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IMDbPro

Corra, Lola, Corra

Título original: Lola rennt
  • 1998
  • 12
  • 1 h 21 min
AVALIAÇÃO DA IMDb
7,6/10
214 mil
SUA AVALIAÇÃO
POPULARIDADE
4.017
737
Franka Potente in Corra, Lola, Corra (1998)
Trailer for Run Lola Run
Reproduzir trailer1:24
3 vídeos
99+ fotos
Dark ComedyActionCrimeThriller

Depois de uma entrega de dinheiro malfeita, Lola tem 20 minutos para chegar a 100,000 marcos alemães.Depois de uma entrega de dinheiro malfeita, Lola tem 20 minutos para chegar a 100,000 marcos alemães.Depois de uma entrega de dinheiro malfeita, Lola tem 20 minutos para chegar a 100,000 marcos alemães.

  • Direção
    • Tom Tykwer
  • Roteirista
    • Tom Tykwer
  • Artistas
    • Franka Potente
    • Moritz Bleibtreu
    • Herbert Knaup
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    214 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    4.017
    737
    • Direção
      • Tom Tykwer
    • Roteirista
      • Tom Tykwer
    • Artistas
      • Franka Potente
      • Moritz Bleibtreu
      • Herbert Knaup
    • 804Avaliações de usuários
    • 211Avaliações da crítica
    • 79Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 1 prêmio BAFTA
      • 28 vitórias e 21 indicações no total

    Vídeos3

    Run Lola Run
    Trailer 1:24
    Run Lola Run
    RUN LOLA RUN | Official Trailer
    Trailer 1:25
    RUN LOLA RUN | Official Trailer
    RUN LOLA RUN | Official Trailer
    Trailer 1:25
    RUN LOLA RUN | Official Trailer
    "Russian Doll": 'Groundhog Day' Riff or Rip-Off?
    Interview 3:12
    "Russian Doll": 'Groundhog Day' Riff or Rip-Off?

    Fotos110

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    Elenco principal24

    Editar
    Franka Potente
    Franka Potente
    • Lola
    Moritz Bleibtreu
    Moritz Bleibtreu
    • Manni
    Herbert Knaup
    Herbert Knaup
    • Vater
    Nina Petri
    Nina Petri
    • Frau Hansen
    Armin Rohde
    Armin Rohde
    • Herr Schuster
    Joachim Król
    Joachim Król
    • Norbert von Au
    Ludger Pistor
    Ludger Pistor
    • Herr Meier
    Suzanne von Borsody
    Suzanne von Borsody
    • Frau Jäger
    Sebastian Schipper
    Sebastian Schipper
    • Mike
    Julia Lindig
    • Doris
    Lars Rudolph
    Lars Rudolph
    • Herr Kruse
    Andreas Petri
    • Sanitäter
    Klaus Müller
    • Croupier
    Utz Krause
    • Casino-Manager
    Beate Finckh
    Beate Finckh
    • Casino-Kassiererin
    Volkhart Buff
    • Krankenwagenfahrer
    Ute Lubosch
    • Mutter
    Heino Ferch
    Heino Ferch
    • Ronnie
    • Direção
      • Tom Tykwer
    • Roteirista
      • Tom Tykwer
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários804

    7,6213.9K
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    Avaliações em destaque

    10totot57

    The Story lies in the Details

    I have seen the movie several times, and each time I find new details and nuances that add to the story and the movies as an audiovisual delight. Friends of mine introduced me to the sound track at first on a high quality stereo system. It was amazing. I went home and ordered the CD. I am no great fan of techno music but that first track made me hold my breath because of its beauty. It felt like sitting in a cathedral and listening to a simple choral. I know, awkward comparison, but...

    A few observations of my own.

    Lola's first "run" reveals that her father believes she is not his biological daughter, calls her a "cuckoos egg". And it's quite possible, since we see her mom in all 3 "runs" talking on the phone with someone other than her husband. Lola is devastated. All three "runs" feature the bank security guard, trying to calm down Lola, giving her support. Every time they have intense eye contact, some silent understanding. He once even greets her with "Da bist du ja, Liebling" ("there you are, darling"). Quite strange for a bank employee to call his boss' daughter that, don't you think? We also see early on that he might have a heart condition.

    In the last story segment, we see the guard again, in the ambulance on the way to the hospital. Lola caught a ride, for a change, to her meeting destination with Manni. Miraculously, the guard's heart condition improves as his hand reaches toward Lola's. The medic, at first annoyed ("what the heck are you doing here?") is puzzled. Lola's answer to his question, as she reaches for the guard's hand is: "Ich gehoer zu ihm." Very important, I think. Call me silly, but somehow I have this feeling that he might be her illegitimate father. As bank employee he might well have had contact with Lola's mother, and even time to have an affair with her, considering the workaholic dad being gone so much.

    "Ich gehoer zu ihm" is badly translated in the subtitles as "I'll stay with him" while the German would better translate into "I belong to him." And that is something Lola could well have realized after her dad abandoned her with the accusation of being a cuckoo's egg.

    The guard is also in the beginning of the movie quoting famous soccer coach Sepp Herberger's "the ball is round". It's in the league with Yogi Berra's famous word creations. The ball is round meant for Herberger, that anything can happen as long as the game is on. Expect the unexpected. Since this is a movie that wants the viewer to "think" about possibilities, why not go all the way?
    10nick_smart85

    Technically Stunning

    Tom Tykwer has truly proven himself as the filmmaker to watch. The little known German director has produced a modern-day masterpiece; a dazzling technical film about how life consists of the decisions we make.

    Lola (Franka Potente) receives a phone call from her boyfriend, Manni. (Moritz Bleibtreii) Manni accidentally leaves a bag carrying $100 000 on a train, which is picked up by a homeless man. This leaves Manni in quite a predicament. He is supposed to deliver the money to a gangster by noon, if he fails, then he is likely to be killed. Lola has twenty- minutes to save his boyfriend. Twenty short minutes to somehow find the money and get it to him.

    Run Lola Run is a film you expect to see at a Independent film festival, or in a Professor's office at a film school. In no way do I mean that in a negative way, I mean not to intend that the film is of a lower standard with lower production values, rather that the film is a beautifully mastered technical film that uses every filmmaking technique in the book. It is refreshing to see a film like this in the midst of the commercialised, dry-cut, 'traditional' filmmaking that we see on the silver screen so regularly.

    As stated before, the film attempts to use a wide range of filmmaking techniques to help get the director's meaning and vision across to the audience. Some of these include speed-up, instant replay, black and white, and even animation in some parts.

    It may sound strange, but the film is twenty-minutes long. Well, not really, but it is in context. Tykwer focuses on the twenty-minutes that Lola has, and shows that twenty-minutes three times over, each time with small differences will affect the outcome of the characters. The danger with this kind of technique is that it can threaten to be repetitive. However, the new additions added by Tykwer are very clever and link in perfectly, which will have you gasping for more.

    Tykwer wrote and directed this film, and while doing this, he never lost sight of his meaning. His meaning that he is trying to express is that life consists of the decisions we make. While watching the film, this becomes increasingly evident. He also likes to emphasise that time is against Lola during the film. This can be seen when a young woman walks past and Lola asks her for the time, the next shot shows a much older woman answering her question, hence showing the importance of time.

    Franka Potente gave a good performance as Lola. Yet, it is hard to say that she was fantastic, because it is a role that requires a great deal of physical acting and we didn't get to know a lot about Lola, hence the film wasn't overly-focusing on her issues, rather her boyfriend's problem. The real standout performance from my point of view came from Moritz Bleibtreii. He actually took on a quite challenging role and pulls it off successfully. He achieves his objective of getting the audience to feel sympathy for the position that he is in.

    Run Lola Run is without a doubt, one of the best technical films ever made. A profound, exciting, new age masterpiece that has well and truly left its mark on the film industry.

    Five out of Five.
    8igornveiga

    Stamina

    Run Lola Run is a very original film in its premise, it guarantees entertainment to the spectator from beginning to end, the film requires the spectator's full attention and because it is short, I suggest not to pause or divert focus, because I believe this film is made so you get lost between Lola's runs, in the end you end up staying what now? What comes next, and then, unfortunately, the movie ends.

    One thing I found funny is that Lola never gets tired and doesn't even want to pant, maybe the production should have paid a little attention to this detail since it's the title of the film.

    I believe it served as the inspiration for The Butterfly Effect (another classic), the plot is not so deep and fails to explain several things, a problem that would not exist if the film were bigger or had a sequel.

    Despite this, the soundtrack, setting, photography, editing, guarantee the adrenaline and action of the film.
    kgx311

    A breathtaking, action-packed love story...

    Run Lola Run is a riveting, heart (and pavement) pounding epic choose-your-own-adventure. Written and directed by Tom Tykwer, Run Lola Run is the story of a girl, Lola, who receives a panicked phone call from her longtime boyfriend, Manni. Manni owes a mobster 100,000 marks and doesn't know what to do. Lola, desperate to save his life, reassures him that she can get the money to him by noon, when he must meet the mobster (that means, she has twenty minutes), or else Manni would rob a grocery store. From that moment on, the movie takes us through three stories of Lola's trials trying to get Manni's money in 20 minutes - and with every person she comes into contact with, their lives take on completely different forms, as shown by 30-second photo flash montages. On an originality scale, this film ranks a ten. Franka Potente, the actress that portrays our flame-haired heroine, does an exceptional job. From the first frame the film plunges into action and adventure with breakneck speed, and we find ourselves cheering for Lola right to the end.
    7kergillian

    Fun to watch, but I'd hardly rate it a classic.

    People seem to get to easily impressed by films these days. No, I'm not a grouch, and I did like this film. Quite a bit actually, even though I'd basically seen the same film a few years ago: D.A.N.G.A.N. Runner, an HK film, predates Lola and is quite similar for the running throughout the film to live/save life etcetera aspect. Not to mention films like Flirt which deal with the same roles in different situations or Sliding Doors with the 'what if...?' aspect.

    So this film, though interesting, was hardly new. It takes ideas already seen and twists them just a little bit. But it lacks the characterization and plot that made those other films so interesting. We learn very little about Lola, just a few snippets from her encounters with her 'father' and the bed sequences with her boyfriend, who we learn even less about. And the plot is all about cinematography and film style, there's little essence to it. In other words, it's eye candy and little more.

    What that means is that we see great colour with little flavour. Experimentation with technique and style, sometimes it works other times it gets quite sloppy, and not enough attention to fine detail or story. (the cartoon part is cool though). And I would have liked a less Hollywood ending from a film that tries so hard to be contemporary and non-Hollywood.

    Overall: Fun to watch. Some of the experimentation really worked. It's hardly a classic though, not even a terribly solid film. But it's interesting, and doesn't drag *too* much. I almost gave it a 6 but relented and instead give it a 7/10.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      As well as writing and directing the film, Tom Tykwer also composed the techno music which features star Franka Potente on vocals.
    • Erros de gravação
      At the end of the first run, Manni and Lola rob a supermarket. At the end of the third run, when Lola scans the intersection for Manni, the same supermarket is closed and dark. The filmmakers were unable to secure permission to close down the streets for filming, so the scene was filmed just after dawn on a Sunday morning to avoid traffic.
    • Citações

      [first lines]

      [subtitled version]

      Narrator: Man... probably the most mysterious species on our planet. A mystery of unanswered questions. Who are we? Where do we come from? Where are we going? How do we know what we think we know? Why do we believe anything at all? Countless questions in search of an answer... an answer that will give rise to a new question... and the next answer will give rise to the next question and so on. But, in the end, isn't it always the same question? And always the same answer?

    • Cenas durante ou pós-créditos
      "Special thanks to those who ran with us".
    • Versões alternativas
      The DVD version has different English subtitles than showings on pay-cable stations. Most notably, the opening credits are not translated to English on the DVD version, and small phrases are not translated, such as when Lola goes through everyone she knows, trying to get the money. Only "Dad" is translated.
    • Conexões
      Edited into The Clock (2010)
    • Trilhas sonoras
      Wish
      Vocals by Franka Potente and Thomas D (as Thomas D.)

      Music by Tom Tykwer (as Tykwer), Johnny Klimek (as Klimek) and Reinhold Heil (as Heil)

      Lyrics by Tom Tykwer and Thomas D (as Thomas D.)

      Performed by Franka Potente (as Franka Potenta) feat. Thomas D (as Thomas D.)

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    Perguntas frequentes25

    • How long is Run Lola Run?Fornecido pela Alexa
    • Is 'Run Lola run' based on a book?
    • Why didn't Lola use a car?
    • Is it possible to follow Lola's route?

    Detalhes

    Editar
    • Data de lançamento
      • 12 de novembro de 1999 (Brasil)
    • País de origem
      • Alemanha
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official site
    • Idiomas
      • Alemão
      • Inglês
      • Japonês
    • Também conhecido como
      • Corre, Lola, corre
    • Locações de filme
      • Behrenstraße, St.-Hedwigs-Kathedrale, Mitte, Berlim, Alemanha(Lola runs by nuns)
    • Empresas de produção
      • X-Filme Creative Pool
      • ARTE
      • Westdeutscher Rundfunk (WDR)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • DEM 3.500.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 7.647.184
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 123.643
      • 20 de jun. de 1999
    • Faturamento bruto mundial
      • US$ 7.660.911
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 21 minutos
    • Cor
      • Color
      • Black and White
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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