Sunshine - O Despertar de um Século

Now I am sorry that I missed to see this film on a big movie screen. Beautiful cinematography, great story and excellent performances. During watching the movie, being Hungarian, I kept asking myself: A complete, intriguing story - but is it as appealing to people from other countries, particularly outside Europe as it is for me to watch my country's history throughout the 19th and 20th century? I was pleasantly surprised and flattered that people from Colombia or New Zealand have found interest in the history of this small nation although, considering the length of it as well as the fact that this tale is limited to follow a story of one small country, I can understand the reviewers who found it boring. But then again the fact that the story is being taken place in Hungary is only one side of the coin and the rest of the strong messages can be applied to any people in any nations.

Ok, this is my third comment about a Ralph Fiennes movie in just under a week...five days to be precise. If there ever was a role on this earth that he could not play, I haven't seen it yet...or putting it simply, such a role has never been written. Ralph Fiennes is extraordinary as all three characters that he plays in this film. Characters who are completely different from one another, with different ideals and different beliefs. His dialogue delivery, his expressions, everything is marvellous. His eyes say it all. This role should've given him an Oscar nomination. When he smiles, you smile, when he cries, you cry. He is just a brilliant, brilliant actor.

The movie was very interesting, though very depressing at times. It gave some interesting views on the treatment of the Jews during World War II and the progression of Fienne's character from one generation to the next and how the current situation of the world in each character's time contributed to his thinking and views of the world.

Supported by an exceptional cast... Rosemary Harris, Rachel Weisz (I wanted her role to be a little longer), Jennifer Ehle, William Hurt. Very good movie. Highly recommended. ****/*****

This is a moving drama about one Jewish-Hungarian family who rises and falls throughout the 20th century. Ralph Fiennes is outstanding as the grandfather, the father and the grandson. First, the Sonnenschein (meaning 'sunshine' in German) family reaches the top of society and then the second generation decides to change their surname into 'Sors', in order to fit in the new society, but when the Second World War breaks out and Adam Sors (Ralph Fiennes), the son, the renowned fencer and Olympic medalist is caught in the Holocaust, he insists on defending his very own identity and human dignity and becomes a martyr...I will never forget that scene in which Adam Sors refuses to compromise and eventually is punished to be frozen to death.

After the war, Ivan Sors (also Ralph Fiennes), the grandson, returns to his family and as the ending approaches, he changes his family name back to Sonnenschein, which is a significant move, once again embracing his family's true heritage.

This is a long film, but I never found it too lengthy. I was profoundly touched by it and I was happy to spend a couple of hours seeing this superb piece of work. Serious and heavy though it is, however, this movie is true to reality and really thought provoking. If you are not generally put off by serious stuff or am interested in the Holocaust and the Jewish struggle, then this great film is for you. I also recommend 'The Pianist' and 'Schindler's List'.

We just rented the DVD of this, without any prior knowledge of the story, and took it just on the strength of the major players. It was very beautifully filmed, and the entire cast was believable. Fiennes gave a stellar performance as three members of the family. The history of the terrible times and the emotional traumas was heart breaking. We are old enough to remember much of wartimes portrayed, and can only feel great pain in seeing what is happening in this year 2002, during a time when our present administration is "saber-rattling" and trying to convince the public that war is the only answer. After viewing this we looked into Maltin's latest 2003 movie guide, and were aghast at his first sentence:"Ambitious, but trite, rambling soap opera chronicaling a Hungarian Jewish family over three generations". This is like saying "Gone with the Wind" is about a silly girl who makes a gown out of draperies!!

`Sunshine' is a forceful and wonderful film that follows four generations of a Jewish Hungarian family through seventy tumultuous years of Hungarian history. The story is extremely well done with rich finely etched characters. The screenplay is better suited for a miniseries than a three hour film simply because there is so much material to cover. Three hours is both too long and too short; the story is emotionally exhausting making it too long for one sitting, yet the total length is not long enough to do the subject matter justice.

Hungarian Writer/Director Istvan Szabo captures Hungary's turbulent transition from empire to fascist state to soviet satellite weaving the history of the times into the lives of this extraordinary family. He puts a human face on the historical facts giving us a disturbingly real look at what it might have been like to live through it, especially from the Jewish perspective.

Despite a whirlwind pace that requires years to be spanned in minutes, Szabo manages to conjure deep and insightful character studies of the members of each generation. His period renderings are exquisite from costumes to props to locations. This is a wonderfully textured presentation with history layered over the human stories, addressing the many indignities suffered by Jews in Hungary during the period, and the many concessions made to merely stay alive. It is a story that contains both triumph and tragedy, presented with amazing candor.

Ralph Fiennes gives three incredible performances as the grandfather, father and son of the patriarchy. Szabo has endured criticism for casting the same actor in three roles, but in this case it is an excellent choice. Fiennes is a versatile artist and personalizes three radically different characters, slipping on their personalities like a glove. He loses himself in each, rendering them all passionately but appropriately based on the motivations established in Szabo's careful character development. With Szabo's guidance, it is clear that Fiennes has an inherent understanding of the psyche of his three characters and plays them with believable nuance.

Two different actresses play Valerie and each is splendid. Jennifer Ehle plays the young Valerie and endows her with ardor and vivacity. She establishes Valerie as the strongest continuing character in the film, providing linkage between the past and the present. In another stroke of casting brilliance, Szabo selects Ehle's real life mother, Rosemary Harris as the elder Valerie. The clear resemblance linked with Harris' magnetic performance adds fullness to Valerie's later years. William Hurt and James Frain lead an ensemble of strong supporting actors that give the film great intensity and depth of talent.

This thoughtful and emotionally provocative character study is engrossing and compelling. I rated it a 9/10 only because I wish Szabo would have gone deeper and divided it into two or three installments. On a dramatic and artistic level, this film is first rate.