A Ressurreição

Resurrection Man, by Eoin McNamee, is a masterpiece in visceral storytelling and in evoking the back streets of Belfast.

This ''adaptation'' loses almost all of these qualities and leaves us feeling disgusted we wasted our time watching this tripe.

Director Marc Evens thinks that he's Scorsesse and that he can make the Northern Ireland troubles cool by using the same techniques(slow-motion,freeze,70's music) and it just shows what it really is.

A pale imitation of a masterpiece (Goodfellas) and a terrible adaptation

Stylishly shot, but predictable, woefully under-developed script with patchy performances other than the compelling lead male actor. Seems to believe it's about violence, but incoherent story and directorial approach to the ultra violence the film purports to explore, results in triple X rated pop video. Not just bad, but stupid on quite a deep level.

Resurrection Man focuses on sectarian violence in Northern Ireland in the 1970s. Concentrating on what sort of characters are involved in this lifestyle and their relationships, but doesn't really go into much detail why. Which makes the film into a more stereotypical "two gangs battling" film, focusing mainly on the relationships between the members of the protestant gang, and making it all very stylish. This is the film's main flaw, it's feels like you've seen it before, it has been done before and better by others. That said, Resurrection Man has some good performances and a decent soundtrack, but on the whole, unless any of the plot lines are of interest to you personally, you might be better off watching some of the established "classics" of the genre that are fairly well known.

If you didn't press stop on your video recorder five minutes into this film due to the shocking nature of some of the opening scenes, you will discover that this is a beautiful film which has more in common with 'Interview With The Vampire', 'The Company Of Wolves', 'Brighton Rock' and 'Frankenstein' than it does with a film about sectarian violence.

Despite the book on which this was based, sectarian violence just provides an underlying base to stage this tale of the vampire like 'Victor Kelly', a young Irishman with a thirst for blood, fame and self destruction.

Stuart Townsend epitomizes evil in the role of Victor, supported by many talented actors.

The evil staring eyes of Victor Kelly, will stay with you long after watching the film. Perhaps this is why Stuart Townsend has been cast in the latest Anne Rice adaption.

Anyone who is familiar with the case of the Shankill Butchers should know that this movie is a travesty, and a disgrace to the victims and their families, and to everyone in Northern Ireland, regardless of their background. 99% fiction with 1% truth. The fact that the writer/director is cashing in on such a horrible era of brutality is almost as shameful as the pathetic popcorn-entertainment we've been subjected to with this movie.

"Artistic license" has been stretched to the point of snapping with this director. If you have an interest in history and the story of the Northern Irish troubles, this movie ain't for you.

Read Martin Dillon's book on the subject, "The Shankill Butchers", for a real insight into the events. I also urge you to try and get your hands on "Lost Lives", a book chronicling every death as a result of the N. Irish troubles from 1968 to 1999.

Failing that, here is Wikipedia's entry on the Butchers: http://en.wikipedia.org/wiki/Shankill_Butchers