O Violino Vermelho

The mystique of violin making has always intrigued me so this film was a big attraction for me going in, and I wasn't disappointed for one second!

OK, first of all, the obvious things that make it special: reality, craft, acting, scoring, and cinematography! It takes only a few seconds to know that this gem did NOT emanate from the money grubbers in Hokeywood California as one more way to titillate teenagers with sex, violence, and computer generated special effects with a subliminal message that sells products. Nope! This film was made by film makers who understand the power of a story well told, and REAL cinema.

Cutting back and forth repeatedly between the present and various disparate periods and places from the past, THE RED VIOLIN forces the viewer to pay attention and most of all... THINK!

The Red Violin is NOT the subject here but a catalyst to stimulate thought about human behavior and how different societies have related to art as we move through the centuries.

The casting was (on the whole) excellent though the choice of Samuel L. Jackson as a learned expert in ancient instruments was not convincing for me personally. And, the NON-ending which is more of a comment on human habits of acquisition than human nobility, was just not what I considered a definitive ending. (Maybe that was the point! "Everything continues endlessly...")

If you go to movies as an excuse to nibble away on munchies and get titillation, well, this one's NOT for you. BUT, if you have the patience to watch and think simultaneously as a great story unfolds, then SEE this film immediately!

I was captivated from the moment the film started. The music flowed effortlessly and the scene was set immediately.

Some people may be put off by the use of foreign language and subtitles early on in the film but I found this served to enhance the story and grab my attention even more. It reminds you of the true beauty of language and music and no matter what your taste you cannot help but to be drawn into the story.

The story follows the journey of the Red Violin from its creation and you really feel that something special is happening from the way the red violin is revered. The different people who come into contact with the instrument all have there own stories and you find yourself trying to guess how the Violin will affect them. Sometimes you are right and sometimes not.

Francois Girard has produced a wonderful film and the original score enhances this. This film is one that I will watch again and again and one that should be highly recommended.

I thought this might be one of those films that would be "good for me" to see. I was mildly intrigued by descriptions of the story I had read and with the trailer, so I thought to take a chance. I took someone very close to me, an actual violin prodigy. Coincidently, her and I have recently been searching for a decent violin for her that is affordable by actual humans, so we could relate to parts of the plot first-hand. We arrived to a very thin theater in one of those mega-complex theaters, and while everyone was queuing up next-door to see the latest blockbuster from Hollywood I settled into an amazingly comfortable seat with an excellent view and prepared for whatever might come.

I was shocked. This film turned out to be clearly one of the best movie going experiences I have had in ages. We see this as the story unfolds and is creatively told through the reading of the violin makers wife's fortune with a deck of Tarot cards. It is the story of a part of the life of a violin; of the humans who would dare to possess her beauty. A masterpiece of a craftsman's art, it is desired by many for it's acoustic perfection. But, as Tolstoy said, "how complete is the delusion that beauty is goodness." Or more interestingly, from Saint Augustine: "Beauty is indeed a good gift of God; but that the good may not think it a great good, God dispenses it even to the wicked." There seems to be a curse on this instrument as it brings ill to those who manage to possess it. This makes the ending especially eerie.

An original, imaginative and thought provoking story that engaged one's mind as American films almost never do. I will not describe more of the plot, it's far too good to ruin. The memory of this film will be one long treasured.

Oh, as for my guest, the honest-to-God prodigy: she said the music was magnificent (it was) even though a real musician could tell the actors weren't playing, it was well done.

Literally spanning centuries to unfold its mesmerizing tale, The Red Violin traces the unbelievable history of an acoustically flawless masterpiece crafted in the late 1600s by an Italian master. Co-screenwriters Francois Girard (who directed) and Don McKellar (who acts in the film) structure the movie around a wealth of richly detailed locales, including Vienna, China, and Oxford, and provide a unique modern-day Montreal framework which intertwines with the often tragic history of the instrument to provide the narrative with a rather unique element of mystery. The late-19th century English section shows the film at its most baroque, but each of the finely tuned tales reaches for some truth about music, life, love, and passion -- and that is commendable. Music lovers take note: the sounds that come out of the crimson treasure throughout the course of its journey are utterly thrilling and inspiring.

What can you say about a film that covers three centuries, people from all stations of society, and several European countries and Canada. Ambitious is a good start. This film was very well crafted and at about one hundred forty minutes was too short for me. The story follows a red violin, an inanimate object, although at times it seemed alive to me, thru three centuries and the influences good and ill that it has on its possessors. It does ever seem to be owned. Each of its possessors lives a life of passion and turmoil. The violin's birth is during turmoil and during its life it buried, shot, and almost burned. The writing which includes this parallel between the violin and its possessor , five somewhat independent segments that mell and converge in the final scenes, and a story told by tarot cards make for an extremely unique experience. Add to that the musical score, scenery, the varied languages and cultures and you have a great offering. The performances were all strong, but I thought Jason Flemyng as Lord Frederick Pope stood out. To say his character was eccentric and maybe a little over the top is justifiable but I'm sure that was intended. English nobility has always been known for its idiosyncrasies. The ending has incongruous feel with the remainder of the film but is satisfactory and I can not suggest a better one. Great entertainment! Three and a half stars!!!