Um estudante universitário suspeita que uma série de mortes estranhas estão relacionadas a certas lendas urbanas.Um estudante universitário suspeita que uma série de mortes estranhas estão relacionadas a certas lendas urbanas.Um estudante universitário suspeita que uma série de mortes estranhas estão relacionadas a certas lendas urbanas.
- Prêmios
- 1 vitória e 2 indicações no total
Vince Corazza
- David Evans
- (as Vince Corrazza)
Balázs Koós
- Nerdy Guy
- (as Balazs Koos)
Avaliações em destaque
URBAN LEGEND
Aspect ratio: 2.39:1
Sound formats: Dolby Digital / SDDS
A serial killer descends on a New Hampshire college where he/she kills a number of students in the manner of various urban legends.
History has a habit of repeating itself. In the early 1980's, a series of low budget 'slasher' movies emerged in the wake of HALLOWEEN (1978) and "Friday the 13th" (1980), most of which were condemned as substandard imitators by critics and horror fans alike. The same thing happened in 1996, following the success of Wes Craven's SCREAM, a smug reworking of genre clichés which allowed 'sophisticated' multiplex audiences to indulge an attitude of superiority over those 'crappy' old horror flicks and the 'unsophisticated' viewers who once supported them. The subsequent wave of teenage horror pics were flashy, sexy and ramped to the max, and - true to form - virtually all of them were (ho hum) trashed by critics and horror fans alike. And yet, most of them made a profit, perhaps BECAUSE they were flashier and sexier than those earlier pictures, and because they were designed for a wider demographic than 'mere' horror fans.
Jamie Blanks' URBAN LEGEND is a case in point: Most reviews ran the gamut from harsh dismissal to faint praise, yet the movie is a visual treat, as creepy and atmospheric as any of the films which inspired it. Furthermore, Silvio Horta's unassuming screenplay confounds expectations with its solid narrative arc, recognizable characters and dynamic set-pieces, not to mention a climactic 'reveal' which offers a robust motive for the killer's devastating onslaught. There are a few embarrassing lapses along the way (such as the murder which takes place in full view of heroine Alicia Witt, which she ignores because she thinks it's a couple having sex!), and Horta can't resist a handful of cop-out contrivances (eg. the killer slashes the wrists of a girl known for her depressive tendencies, causing authorities to dismiss her death as suicide, though a routine forensic examination would have revealed the cuts were administered post mortem, AFTER she was strangled to death!), but these occasional blunders are redeemed by the movie's fast-paced editing, neo-Gothic visual scheme and clever plot developments. Blanks orchestrates proceedings with consummate skill, but he refuses to indulge the kind of transgressive gore that once distinguished this downmarket subgenre (where's Tom Savini when you really need him?!).
As expected, the talented young cast - including Jared Leto, Rebecca Gayheart and Tara Reid - is pleasingly photogenic, and there are lengthy appearances by TV favorites Michael Rosenbaum ("Smallville") and Joshua Jackson (watch out for the terrific "Dawson's Creek" gag!). Major co-stars include Robert Englund (Freddy Krueger himself!), John Neville and an uncredited Brad Dourif, who features heavily in a powerful opening sequence where Blanks and Horta pull a major switcheroo on the audience (I'll say no more). Loretta Devine is amusing as the campus security guard who views herself as a modern-day Coffy/Pam Grier (her fantasy is rudely curtailed by a climactic encounter with the rampaging maniac), and there's a brief appearance by Danielle Harris, the former child star of HALLOWEEN 4: THE RETURN OF MICHAEL MYERS (1988) and HALLOWEEN 5 (1989), playing an adult character FAR removed from the angelic poppet of those earlier pictures! Beautiful, fairy-tale score by Christopher Young. Followed by the largely unrelated URBAN LEGENDS: FINAL CUT (2000).
Aspect ratio: 2.39:1
Sound formats: Dolby Digital / SDDS
A serial killer descends on a New Hampshire college where he/she kills a number of students in the manner of various urban legends.
History has a habit of repeating itself. In the early 1980's, a series of low budget 'slasher' movies emerged in the wake of HALLOWEEN (1978) and "Friday the 13th" (1980), most of which were condemned as substandard imitators by critics and horror fans alike. The same thing happened in 1996, following the success of Wes Craven's SCREAM, a smug reworking of genre clichés which allowed 'sophisticated' multiplex audiences to indulge an attitude of superiority over those 'crappy' old horror flicks and the 'unsophisticated' viewers who once supported them. The subsequent wave of teenage horror pics were flashy, sexy and ramped to the max, and - true to form - virtually all of them were (ho hum) trashed by critics and horror fans alike. And yet, most of them made a profit, perhaps BECAUSE they were flashier and sexier than those earlier pictures, and because they were designed for a wider demographic than 'mere' horror fans.
Jamie Blanks' URBAN LEGEND is a case in point: Most reviews ran the gamut from harsh dismissal to faint praise, yet the movie is a visual treat, as creepy and atmospheric as any of the films which inspired it. Furthermore, Silvio Horta's unassuming screenplay confounds expectations with its solid narrative arc, recognizable characters and dynamic set-pieces, not to mention a climactic 'reveal' which offers a robust motive for the killer's devastating onslaught. There are a few embarrassing lapses along the way (such as the murder which takes place in full view of heroine Alicia Witt, which she ignores because she thinks it's a couple having sex!), and Horta can't resist a handful of cop-out contrivances (eg. the killer slashes the wrists of a girl known for her depressive tendencies, causing authorities to dismiss her death as suicide, though a routine forensic examination would have revealed the cuts were administered post mortem, AFTER she was strangled to death!), but these occasional blunders are redeemed by the movie's fast-paced editing, neo-Gothic visual scheme and clever plot developments. Blanks orchestrates proceedings with consummate skill, but he refuses to indulge the kind of transgressive gore that once distinguished this downmarket subgenre (where's Tom Savini when you really need him?!).
As expected, the talented young cast - including Jared Leto, Rebecca Gayheart and Tara Reid - is pleasingly photogenic, and there are lengthy appearances by TV favorites Michael Rosenbaum ("Smallville") and Joshua Jackson (watch out for the terrific "Dawson's Creek" gag!). Major co-stars include Robert Englund (Freddy Krueger himself!), John Neville and an uncredited Brad Dourif, who features heavily in a powerful opening sequence where Blanks and Horta pull a major switcheroo on the audience (I'll say no more). Loretta Devine is amusing as the campus security guard who views herself as a modern-day Coffy/Pam Grier (her fantasy is rudely curtailed by a climactic encounter with the rampaging maniac), and there's a brief appearance by Danielle Harris, the former child star of HALLOWEEN 4: THE RETURN OF MICHAEL MYERS (1988) and HALLOWEEN 5 (1989), playing an adult character FAR removed from the angelic poppet of those earlier pictures! Beautiful, fairy-tale score by Christopher Young. Followed by the largely unrelated URBAN LEGENDS: FINAL CUT (2000).
Ah our precious 1990's, so many great things came out of this memorable decade, including a streak of teen slasher films. Let's face it, after the mega success of Scream which opened the doors once again after Friday the 13th, Halloween, and Nightmare on Elm Street, we needed a new classic. So naturally all the screen writers who were a bit scared to present their ideas on the table, thanks to Kevin Williamson, the clever writer of Scream and Dawson's Creek. After that, every teen slasher film was released: the Scream sequels, I Know What You Did Last Summer, I Still Know What You Did Last Summer, etc. But we didn't stop at that, we were now presented with Urban Legend.
The film begins on a dark and stormy night as college student Michelle Mancini realizes she is near empty while driving in her car. There's someone in the back seat as Michelle drives, a figure in a dark coat with a fur trim around the hood sits up in the back seat and, with a swift blow from its axe, decapitates Michelle. The same night, on campus, a group of friends listens to Parker Riley tell an old story about one of the campus halls, Stanley Hall. According to the story, in 1973, an abnormal psychology teacher went crazy and killed all the students living in an on-campus residence hall. Paul, a school paper journalist thinks the story is bogus. Still, the story sticks in their minds, especially for Natalie, and Brenda. The next day, the front page of the campus newspaper has an article about Michelle Mancini's murder written by Paul but the papers are quickly confiscated by school officials. Later that night after going into a secluded area of woods to talk, Natalie reveals to Damon that she knew Michelle, but they hadn't spoken in years. Damon, playing on Natalie's vulnerability, tries to make a move on her but she rejects him. Upset, Damon goes into the woods to urinate but is attacked by the killer. He then is hung from a tree in a noose with the rope attached to the bumper of his car. The next day, no one believes Natalie's story due to Damon's penchant for pranks and tricks. Realizing both Damon's death and Michelle's murder closely resemble famous urban legends, Natalie goes to the library to read up on urban legends. Not realizing the terror has just begun to scare her and her friends even more.
Basically, Urban Legend didn't stand out against it's competitors, it has every cliché in the book. Not to mention no memorable actors that had the same chemistry as the cast of Scream. It's over written at times and has every predictable moment: the friends don't believe in a ghost story, a couple people get killed off but everyone thinks it's a prank/fake death, a classic chase scene with a big breasted girl in a skimpy costume, the creepy janitor, the smart girl that no one believes is all of a sudden right about all the murders and of course a mega twist ending that no one will ever see coming! OK, Urban Legend isn't a horrible movie, while it has all these predictable moments and clichés, it's still actually fun to watch and a good part of the memory of good teen slasher films that came out of the 1990's.
6/10
The film begins on a dark and stormy night as college student Michelle Mancini realizes she is near empty while driving in her car. There's someone in the back seat as Michelle drives, a figure in a dark coat with a fur trim around the hood sits up in the back seat and, with a swift blow from its axe, decapitates Michelle. The same night, on campus, a group of friends listens to Parker Riley tell an old story about one of the campus halls, Stanley Hall. According to the story, in 1973, an abnormal psychology teacher went crazy and killed all the students living in an on-campus residence hall. Paul, a school paper journalist thinks the story is bogus. Still, the story sticks in their minds, especially for Natalie, and Brenda. The next day, the front page of the campus newspaper has an article about Michelle Mancini's murder written by Paul but the papers are quickly confiscated by school officials. Later that night after going into a secluded area of woods to talk, Natalie reveals to Damon that she knew Michelle, but they hadn't spoken in years. Damon, playing on Natalie's vulnerability, tries to make a move on her but she rejects him. Upset, Damon goes into the woods to urinate but is attacked by the killer. He then is hung from a tree in a noose with the rope attached to the bumper of his car. The next day, no one believes Natalie's story due to Damon's penchant for pranks and tricks. Realizing both Damon's death and Michelle's murder closely resemble famous urban legends, Natalie goes to the library to read up on urban legends. Not realizing the terror has just begun to scare her and her friends even more.
Basically, Urban Legend didn't stand out against it's competitors, it has every cliché in the book. Not to mention no memorable actors that had the same chemistry as the cast of Scream. It's over written at times and has every predictable moment: the friends don't believe in a ghost story, a couple people get killed off but everyone thinks it's a prank/fake death, a classic chase scene with a big breasted girl in a skimpy costume, the creepy janitor, the smart girl that no one believes is all of a sudden right about all the murders and of course a mega twist ending that no one will ever see coming! OK, Urban Legend isn't a horrible movie, while it has all these predictable moments and clichés, it's still actually fun to watch and a good part of the memory of good teen slasher films that came out of the 1990's.
6/10
The days of low-budget slasher films appear to be back with Urban Legend, a mildly entertaining but mostly lame variation on Scream with an attractive cast of young TV stars.
The plot centers on a series of campus murders in the mold of urban legends, most of which will be familiar even to the younger audience this is pandering to. What little suspense there is comes from the anticipation of these scenes, since the surrounding story is almost as ridiculous as the film itself.
If the screenwriters had concentrated less on incorporating the whodunit aspect into the plot and more on the legends themselves, they might have had something here. Experienced viewers will spot the killer's identity (and motive) early on, and those that don't will be fooled only because the conclusion is so completely ludicrous, not to mention mostly impossible.
Of course, most of this would be easily overlooked if Urban Legend was scary, but time and again, director Jamie Banks telegraphs the surprises far ahead, and doesn't know how to time the shocks. Over and over we get the sudden burst of loud music followed by a character running into another character, but it doesn't work. And that gets annoying after the third or fourth try. Occasionally Banks does get something eerie going, but the style is more suited to an action flick.
Of the cast, most of the actors more or less get by despite a less-than-clever script, though it's disheartening to see a talented young actor like Jared Leto wasting his time with a nothing role as the reporter. Horror favorites Robert Englund and Brad Douriff pop up in cameos, adding a nice touch to their brief scenes.
What we're left with is an intriguing idea undone by cliche after cliche. The legends are potent enough to hold your attention to the end, and horror fans will find a few gruesome goodies to amuse themselves. And even though the script needs to be about three times again as clever as it is, there is a great in-joke at the end about one of the actresses and a commercial.
That clever scene might have been the first scene of a clever movie. It's the last scene of this one.
The plot centers on a series of campus murders in the mold of urban legends, most of which will be familiar even to the younger audience this is pandering to. What little suspense there is comes from the anticipation of these scenes, since the surrounding story is almost as ridiculous as the film itself.
If the screenwriters had concentrated less on incorporating the whodunit aspect into the plot and more on the legends themselves, they might have had something here. Experienced viewers will spot the killer's identity (and motive) early on, and those that don't will be fooled only because the conclusion is so completely ludicrous, not to mention mostly impossible.
Of course, most of this would be easily overlooked if Urban Legend was scary, but time and again, director Jamie Banks telegraphs the surprises far ahead, and doesn't know how to time the shocks. Over and over we get the sudden burst of loud music followed by a character running into another character, but it doesn't work. And that gets annoying after the third or fourth try. Occasionally Banks does get something eerie going, but the style is more suited to an action flick.
Of the cast, most of the actors more or less get by despite a less-than-clever script, though it's disheartening to see a talented young actor like Jared Leto wasting his time with a nothing role as the reporter. Horror favorites Robert Englund and Brad Douriff pop up in cameos, adding a nice touch to their brief scenes.
What we're left with is an intriguing idea undone by cliche after cliche. The legends are potent enough to hold your attention to the end, and horror fans will find a few gruesome goodies to amuse themselves. And even though the script needs to be about three times again as clever as it is, there is a great in-joke at the end about one of the actresses and a commercial.
That clever scene might have been the first scene of a clever movie. It's the last scene of this one.
This is yet another teen slasher movie, one of the many to have come out recently. I don't think this one quite ranks up to the SCREAM movies, but I think it was better than the I KNOW WHAT YOU DID LAST SUMMER movies.
College student Natalie Simon, (Alicia Witt) mourning over the recent murder of an old friend, finds herself in great danger after a large number of students are being murdered. Each murder is performed in the style of an urban legend, which many of the kids know. Everyone is a suspect, including the best friend Brenda (Rebecca Gayheart), love interest Paul (Jared Leto) and friend/prankster Damon Brooks. (Joshua Jackson)
The premise of this movie is fairly cool, but the rest of the movie is basic slasher-movie type stuff. It's pretty predictable too, as are most movies like this one. The acting is not especially great, but some of it is fair. Alicia Witt does a good job as the star of this movie. Rebecca Gayheart probably does the best acting job of all, especially at the end.
Most all of the characters are boring and flat, aside from the main one. Many are simply there to get killed, and some that are more important are not as interesting. Still, this movie is better than I KNOW WHAT YOU DID LAST SUMMER and probably worth a rent.
College student Natalie Simon, (Alicia Witt) mourning over the recent murder of an old friend, finds herself in great danger after a large number of students are being murdered. Each murder is performed in the style of an urban legend, which many of the kids know. Everyone is a suspect, including the best friend Brenda (Rebecca Gayheart), love interest Paul (Jared Leto) and friend/prankster Damon Brooks. (Joshua Jackson)
The premise of this movie is fairly cool, but the rest of the movie is basic slasher-movie type stuff. It's pretty predictable too, as are most movies like this one. The acting is not especially great, but some of it is fair. Alicia Witt does a good job as the star of this movie. Rebecca Gayheart probably does the best acting job of all, especially at the end.
Most all of the characters are boring and flat, aside from the main one. Many are simply there to get killed, and some that are more important are not as interesting. Still, this movie is better than I KNOW WHAT YOU DID LAST SUMMER and probably worth a rent.
Urban Legend was a wonderful storyline, but the movie focused more on the killings and gore rather than the extremely creative storyline. The idea for the story was very original, with a fresh young cast, but the movie lacked in attention getters, after all if you have seen on slasher film you have seen them all right??
The cast was very well-structured, Joshua Jackson did a wonderful job, although his part was robbed of its acting integrety. Natasha Wagner and Rebecca Gayheart were excellent characters that needed to be developed more. Jared Leto did a wonderful job and his acting ability really shone through.
All in all Urban Legend is an excellent date movie, or a chance just to hang out with friends, but if you are looking for a fresh new addition to the slasher genre, I suggest that you look somewhere else.
As for the people who are comparing this film to the Scream series, I must say that I see where you are coming from, but remember that Scream isn't as original as it seems either. Let's not forget, Night of the Living Dead, Halloween and the ground breaking movie The Exorcist, which all had a grasp pn the horror genre long before Kevin Williamson and Scream. Urban Legend, I thought, had more of an intriguing plot line, but was disappointed to see it left so undeveloped. And people mentioned, why did every character have that parka? Easy answer...the same reason everyone in Scream had those boots!!!
On a scale of 1-10 (1 being yawn, and 10 being nightmares) I give this film a solid 7
The cast was very well-structured, Joshua Jackson did a wonderful job, although his part was robbed of its acting integrety. Natasha Wagner and Rebecca Gayheart were excellent characters that needed to be developed more. Jared Leto did a wonderful job and his acting ability really shone through.
All in all Urban Legend is an excellent date movie, or a chance just to hang out with friends, but if you are looking for a fresh new addition to the slasher genre, I suggest that you look somewhere else.
As for the people who are comparing this film to the Scream series, I must say that I see where you are coming from, but remember that Scream isn't as original as it seems either. Let's not forget, Night of the Living Dead, Halloween and the ground breaking movie The Exorcist, which all had a grasp pn the horror genre long before Kevin Williamson and Scream. Urban Legend, I thought, had more of an intriguing plot line, but was disappointed to see it left so undeveloped. And people mentioned, why did every character have that parka? Easy answer...the same reason everyone in Scream had those boots!!!
On a scale of 1-10 (1 being yawn, and 10 being nightmares) I give this film a solid 7
Você sabia?
- CuriosidadesDanielle Harris (Tosh) was a smoker at the time and thrilled to be allowed to smoke while working. She quickly realized that shooting scenes while smoking meant that she was going to have to smoke cigarettes for hours all day while they shot. She eventually got sick of it and quit smoking.
- Erros de gravaçãoIn the opening scene, the killer hiding in the back seat of her car' murders the driver of a speeding vehicle during a rainstorm. It is impossible to gain control and stop the car before it crashes.
- Versões alternativasThe version of the film shown on the USA network keeps onscreen violence to a minimum. All violence is shown very quickly, while the sound effects during killings have been removed entirely, and any shots of a dead body have been trimmed to show only a flash of what the body looks like.
- ConexõesEdited into Urban Legend: Deleted Scene (1999)
- Trilhas sonorasTotal Eclipse of the Heart
Written by Jim Steinman (as James Steinman)
Performed by Bonnie Tyler
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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Detalhes
Bilheteria
- Orçamento
- US$ 14.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 38.072.438
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.515.444
- 27 de set. de 1998
- Faturamento bruto mundial
- US$ 72.527.595
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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