Um informático que executa uma simulação de realidade virtual de 1937 torna-se o principal suspeito quando seu colega e mentor é assassinado.Um informático que executa uma simulação de realidade virtual de 1937 torna-se o principal suspeito quando seu colega e mentor é assassinado.Um informático que executa uma simulação de realidade virtual de 1937 torna-se o principal suspeito quando seu colega e mentor é assassinado.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Brad William Henke
- Cop #1
- (as Brad Henke)
Bob Clendenin
- Bank Manager
- (as Robert Clendenin)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The film, without an A-list cast, pulls off the plot well. The characters, although not really deep, are well structured, and the plot constructed with subtle complexity. The 1930s scenes are dramatically created. I found myself trying to guess the plot twists, but with little success as they unfolded. It was a good film, and richer in substance than the Matrix, and left you with a thought provoking afterthought about our own existence. Going into a movie, I hope to have avoided any prior information about the plot, and this one was well worth the purchase of the video. This could have made a great 3 hour movie to really develop the characters and the philosophical issues, however, it was reduced down to the 100 minutes time-span. I'd give it 8 out of 10.
As the last millennium comes to a close and a new one opens, the science fiction genre seems to have latched onto a brand new narrative format - the cyber/techno thriller, wherein characters are free to wander in and out of virtual reality worlds and are even forced to call into question the validity of the world we have hitherto smugly referred to as "reality."
In 1999 alone, this theme has been explored in "The Matrix", "eXistenZ" and "The Thirteenth Floor." Actually, of the three, this is probably the most intriguing, intelligent and involving, successfully combining the elements of a whodunit with a clever sci-fi tale of a group of characters who drift in and out of a simulated version of Los Angeles in 1937. The plot, though complex, is spun out with coherence and ever-increasing clarity as the layers of information are slowly peeled back to reveal the larger picture. The filmmakers manage to create a sense of unbalance in the audience as we and the characters become more and more unclear as to what is reality and what is a simulation. Because the writers never lose their way, the result is a work of considerable mystery and intrigue.
In terms of art direction and cinematography, the film is a total triumph. The Los Angeles of 1937 the moviemakers have visualized on screen actually has a slight studio backlot, artificial feel to it - perfectly befitting just the kind of world a simulator would create. The photography in these sections also utilizes a slightly off color cast, nicely reflecting the tone found in color pictures of that era.
"The Thirteenth Floor" may not be a very "deep" movie, but it is an honorable addition to a newly formed genre that has not yet had time to ossify in its own conventions. Time alone will tell if filmmakers will be able to expand on this theme or whether, as with most genres, it will fall victim to its own inevitable cliches.
In 1999 alone, this theme has been explored in "The Matrix", "eXistenZ" and "The Thirteenth Floor." Actually, of the three, this is probably the most intriguing, intelligent and involving, successfully combining the elements of a whodunit with a clever sci-fi tale of a group of characters who drift in and out of a simulated version of Los Angeles in 1937. The plot, though complex, is spun out with coherence and ever-increasing clarity as the layers of information are slowly peeled back to reveal the larger picture. The filmmakers manage to create a sense of unbalance in the audience as we and the characters become more and more unclear as to what is reality and what is a simulation. Because the writers never lose their way, the result is a work of considerable mystery and intrigue.
In terms of art direction and cinematography, the film is a total triumph. The Los Angeles of 1937 the moviemakers have visualized on screen actually has a slight studio backlot, artificial feel to it - perfectly befitting just the kind of world a simulator would create. The photography in these sections also utilizes a slightly off color cast, nicely reflecting the tone found in color pictures of that era.
"The Thirteenth Floor" may not be a very "deep" movie, but it is an honorable addition to a newly formed genre that has not yet had time to ossify in its own conventions. Time alone will tell if filmmakers will be able to expand on this theme or whether, as with most genres, it will fall victim to its own inevitable cliches.
A small simulation set in 1937 has been created. Our main character discovers that his recently murdered partner (the simulators creator) has been using the simulation before its release for human trial. He also discovers that a message has been left in the system for him to find. A message that promises to ultimately change everything.
I recommend this film to all those who enjoyed eXistenZ etc. Fans of David Lynch will not be disappointed either. If you are a great fan of Lynch, then you will see this as an easy to follow film that has some nice turns and twists without forcing you to pause and rewind or watch again.
The film manages to persuade you of the complex simulated world without spending too much of its budget on special effects, unlike the matrix, which ultimately destroyed itself by its overdone sequels. Great set of actors here too. Ones that deserve the job title "actor" and have many creditations to their name.
I am surprised that this little effort hasn't been more popular since it manages to get a complex story line and make it very easy to follow without becoming bogged down with the characters explaining each scene (ergo the matrix).
Overall, definitely one to watch and one to own.
I recommend this film to all those who enjoyed eXistenZ etc. Fans of David Lynch will not be disappointed either. If you are a great fan of Lynch, then you will see this as an easy to follow film that has some nice turns and twists without forcing you to pause and rewind or watch again.
The film manages to persuade you of the complex simulated world without spending too much of its budget on special effects, unlike the matrix, which ultimately destroyed itself by its overdone sequels. Great set of actors here too. Ones that deserve the job title "actor" and have many creditations to their name.
I am surprised that this little effort hasn't been more popular since it manages to get a complex story line and make it very easy to follow without becoming bogged down with the characters explaining each scene (ergo the matrix).
Overall, definitely one to watch and one to own.
I am a child of the 50's, and spent my preteen years feasting on all the classic sifi gems, such as " The day the earth stood still", "Forbidden Planet' etc. The 13th floor reminds me of those movies. This movie has been compared to the matrix, and that is unfair, Special effects are fine, but when they become the focal point of the movie, I think film suffers because of it. I liked the 13th floor because it didn't get caught up in all that technology and reallied on a great script, and a wonderful ensemble cast. I would highly recommend this movie to all, especially if you prefer the old "War of the Worlds" over the new one.
For some time I have been hearing people refer to to The 13th Floor, mostly when comparing to other movies of the genre like The Matrix. I finally got around to view it myself, and I was positively surprised. After seeing Matrix I and II, its hard to imagine a film that can be on par. The 13th Floor is it. Not in action, stunts or CG, but by presenting an old, yet interesting idea in wonderful pictures and a genre between sci-fi and mystery. The main protagonists "calmness and integrity" contrasts with the absurd situation the characters are in. Camera, lighting and the "textures" are excellent and the sound track perfectly completes the unique atmosphere.
Very recommended!
Very recommended!
Você sabia?
- CuriosidadesDouglas Hall's house has been seen before in several other science fiction films: as the exterior Detective Deckard's apartment building in Ridley Scott's Blade Runner: O Caçador de Andróides (1982), and several years later as the apartment of a drug lord in Predador 2: A Caçada Continua (1990). Located in the affluent Los Feliz neighborhood of Los Angeles, the home is known as the Ennis-Brown House and was designed by legendary architect Frank Lloyd Wright.
- Erros de gravaçãoWhen Douglas asks Grierson (Hanlon Fuller) about having flashbacks, Grierson references being in World War I. Since the program is set in the 1930s, prior to the second World War, Grierson wouldn't refer to the previous war as World War I. Before World War II, World War I had other names, most famously "The Great War." While it is a computer program, and knowledge doesn't necessarily operate the same way as in the "real world," there's no logical reason for characters to be programmed with that term, and Hanlon, as the designer, would know the proper terminology for the time since he actually lived during the 1930s.
- Citações
Hannon Fuller: [First lines] Ignorance is bliss. For the first time in my life, I agree.
- Cenas durante ou pós-créditosBefore the opening credits, this René Descartes quote is seen on screen: "I think, therefore I am".
- ConexõesFeatured in HIM: Join Me in Death - Laser Version (2000)
- Trilhas sonorasEasy Come, Easy Go
Written by Edward Heyman and Johnny Green
Performed by Johnny Crawford and his Dance Orchestra
Featuring Vocalist Meghan Ivey
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The Thirteenth Floor?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- El piso 13
- Locações de filme
- Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, Califórnia, EUA(As the Wilshire Grand Hotel.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 16.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 11.916.661
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.322.416
- 30 de mai. de 1999
- Faturamento bruto mundial
- US$ 18.564.088
- Tempo de duração
- 1 h 40 min(100 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente