Inferno Subterrâneo
Título original: The Taking of Pelham One Two Three
AVALIAÇÃO DA IMDb
5,3/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Robert Young
- Homeboy on Subway
- (as Black Katt)
Michael A. Miranda
- Denny Alcala
- (as Silvio Oliviero)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Based on the 1974 classic of the same name, this TV version looks very much like a regular TV show, spread out over two hours instead of one. This remake does indeed suffer from modest budgets, a less than sterling cast. Vincent d'Onofrios, stepping into Robert Shaw's "Mr. Blue" ringleader role, seems bored, wooden, and unaffected by the entire scenario. Likewise, Edward James Olmos (filling Matthau's shoes) is equally as bored and wooden as d'Onofrios. Poor Brooklynite Lorraine Bracco is reduced to a supporting role (formerly played by Jerry Stiller) that does not make use of her endless talents.
What is most irking is the fact that the NYC-based flick was filmed in Toronto, Ontario. Exterior shots, subway stations, and particularly subway equipment looks nothing like the grimy, intimidating system that is New York's. New York's transit system is as much a celebrity as the city it holds together. Few cities in the world can be quickly identified by their form of subway transport as New York's. One big demerit for the producers on this one (no fault of Toronto, eitherit is a marvelous city, to be sure).
With the one exception of an emotional relationship established by highjacker "Brown" (Tara Rosling) and her 'angel of mercy' female conductor "Babs Cardoza" (Babs Cardoza), all other subplots among the hijackers and characters were not developed. The deliciously menacing "Mr. Grey" character, played to perfection in the original by Hector Elizondo, was reduced to an angry, almost juvenile person by Donnie Wahlberg.
The overall feeling is choppy and suspenseless. One gets the feeling the original movie was being watched closely during filming, with the director causally removing chunks of original script.
Even though TV movies are in an entirely different category than those produced in Hollywood, there is no reason for quality scripts to go M.I.A. TV budgets may be limiting, but the believability in the characters need not suffer.
Stick with the original. Watch this remake to satiate the curiosity factor only.
What is most irking is the fact that the NYC-based flick was filmed in Toronto, Ontario. Exterior shots, subway stations, and particularly subway equipment looks nothing like the grimy, intimidating system that is New York's. New York's transit system is as much a celebrity as the city it holds together. Few cities in the world can be quickly identified by their form of subway transport as New York's. One big demerit for the producers on this one (no fault of Toronto, eitherit is a marvelous city, to be sure).
With the one exception of an emotional relationship established by highjacker "Brown" (Tara Rosling) and her 'angel of mercy' female conductor "Babs Cardoza" (Babs Cardoza), all other subplots among the hijackers and characters were not developed. The deliciously menacing "Mr. Grey" character, played to perfection in the original by Hector Elizondo, was reduced to an angry, almost juvenile person by Donnie Wahlberg.
The overall feeling is choppy and suspenseless. One gets the feeling the original movie was being watched closely during filming, with the director causally removing chunks of original script.
Even though TV movies are in an entirely different category than those produced in Hollywood, there is no reason for quality scripts to go M.I.A. TV budgets may be limiting, but the believability in the characters need not suffer.
Stick with the original. Watch this remake to satiate the curiosity factor only.
I don't think this 1998 remake was too bad, provided you regard it as a straightforward hostage film.
It uses some of the best lines from the original almost verbatim (eg, "A person likes to know how much he's worth", "Do they still have the death penalty in New York" "I've always done my own killing" etc) which is ok, but I can't believe that Mr Blue in the 1998 film would not know the death penalty status in what appears to be his native New York. In the original, the Mr Blue character was clearly British, and might be excused for not knowing the death penalty status in all 50 US states.
But as one other observer observed, the 1998 lacks .... WALLY MATTHAU (and to some extend George Costanza's dad also).
The 74 version could almost have been sold as a comedy, but not this one. It's a straightforward tradesman like version without the wit, irony, pathos and dulcet tones of Wally Matthau
Certainly worth watching if you love the 74 version so you can do a 'compare and contrast'. If you have not watched either, and you only want to see one of them, see the 74 version.
The final scene is worth the wait (in both versions)
It uses some of the best lines from the original almost verbatim (eg, "A person likes to know how much he's worth", "Do they still have the death penalty in New York" "I've always done my own killing" etc) which is ok, but I can't believe that Mr Blue in the 1998 film would not know the death penalty status in what appears to be his native New York. In the original, the Mr Blue character was clearly British, and might be excused for not knowing the death penalty status in all 50 US states.
But as one other observer observed, the 1998 lacks .... WALLY MATTHAU (and to some extend George Costanza's dad also).
The 74 version could almost have been sold as a comedy, but not this one. It's a straightforward tradesman like version without the wit, irony, pathos and dulcet tones of Wally Matthau
Certainly worth watching if you love the 74 version so you can do a 'compare and contrast'. If you have not watched either, and you only want to see one of them, see the 74 version.
The final scene is worth the wait (in both versions)
Although it's been a while since I watched this, I seem to recall enjoying it more than the 4.+ rating it has here. However, I also remember thinking "why?" Aside from some minor updates (the original's $1,000,000 ransom isn't much in 1998; more racial & gender diversity among the main players; the expunging of the Mayor character entirely which served only as comic relief in the original) the movie stuck so closely to the original that I had to wonder "why?" Why remake a great thriller unless you have something new to add? (Cape Fear for instance) While this certainly wasn't a waste of my time, and was in fact an entertaining evening of television, if given the choice, just watch the original. My only guess as to why this was made as it was, is because there are people who refuse to watch anything "old" and thus would rather watch a "new" version with current actors.
I don't know why Hollywood feels the need to re-do classic movies. Can they not come up with original storylines anymore? This tv movie was lacking in so many areas. The actors had no chemistry, the dialog was banal, and the action seemed contrived. Don't waste your time on this one. Rent or better yet, buy the original starring Walter Matthau.
To begin with, I have to say that i have not seen the original and i have not read the book.
Although the subject was totally new to me, i still didn't like it. Take a classic hijacking story, take out the cops (who barely appear in the film), and you get the story for this movie.
Well this remake has even more things that make it bad. Examples? The bad guys are very very poorly built. We don't get to find out anything about them, about their past, about their plans for the future, about the relationship between them. There is no chemistry between them, they barely talk to each other, they give you the feeling that they just met or that they hate each other. Vincent d'Onofrio gives a fair performance as Mr Blue, but also i have to say i totally disliked the ending-- probably you will do the same.
There are many other bad things going with the movie, but i'll end here. My vote? 3 out of 10.
Although the subject was totally new to me, i still didn't like it. Take a classic hijacking story, take out the cops (who barely appear in the film), and you get the story for this movie.
Well this remake has even more things that make it bad. Examples? The bad guys are very very poorly built. We don't get to find out anything about them, about their past, about their plans for the future, about the relationship between them. There is no chemistry between them, they barely talk to each other, they give you the feeling that they just met or that they hate each other. Vincent d'Onofrio gives a fair performance as Mr Blue, but also i have to say i totally disliked the ending-- probably you will do the same.
There are many other bad things going with the movie, but i'll end here. My vote? 3 out of 10.
Você sabia?
- CuriosidadesWith respect to the description in the novel of how the controller is rigged for the getaway, this version is more faithful than the original film.
- Erros de gravaçãoOn several occasions the detached car is a different model (Toronto class H-6) from what it is most of the time (class H-1). One obvious difference is the H-6's black rectangles around the upper headlights. The first instance of this goof is when the police tactical unit arrives in the tunnel. Also, just after the signals are set to red, the car number can be seen to be 5718.
- Citações
Deputy Mayor: Is it reasonable and prudent to suppose you can hijack a train, get $5 Million in cash and walk out through a subway tunnel in the middle of Manhattan at 4 in the afternoon while the whole world watches it on TV?
- ConexõesRemake of O Sequestro do Metrô (1974)
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- Data de lançamento
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- O Seqüestro do Metrô
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