Na lanterna da vida

I rented this movie because I'm a fan of Jennifer Love Hewitt, and I'm actually glad I did so I could warn other unsuspecting fans off this slow, boring and completely pointless production. The only positive comment I can make is that I was actually quite pleased with JLH's performance as the hyper and audible Deb Friedman. Peter Facinelli served little purpose except to give myself and other female viewers some delicious eye candy; his "Badda Boom Badda Bing" accent was a complete turnoff and totally over the top. The most abhorrent feature of this film, rather than the plot (which, in all truthfulness, I didn't even understand, and the film ended without me even knowing what happened) was the performance of Dash Mihok. Besides having no chemistry with the other members of the cast (especially the girl he lusted after), his delivery is bland and at times incomprehensible. Bottom line, avoid this stinker at all costs.

No stars.

This movie is a pathetic waste of time, with a pathetic script, following pathetic characters. The two main characters are recent college graduates who ... are working in a pizza shop? If there was a plot here I didn't see it...basically a bunch of burnouts bumbling through life without a plan. If you're going to see a guilty pleasure high school movie, rent She's all That or Can't Hardly Wait (which, ironically, feature large portions of the cast from this movie). Those are much better done than this drivel.

Maybe I am a little biased but that's not the point. This movie is very unique. It incorporates Samuel Coleridge's poem Rhyme (Rime) of the Ancient Mariner into its plot. Jennifer Love Hewitt, although listed as a main character, actually has a small, but hilarious part. Matthew Lillard also has a small part but his strange behaviour is entertaining. Although Peter Facinelli is considered the main character, Dash Mihok is totally the main character. Not only is he hot as gold at melting point, but he is way talented. His acting shines through this role. He probably the only redeeming part of the movie. (Ok, I am totally obsessed with him.) the movie is a good movie to watch at least once because it evokes thought and has a positive message. There are a few grotesque things in the movie.

Films are like fires, they start with a spark, warm up and build up the heat or they splutter out and die. This film is somewhere in between; there is a fire burning but it is just that someone comes along once in a while and throws cold water on it. To begin, the film is not really a comedy, it is a serious drama with light-hearted moments. Without the lighter moments you fear the story would be too heavy. What it really comes down to is whether you can empathise with the perfectly cast Dash Mihok as Dennis Nolan. If you've ever found yourself alone out in the yard at night wondering where life went wrong you will click in with Dennis and enjoy the story. So often Mihok manages to convey his pain and confusion without words, so you either understand him or you don't. The film so neatly sets out his problems and then neatly provides the answers. But like all films, there are the scenes we would like removed; the opening monologue by Peter Facinelli is painful and Jennifer Love Hewitt grossly over acts her minor part. The worst is a scene in a club where glamorous females sit alone at tables awaiting for any male to come up and sort out their life. This scene should be put back in the Male Fantasy file where it belongs, but apart from that it offers an original story and some brilliant acting (especially Jennifer Jostyn) though Facinelli's character is too shallow to show his great ability. I might add the original title 'Telling You' is perfect; I cannot believe that anyone who saw it would name it 'Love Sucks as it is marketed in the UK.

A few years ago, I went to the video store full of joy. The Matrix had been recently released and I was aching to see it again. My girlfriend of the time made me choose this instead claiming it was more the kind of thing we could both watch.

I have still never forgiven her. It has been six years.

The plot, as I recall, opens with a long anecdote about a scorned woman. It almost (but not quite) looks like it could be funny. Then the whole film becomes lazy and badly written. It has the feel of a really cheap novel, or something a teenager might write. There is little plot, little dialogue and less interest.

This is very poor film making, and I want those 90 minutes of my life back.