Though I don't clearly recall my past viewing of LOW BLOW, other people must have thought it memorable enough to warrant a sequel – BLOOD STREET. This one surprised me: even though my experience with Leo Fong's vehicles has been poor and diminishing the man's budget doesn't sound like a way to improve his output, his first shot-on-video adventure is an entertaining spectacle. Judged on its merits and on its own terms, this is an imperfect but ultimately fun little diversion.
The story: While investigating the disappearance of a missing millionaire (Stan Wertlieb), private detective Joe Wong (Fong) is drawn into a deadly gang war.
Features filmed on video inevitably remind us of home movies, and in that regard, many people would not enjoy "Blood Street" by default. However, the feature is photographed and edited with professionalism, and there are few instances wherein you wouldn't presume that this was created by pros. That doesn't save the picture from weak dialogue and an imperfect narrative structure (i.e. a needless flashback section and an embarrassing text scrawl opener), but the more you watch, the more its style seems natural. By its final third, the movie has become a jumbled flow of poorly-connected scenes, and though unprofessional, it's oddly harmonious in a careless kind of way.
Most importantly, the movie is fun. For all the faults with his final product, Leo Fong clearly had a ball shooting this and his enthusiasm is catching. There are plenty of unnecessary but amusing character embellishments to make you shake your head and chuckle. Joe Wong may be a homophobic chauvinist with sociopathic tendencies, but he can punch a thug so that the hat the dude's holding flies up and lands perfectly on his head. Speaking of punching, the action content is decent. There's no set standard here, with some scenes so bad they'll make you grimace while others are thoroughly satisfying. Leo Fong plays such an untouchable superman that he makes Steven Seagal seem modest, and while most of his brawls are forgettable, he has a surprisingly good bar brawl. Karate icons Richard Norton and Chuck Jeffreys show off a bit but are not used to nearly their fullest extent.
A strong supporting performance by Stack Pierce as a gang lord helps cement this one as an entertainingly average outing, and definitely the best Leo Fong vehicle I've ever seen. Nevertheless, there are much better karate flicks out there, so other than Fong's fans, the only people I can readily recommend this to are VHS collectors. Don't go out of your way, but if you happen across it and are open to a daring experience, give it due consideration.
