Depois de uma entrega de dinheiro malfeita, Lola tem 20 minutos para chegar a 100,000 marcos alemães.Depois de uma entrega de dinheiro malfeita, Lola tem 20 minutos para chegar a 100,000 marcos alemães.Depois de uma entrega de dinheiro malfeita, Lola tem 20 minutos para chegar a 100,000 marcos alemães.
- Indicado para 1 prêmio BAFTA
- 28 vitórias e 21 indicações no total
Avaliações em destaque
Lola (Franka Potente) receives a phone call from her boyfriend, Manni. (Moritz Bleibtreii) Manni accidentally leaves a bag carrying $100 000 on a train, which is picked up by a homeless man. This leaves Manni in quite a predicament. He is supposed to deliver the money to a gangster by noon, if he fails, then he is likely to be killed. Lola has twenty- minutes to save his boyfriend. Twenty short minutes to somehow find the money and get it to him.
Run Lola Run is a film you expect to see at a Independent film festival, or in a Professor's office at a film school. In no way do I mean that in a negative way, I mean not to intend that the film is of a lower standard with lower production values, rather that the film is a beautifully mastered technical film that uses every filmmaking technique in the book. It is refreshing to see a film like this in the midst of the commercialised, dry-cut, 'traditional' filmmaking that we see on the silver screen so regularly.
As stated before, the film attempts to use a wide range of filmmaking techniques to help get the director's meaning and vision across to the audience. Some of these include speed-up, instant replay, black and white, and even animation in some parts.
It may sound strange, but the film is twenty-minutes long. Well, not really, but it is in context. Tykwer focuses on the twenty-minutes that Lola has, and shows that twenty-minutes three times over, each time with small differences will affect the outcome of the characters. The danger with this kind of technique is that it can threaten to be repetitive. However, the new additions added by Tykwer are very clever and link in perfectly, which will have you gasping for more.
Tykwer wrote and directed this film, and while doing this, he never lost sight of his meaning. His meaning that he is trying to express is that life consists of the decisions we make. While watching the film, this becomes increasingly evident. He also likes to emphasise that time is against Lola during the film. This can be seen when a young woman walks past and Lola asks her for the time, the next shot shows a much older woman answering her question, hence showing the importance of time.
Franka Potente gave a good performance as Lola. Yet, it is hard to say that she was fantastic, because it is a role that requires a great deal of physical acting and we didn't get to know a lot about Lola, hence the film wasn't overly-focusing on her issues, rather her boyfriend's problem. The real standout performance from my point of view came from Moritz Bleibtreii. He actually took on a quite challenging role and pulls it off successfully. He achieves his objective of getting the audience to feel sympathy for the position that he is in.
Run Lola Run is without a doubt, one of the best technical films ever made. A profound, exciting, new age masterpiece that has well and truly left its mark on the film industry.
Five out of Five.
A few observations of my own.
Lola's first "run" reveals that her father believes she is not his biological daughter, calls her a "cuckoos egg". And it's quite possible, since we see her mom in all 3 "runs" talking on the phone with someone other than her husband. Lola is devastated. All three "runs" feature the bank security guard, trying to calm down Lola, giving her support. Every time they have intense eye contact, some silent understanding. He once even greets her with "Da bist du ja, Liebling" ("there you are, darling"). Quite strange for a bank employee to call his boss' daughter that, don't you think? We also see early on that he might have a heart condition.
In the last story segment, we see the guard again, in the ambulance on the way to the hospital. Lola caught a ride, for a change, to her meeting destination with Manni. Miraculously, the guard's heart condition improves as his hand reaches toward Lola's. The medic, at first annoyed ("what the heck are you doing here?") is puzzled. Lola's answer to his question, as she reaches for the guard's hand is: "Ich gehoer zu ihm." Very important, I think. Call me silly, but somehow I have this feeling that he might be her illegitimate father. As bank employee he might well have had contact with Lola's mother, and even time to have an affair with her, considering the workaholic dad being gone so much.
"Ich gehoer zu ihm" is badly translated in the subtitles as "I'll stay with him" while the German would better translate into "I belong to him." And that is something Lola could well have realized after her dad abandoned her with the accusation of being a cuckoo's egg.
The guard is also in the beginning of the movie quoting famous soccer coach Sepp Herberger's "the ball is round". It's in the league with Yogi Berra's famous word creations. The ball is round meant for Herberger, that anything can happen as long as the game is on. Expect the unexpected. Since this is a movie that wants the viewer to "think" about possibilities, why not go all the way?
It tells the tale of a young man, Manni, who one day was doing a job for crime boss. The job was just to deliver a bag of money to him with 100000 DM which roughly translates to $20000 or $25000 US. Unfortunatly Manni leaves the money on a train and is totally screwed unless he can get the money back in 20 minutes. So he calls his girlfriend, Lola (and no, she is not the girl from The Fifth Element), for help. From here the film follows Lola choosing three paths, each going for 20 minutes, to getting the money for Manni.
Run Lola Run is a wonderful study of how life consists of the paths we take. Some say there is no right and wrong paths to take in life, but Run Lola Run seems to illustrate that the right path is the best. Franka Potente (Lola) does a wonderful job and must have lost about 10 pounds for all the running she does in this film. But the real star here is Tom Tykwer (the director), who vison for this film is so fantastic and cool.
In terms of coolness, this has to be one of the coolest movies ever made. It contains black and white camera, animation, three or four different types of slow motion, fast motion and the most amazing still shots taken for a film which is enough to keep anyone interested. Plus this film is only 80 minutes long, but luckily it feels about 20 minutes longer than that.
After being one of the most talked about films of 1998, I would safely say that Run Lola Run has inspired a large number of film makers. Run Lola Run is a modern masterpiece and should pave the way for the future of films.
The music used in this film complements the scenes very well, when it's a slow scene our ears are graced with soft classical music like when Lola is falling to the ground in a slow motion shot. The complete opposite of this is used in the fast paced running scenes, as we get pounded by constant techno beats. I believe that the director has used techno to try and get us inside Lola's head as she is running and stressing about Manni and all the other events that happen throughout this amazing film.
Lola's Determination to save her boyfriend Manni is very well projected as she enters the bank that her father runs, and throughout the three different versions of the story uses different techniques to try and save him. This involvement with the characters and the three different storylines is very unique to this style of film. I think that the actors have delivered a very memorable and exciting performance which will leave viewers wanting to watch the film over and over again.
I think that this director has used this style of film very well, he is one of this first to successfully use this style and create a very interesting and exciting film. This film is almost the only one of its kind, other than the film 'Sliding Doors' but even in that the character is living two parallel lives but in this film it is replayed over again.
This film used interesting techniques that I had never seen in a film before. I think that the snapshots into the peoples lives gave you a good view of how one little event can change your life forever. By replaying through the same sort of events three times the director lets you really get a sense of feeling for the characters, especially Lola and as the film progresses you actually start to care about the characters and I think this was a really good quality in the film.
Overall I really enjoyed this film, and think that it is one of the best foreign films I have seen in a long time, and would give it a 9/10.
The premise of the film is a clever one. Lola, in twenty minutes, must solve the mystery in which she is drawn into. At each of this situations, Lola shows great resources about how to help her petty criminal boyfriend, who has lost 100,000 DM, and now must account for the missing money.
Franka Potente is the main reason why this movie works the way it does. She is almost like the cartoon character one sees in the opening credits. Lola, is larger than life, and shows she can do anything she wants because of her resolve. Ms. Potente brings freshness to the role and she totally captivates the viewer in her no-nonsense approach to life, in general. The supporting cast does good work under Mr. Tykwer's direction.
It's a puzzle why Hollywood hasn't made an attempt to remake this film, since the Americans are obsessed with redoing material like "Run Lola Run". Let's hope they don't try!
Você sabia?
- CuriosidadesAs well as writing and directing the film, Tom Tykwer also composed the techno music which features star Franka Potente on vocals.
- Erros de gravaçãoAt the end of the first run, Manni and Lola rob a supermarket. At the end of the third run, when Lola scans the intersection for Manni, the same supermarket is closed and dark. The filmmakers were unable to secure permission to close down the streets for filming, so the scene was filmed just after dawn on a Sunday morning to avoid traffic.
- Citações
[first lines]
[subtitled version]
Narrator: Man... probably the most mysterious species on our planet. A mystery of unanswered questions. Who are we? Where do we come from? Where are we going? How do we know what we think we know? Why do we believe anything at all? Countless questions in search of an answer... an answer that will give rise to a new question... and the next answer will give rise to the next question and so on. But, in the end, isn't it always the same question? And always the same answer?
- Cenas durante ou pós-créditos"Special thanks to those who ran with us".
- Versões alternativasThe DVD version has different English subtitles than showings on pay-cable stations. Most notably, the opening credits are not translated to English on the DVD version, and small phrases are not translated, such as when Lola goes through everyone she knows, trying to get the money. Only "Dad" is translated.
- Trilhas sonorasWish
Vocals by Franka Potente and Thomas D (as Thomas D.)
Music by Tom Tykwer (as Tykwer), Johnny Klimek (as Klimek) and Reinhold Heil (as Heil)
Lyrics by Tom Tykwer and Thomas D (as Thomas D.)
Performed by Franka Potente (as Franka Potenta) feat. Thomas D (as Thomas D.)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Corre, Lola, corre
- Locações de filme
- Behrenstraße, St.-Hedwigs-Kathedrale, Mitte, Berlim, Alemanha(Lola runs by nuns)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- DEM 3.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 7.647.184
- Fim de semana de estreia nos EUA e Canadá
- US$ 123.643
- 20 de jun. de 1999
- Faturamento bruto mundial
- US$ 7.660.911
- Tempo de duração1 hora 21 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1