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IMDbPro

Inferno Subterrâneo

Título original: The Taking of Pelham One Two Three
  • Filme para televisão
  • 1998
  • TV-14
  • 1 h 40 min
AVALIAÇÃO DA IMDb
5,3/10
1,2 mil
SUA AVALIAÇÃO
Vincent D'Onofrio, Edward James Olmos, Donnie Wahlberg, Tara Rosling, and Richard Schiff in Inferno Subterrâneo (1998)
CrimeDramaSuspense

Adicionar um enredo no seu idiomaIn New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?

  • Direção
    • Félix Enríquez Alcalá
  • Roteiristas
    • John Godey
    • Peter Stone
    • April Smith
  • Artistas
    • Edward James Olmos
    • Vincent D'Onofrio
    • Donnie Wahlberg
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,3/10
    1,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Félix Enríquez Alcalá
    • Roteiristas
      • John Godey
      • Peter Stone
      • April Smith
    • Artistas
      • Edward James Olmos
      • Vincent D'Onofrio
      • Donnie Wahlberg
    • 19Avaliações de usuários
    • 5Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Fotos9

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    Elenco principal30

    Editar
    Edward James Olmos
    Edward James Olmos
    • Det. Anthony Piscotti
    Vincent D'Onofrio
    Vincent D'Onofrio
    • Mr. Blue
    Donnie Wahlberg
    Donnie Wahlberg
    • Mr. Grey
    Richard Schiff
    Richard Schiff
    • Mr. Green
    Lisa Vidal
    Lisa Vidal
    • Babs Cardoza
    Tara Rosling
    Tara Rosling
    • Mr. Brown
    Kenneth Welsh
    Kenneth Welsh
    • Caz Hollowitz
    Lorraine Bracco
    Lorraine Bracco
    • Det. Ray
    Ben Cook
    Ben Cook
    • Older Boy on Subway
    Bobby Boriello
    Bobby Boriello
    • Younger Boy on Subway
    Robert Young
    • Homeboy on Subway
    • (as Black Katt)
    Ingrid Veninger
    • Graduate Student on Subway
    Alisa Wiegers
    • Office worker ["Shaky"]
    Peter Boretski
    Peter Boretski
    • Old Man on Subway
    Stuart Clow
    • Jogger
    Michael A. Miranda
    • Denny Alcala
    • (as Silvio Oliviero)
    Sandi Ross
    Sandi Ross
    • Mrs. Jenkins
    Louis Del Grande
    • Frank Stonehouse
    • Direção
      • Félix Enríquez Alcalá
    • Roteiristas
      • John Godey
      • Peter Stone
      • April Smith
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários19

    5,31.2K
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    10

    Avaliações em destaque

    5alvin81

    Tepid TV remake of the '74 classic

    Based on the 1974 classic of the same name, this TV version looks very much like a regular TV show, spread out over two hours instead of one. This remake does indeed suffer from modest budgets, a less than sterling cast. Vincent d'Onofrios, stepping into Robert Shaw's "Mr. Blue" ringleader role, seems bored, wooden, and unaffected by the entire scenario. Likewise, Edward James Olmos (filling Matthau's shoes) is equally as bored and wooden as d'Onofrios. Poor Brooklynite Lorraine Bracco is reduced to a supporting role (formerly played by Jerry Stiller) that does not make use of her endless talents.

    What is most irking is the fact that the NYC-based flick was filmed in Toronto, Ontario. Exterior shots, subway stations, and particularly subway equipment looks nothing like the grimy, intimidating system that is New York's. New York's transit system is as much a celebrity as the city it holds together. Few cities in the world can be quickly identified by their form of subway transport as New York's. One big demerit for the producers on this one (no fault of Toronto, either—it is a marvelous city, to be sure).

    With the one exception of an emotional relationship established by highjacker "Brown" (Tara Rosling) and her 'angel of mercy' female conductor "Babs Cardoza" (Babs Cardoza), all other subplots among the hijackers and characters were not developed. The deliciously menacing "Mr. Grey" character, played to perfection in the original by Hector Elizondo, was reduced to an angry, almost juvenile person by Donnie Wahlberg.

    The overall feeling is choppy and suspenseless. One gets the feeling the original movie was being watched closely during filming, with the director causally removing chunks of original script.

    Even though TV movies are in an entirely different category than those produced in Hollywood, there is no reason for quality scripts to go M.I.A. TV budgets may be limiting, but the believability in the characters need not suffer.

    Stick with the original. Watch this remake to satiate the curiosity factor only.
    RussGrabes

    Lacks The Humour

    I don't think this 1998 remake was too bad, provided you regard it as a straightforward hostage film.

    It uses some of the best lines from the original almost verbatim (eg, "A person likes to know how much he's worth", "Do they still have the death penalty in New York" "I've always done my own killing" etc) which is ok, but I can't believe that Mr Blue in the 1998 film would not know the death penalty status in what appears to be his native New York. In the original, the Mr Blue character was clearly British, and might be excused for not knowing the death penalty status in all 50 US states.

    But as one other observer observed, the 1998 lacks .... WALLY MATTHAU (and to some extend George Costanza's dad also).

    The 74 version could almost have been sold as a comedy, but not this one. It's a straightforward tradesman like version without the wit, irony, pathos and dulcet tones of Wally Matthau

    Certainly worth watching if you love the 74 version so you can do a 'compare and contrast'. If you have not watched either, and you only want to see one of them, see the 74 version.

    The final scene is worth the wait (in both versions)
    HBeachBabe

    good, by why bother when the original was great?

    Although it's been a while since I watched this, I seem to recall enjoying it more than the 4.+ rating it has here. However, I also remember thinking "why?" Aside from some minor updates (the original's $1,000,000 ransom isn't much in 1998; more racial & gender diversity among the main players; the expunging of the Mayor character entirely which served only as comic relief in the original) the movie stuck so closely to the original that I had to wonder "why?" Why remake a great thriller unless you have something new to add? (Cape Fear for instance) While this certainly wasn't a waste of my time, and was in fact an entertaining evening of television, if given the choice, just watch the original. My only guess as to why this was made as it was, is because there are people who refuse to watch anything "old" and thus would rather watch a "new" version with current actors.
    oguer22656

    Why bother?

    I don't know why Hollywood feels the need to re-do classic movies. Can they not come up with original storylines anymore? This tv movie was lacking in so many areas. The actors had no chemistry, the dialog was banal, and the action seemed contrived. Don't waste your time on this one. Rent or better yet, buy the original starring Walter Matthau.
    3Mickey Knox

    pretty bad

    To begin with, I have to say that i have not seen the original and i have not read the book.

    Although the subject was totally new to me, i still didn't like it. Take a classic hijacking story, take out the cops (who barely appear in the film), and you get the story for this movie.

    Well this remake has even more things that make it bad. Examples? The bad guys are very very poorly built. We don't get to find out anything about them, about their past, about their plans for the future, about the relationship between them. There is no chemistry between them, they barely talk to each other, they give you the feeling that they just met or that they hate each other. Vincent d'Onofrio gives a fair performance as Mr Blue, but also i have to say i totally disliked the ending-- probably you will do the same.

    There are many other bad things going with the movie, but i'll end here. My vote? 3 out of 10.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      With respect to the description in the novel of how the controller is rigged for the getaway, this version is more faithful than the original film.
    • Erros de gravação
      On several occasions the detached car is a different model (Toronto class H-6) from what it is most of the time (class H-1). One obvious difference is the H-6's black rectangles around the upper headlights. The first instance of this goof is when the police tactical unit arrives in the tunnel. Also, just after the signals are set to red, the car number can be seen to be 5718.
    • Citações

      Deputy Mayor: Is it reasonable and prudent to suppose you can hijack a train, get $5 Million in cash and walk out through a subway tunnel in the middle of Manhattan at 4 in the afternoon while the whole world watches it on TV?

    • Conexões
      Remake of O Sequestro do Metrô (1974)

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    Perguntas frequentes3

    • Is "The Taking of Pelham One Two Three" based on a book?
    • What does "The Taking of Pelham One Two Three" mean?
    • What is the dead man feature?

    Detalhes

    Editar
    • Data de lançamento
      • 1 de fevereiro de 1998 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • O Seqüestro do Metrô
    • Locações de filme
      • Disused lower platform, Bay subway station, Toronto, Ontário, Canadá
    • Empresas de produção
      • MGM Television
      • Trilogy Entertainment Group
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 40 min(100 min)
    • Cor
      • Color
    • Mixagem de som
      • Stereo
    • Proporção
      • 1.33 : 1

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