O Corvo III: A Salvação

Now let's be real, there's only one good Crow film. They were just never able to catch that midnight magic again, though they tried, with four more films and a dud of a TV series. Each of the sequels is nearly the exact same as the first, in terms of plot: a man is killed by feral urban thugs, only to be resurrected one year later by a mysterious crow, blessed with invincibility and begins to work his way through the merry band of scumbags in brutal acts of revenge, arriving at the crime lord sitting atop the food chain, usually a freak with vague ties to the supernatural or occult. All the films in the series are structured that way, but only one deviated and tried something slightly different with the formula. City of Angels, the second, is a boring, almost identical retread of the first, it's only energy coming from a coked up Iggy Pop. Wicked Prayer, the fourth, had a premise with potential aplenty, and turned out so maddeningly awful I'm still dabbing the blood from my eye sockets. Salvation, however, is the third entry and almost finds new air to breathe by altering the premise slightly. Instead of lowlife criminals, it's a posse of corrupt police detectives who frame an innocent dude (Resident Evil's Eric Mabius) for crimes they themselves committed, fry him to a crisp in the electric chair and get off scott free. His girlfriend (Jodi Lyn O'Keefe) is also killed in the process. Now, not only is it cops instead of criminals, but the arch baddie at the top of the pile is the police commissioner, who has occult written all over him. *Not only* that, but he's played by Fred Ward, who is brilliant in anything. While nowhere near an iota of the atmosphere or quality of the first film, this one works better than any of the other sequels, thanks to that spark of an idea that changes the game ever so much. The detectives are a nice and skeevy bunch too, played by the reptilian likes of William Atherton, Walton Goggins and others. Ward wears the starched, proper uniform of an authoritative figure, but his eyes gleam with the same secrets and dark magic we saw in the two other previous underworld kingpins, Top Dollar (Michael Wincott) and Judah Earl (Richard Brooks), but it's that contrast that takes you off guard and makes things more intriguing. And as for Eric, does he hold his own with the others who've played the role? Mabius he does, Mabius he doesn't, you'll just have to watch and see. He definitely knocks Vincent Perez out of the park, that silly Frenchman. Real talk though, no one will ever dethrone Brandon Lee, not even whatever pisant they get for the remake that's been hovering on the fringes of preproduction for the last half decade. On top of it all we also get Kirsten Dunst, of all people, as a sympathetic attorney who works alongside Mabius to clear his name, as he clears the streets of no-good crooked cops. So there you have it. If you ever find yourself meandering around the kiosks in blockbuster, and see the Crow films lined up on the shelves like emo ducks in a row, the first film will naturally already be rented out. Where then to turn? You can certainly do worse than this one.

I admit, the first time I saw this movie I fell head over heels for it. I still love it, but it's direction was not as good as it could have been. Bharat Nalluri could have easily raised the budget a little bit and the film would have a) gained more publicity and b)obtained a higher rank in quality. Except for Eric Mabius and Kristen Dunst, everyone acting in the movie was horrible! All the cops to name a few. The girl in the car and her friend seemed as if they had been pulled out of school and asked to act right on the street. Kristen Dunst and Eric Mabius however, were excellent. Though Kristen can't cry she can still seem really upset. Mabius could have not accentuated the case number with his facial expressions so much but the movie as a whole, 7 outta 10.

The Crow: Salvation, like the other sequel, will never be able to duplicate what Brandon Lee created. He put a raw, uninhibited energy into it that made the story seem more real. Although Eric Mabius is himself a fabulous actor, his performance in this film is somewhat lukewarm, and lacks the necessary realism to make a film like this work. However, all in all, not a bad deal, and it's one that I would watch again (although I wouldn't watch it 20,000 times like I have with the original Crow so far!)

I love "The Crow," and there's not much in my mind that could be done in a sequel to top it. "Salvation," unlike "City of Angels," doesn't try to top the first one, or rip it off... The characters are solid, the performances are great, and the action is non-stop. But what singles this movie out is the story. It's a good story, not just another "Crow" movie. The direction of the film reminds me of the first, very dark, yet crisp (not gritty like the 2nd), and the trick camera angles mixed with the impressive special effects keep the supernatural elements alive as the very human story rolls along.

I work at a video store, and I see all kinds of movies that bypass theatres and come direct to video, and usually there's something about them that tells you why, even the good ones. This had the look and feel of something that, if released at the appropriate time, would have done well in the theatres. It wouldn't have been a smash hit, and it certainty wouldn't bring in as many people as the original did, but it deserves much better than this.

If you're fans of the franchise, I highly recommend that you see this. If you like the first one, but that's it, then expand your horizons a little and try to see this for what it is, and not what you thought it would be. It's a sequel to a GREAT movie, and it ends up being a pretty good movie on it's own...

I found The Crow: Salvation to be a pretty good movie. Not as a good as the original, better than the second one (even though I did like the second one unlike most horror fans).

Did anyone notice that the three Crow movies all follow the same formats. Guy dies wrongfully. Comes back to avenge a group of people (the first one I forget who it was, the second it was drug dealers, and this one it's dirty cops). There's is the sad female character (Lucy from Seventh Heaven in the first one, the one girl in the second, and Kirsten Dunst in Salvation). And then there's the tough female evil character (Japanese woman in the second one, the one blond woman in this one).

Regardless of this, I found The Crow: Salvation very enjoyable. I brought it over to a party tonight and myself and a group of friends watched it together. The scenes of violence were exceptionally well done, especially for a direct-to-video shot.

Crow: Salvation comes out Tuesday, I really reconmend you rent it.