he has no idea of what he's dealing with and he's kind of childish. But he's the best french agent. Hubert Bonisseur de labathe is our own french Austin Power, for a more mature audience. Here, the laugh comes from the gap between the world OSS thinks he lives in and the real world, and the fact that, even facing the real world, he never changes his mind. The first episode was great, funny and thrilling, a complete absurd spy movie. this one is funnier, because now, we now the main character is a complete idiot, but he always gets what he wants, even if quite don't understand how.

Comedy spy-thriller with Jean Dujardin as inept secret agent versus nasty high-ranking Nazi played by Rudiger Vogler . Secret agent OSS 117 foils Nazis, beds local beauties , and brings peace to Rio De Janeiro . It's 1967 and the secret agent Hubert Bonisseur De la Bath, a.k.a. OSS 117 is ordered a dangerous investigation in Brazil to the strains of Bossa nova. Hubert Bonisseur is the French spy considered by his superiors to be the best in the business , this time his assistant is the charming Mossad agent who is also seeking the Nazi . He's been sent on a mission to Rio De Janeiro , to look for a former SS officer who went into exile in South America after WWII . His eventful mission takes him all across Brazil , from Rio to Brasilia and the Iguazu Falls , accompanied by a beautiful girl named Dolores Keulachov played by Louise Monot. The man is charming , and so is the young girl spy . Filmed on luxurious sets their tale is by turns an exciting intrigue and a love story . He acts as a playboy , this results to be his cover while he is busy investigating, foiling Nazi attacks and bedding local beauties . Hubert Bonisseur De la Bath, a French spy, is in Brasil to investigate the disappearance an ominous Nazi . He is he smart spy , or is he an imbecile ? He fights well but he's supremely smug and self-confident, even as he's deaf to cultural nuance and others' feelings , so the odds are even that he might survive .

Funny moments along with embarrassing in this second entry about secret agent OSS 117 with a likable Jean Dujardin , role of the accidental spy who doesn't know fear or danger in this comedy spy-thriller . In this entertaining adventure, the most unlikely intelligence officer in French Secret Service must stop a group of international Nazis conspirators led by a previous SS officer before they cause global chaos on the world . Hubert Bonisseur, a French secret agent who dreams of rising beyond his menial job within the OSS organization, after all the other agents are bumped off is hired to discover a microfilm where appears names of collaborationists with Nazis . With one shot at redemption, he must employ all kind of means to unravel a web of conspiracy that runs throughout an ambitious plot . Hubert must use every trick in his play-book to achieve his objectives . For Hugo Bonisseur, disaster may be an option, but failure never is.

This second installment is an acceptable comedy though the formula is well known with 'The Pink Panther' series and recently with 'Johnnny English' by Rowan Atkinson . It stars clumsy Jean Dujardin as one man show accompanied by a gorgeous Louise Monot . The movie gets entertaining and hilarious moments here and there. This slapstick picture contains amusing , funny scenes , fresh and diverting moments but also flaws and gaps . Jean Dujardin steals the show parodying the ordinary international secret agent , James Bond-alike , including his ordinary faces , grimaces and gestures ; he plays stunningly the highly unorthodox agent, the inept and bungler secret agent from OSS .

Appears as secondary the prestigious German actor Rudiger Vogler , Win Wenders's usual ; furthermore two French beauties as Louise Monot and Reem Kherici. The actors seem to enjoy themselves immensely giving funny interpretations . Lively and atmospheric music by Ludovic Bource. Colorful and glimmer cinematography by Schiffman . The film is well penned and directed by Michel Hazanavicius that maintains the slapstick franchise . He also directed in similar style the original film titled ¨OSS 117 El Cairo¨ with Jean Dujarjin and Beatriz Bejo ; both of then will repeat in the successful and recent ¨The artist¨ including Golden Globe nomination . Several chuckles and gags , the result of which is one acceptable second entry . The flick will appeal to comedy fans .

Like its predecessor, this film offers us a successful parody of 1960s films in terms of style and technique, increased dark humor compared to the first film, remarkable style, and a Jean Du Jardin who consistently exudes irreplaceable charm.

The criticism implicit in some of the jokes, especially about the extent of collaboration, is also remarkable, a sign that the humor here is not merely superficial.

More generally, it is refreshing to have such politically incorrect humor. This is a film that is aware of its audience's intelligence to see beyond mere humorous provocation. That's what's missing in this day and age.

Also, Bill Tremendous' character is hilarious and memorable. The first scene with him takes your breath away.