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IMDbPro

O Violino Vermelho

Título original: Le violon rouge
  • 1998
  • R
  • 2 h 10 min
AVALIAÇÃO DA IMDb
7,6/10
35 mil
SUA AVALIAÇÃO
Samuel L. Jackson and Greta Scacchi in O Violino Vermelho (1998)
A red-colored violin inspires passion, making its way through three centuries over several owners and countries, eventually ending up at an auction where it may find a new owner.
Reproduzir trailer2:27
1 vídeo
34 fotos
Period DramaDramaMusicMysteryRomance

Um violino vermelho inspira paixão, percorre três séculos de vários proprietários e países, e finalmente termina em leilão onde pode encontrar um novo proprietário.Um violino vermelho inspira paixão, percorre três séculos de vários proprietários e países, e finalmente termina em leilão onde pode encontrar um novo proprietário.Um violino vermelho inspira paixão, percorre três séculos de vários proprietários e países, e finalmente termina em leilão onde pode encontrar um novo proprietário.

  • Direção
    • François Girard
  • Roteiristas
    • Don McKellar
    • François Girard
  • Artistas
    • Carlo Cecchi
    • Jean-Luc Bideau
    • Christoph Koncz
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    35 mil
    SUA AVALIAÇÃO
    • Direção
      • François Girard
    • Roteiristas
      • Don McKellar
      • François Girard
    • Artistas
      • Carlo Cecchi
      • Jean-Luc Bideau
      • Christoph Koncz
    • 285Avaliações de usuários
    • 56Avaliações da crítica
    • 57Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 20 vitórias e 19 indicações no total

    Vídeos1

    Official Trailer
    Trailer 2:27
    Official Trailer

    Fotos34

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    + 27
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    Elenco principal60

    Editar
    Carlo Cecchi
    • Nicolo Bussotti (Cremona)
    Jean-Luc Bideau
    Jean-Luc Bideau
    • Georges Poussin (Vienna)
    Christoph Koncz
    • Kaspar Weiss (Vienna)
    Jason Flemyng
    Jason Flemyng
    • Frederick Pope (Oxford)
    Irene Grazioli
    • Anna Bussotti (Cremona)
    Anita Laurenzi
    • Cesca (Cremona)
    Tommaso Puntelli
    • Apprentice (Cremona)
    Aldo Brugnini
    • Assistant (Cremona)
    Samuele Amighetti
    • Boy (Cremona)
    Clotilde Mollet
    • Antoinette Pussin (Vienna)
    Rainer Egger
    • Brother Christophe (Vienna)
    Wolfgang Böck
    Wolfgang Böck
    • Brother Michael (Vienna)
    Florentin Groll
    • Anton von Spielmann (Vienna)
    Johannes Silberschneider
    Johannes Silberschneider
    • Father Richter (Vienna)
    Arthur Denberg
    • Prince Mansfeld (Vienna)
    Paul Koeker
    • Brother Gustav (Vienna)
    Josef Mairginter
    • Brother Franz (Vienna)
    Johan Gotsch
    • Funeral Monk (Vienna)
    • Direção
      • François Girard
    • Roteiristas
      • Don McKellar
      • François Girard
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários285

    7,635.1K
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    10

    Avaliações em destaque

    NaplesMacMan

    Not perfect, but mighty close! This film forces you to pay attention!

    The mystique of violin making has always intrigued me so this film was a big attraction for me going in, and I wasn't disappointed for one second!

    OK, first of all, the obvious things that make it special: reality, craft, acting, scoring, and cinematography! It takes only a few seconds to know that this gem did NOT emanate from the money grubbers in Hokeywood California as one more way to titillate teenagers with sex, violence, and computer generated special effects with a subliminal message that sells products. Nope! This film was made by film makers who understand the power of a story well told, and REAL cinema.

    Cutting back and forth repeatedly between the present and various disparate periods and places from the past, THE RED VIOLIN forces the viewer to pay attention and most of all... THINK!

    The Red Violin is NOT the subject here but a catalyst to stimulate thought about human behavior and how different societies have related to art as we move through the centuries.

    The casting was (on the whole) excellent though the choice of Samuel L. Jackson as a learned expert in ancient instruments was not convincing for me personally. And, the NON-ending which is more of a comment on human habits of acquisition than human nobility, was just not what I considered a definitive ending. (Maybe that was the point! "Everything continues endlessly...")

    If you go to movies as an excuse to nibble away on munchies and get titillation, well, this one's NOT for you. BUT, if you have the patience to watch and think simultaneously as a great story unfolds, then SEE this film immediately!
    david.farthing

    A wonderful journey

    I was captivated from the moment the film started. The music flowed effortlessly and the scene was set immediately.

    Some people may be put off by the use of foreign language and subtitles early on in the film but I found this served to enhance the story and grab my attention even more. It reminds you of the true beauty of language and music and no matter what your taste you cannot help but to be drawn into the story.

    The story follows the journey of the Red Violin from its creation and you really feel that something special is happening from the way the red violin is revered. The different people who come into contact with the instrument all have there own stories and you find yourself trying to guess how the Violin will affect them. Sometimes you are right and sometimes not.

    Francois Girard has produced a wonderful film and the original score enhances this. This film is one that I will watch again and again and one that should be highly recommended.
    mhmslm

    Take the journey

    The Red Violin is the saga of spirit and soul as they press onward through time. The adventure begins with Anna, a young woman whose only child brings about her untimely death. A gift of a violin to be given to the babe becomes host to Anna's spirit. The Red Violin narrowly escapes the grips of greed, ignorance, and vengeful lust as she is passed from hand to hand of those who would have her. She wanders about the globe until at last she is exonerated by the one man who knows the truth that she holds within her wooden belly.

    In spite of the death and despair, the film is truly positive. It teaches us to appreciate people from all walks of life. From the violin maker of the 16th century who made the Red Violin for the bittersweet arrival of his baby son, we travel through time with the violin to the Chinese Communist Party who spelled out certain death to any instrument that may threaten the ideals of the collective. In our travels, we learn the dark and sordid side to each person, but we also learn that to create a shadow there must be light. That light, or hope, that the people shed is what gives the violin her vitality and will to survive.

    A truly magnificent film, The Red Violin inspired me to recollect my own past I shared with my aged upright piano; the certain spiritual vibrations I felt while playing a ragtime melody. Suddenly, memories came rushing back to me tenfold. I recalled the times as a young girl I would listen as my father played his rendition of Scott Joplin's Maple Leaf Rag. Wiping a tear from my eye, I remembered how long ago that truly was; how my piano shaped and molded me, as I shaped and molded it. I am left wondering where my beloved piano is now. Who is influencing his instrumental life? In the end, what stories will he have to tell, and will they be of me

    Take the journey of the Red Violin. Visit other lands and other times. Feel the strings of life against your fingers; the bow of spirit in your palm. Rest your chin against the weathered wood of wisdom. Listen closely and hear the music that is the gentle rhythm of time and change. See the film to learn about music; to learn about history; to learn the boundless raptures of the spirit. Perhaps, as I, you will learn just a little more about yourself.
    9Stephen-12

    Splendid

    This is art. Real art. So few films try for this much.

    My sadness is that its appeal will be limited to polyglots, musicians, and lovers of costume drama. It's worth so much more than that. Beautifully shot, sensitively scripted and acted, and cleverly executed, this deserves more awards and greater coverage than it's going to get.

    9 out of 10. I dock one point because Girard occasionally lets the pace drop to deadly, and because Jason Flemyng and Greta Scacchi irritated me beyond words - but that's not Girard's fault.
    pooch-8

    Measured, thoughtful account of near-mystical instrument

    Literally spanning centuries to unfold its mesmerizing tale, The Red Violin traces the unbelievable history of an acoustically flawless masterpiece crafted in the late 1600s by an Italian master. Co-screenwriters Francois Girard (who directed) and Don McKellar (who acts in the film) structure the movie around a wealth of richly detailed locales, including Vienna, China, and Oxford, and provide a unique modern-day Montreal framework which intertwines with the often tragic history of the instrument to provide the narrative with a rather unique element of mystery. The late-19th century English section shows the film at its most baroque, but each of the finely tuned tales reaches for some truth about music, life, love, and passion -- and that is commendable. Music lovers take note: the sounds that come out of the crimson treasure throughout the course of its journey are utterly thrilling and inspiring.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Christoph Koncz (as Kaspar Weiss the orphan virtuoso) was only nine years old when featured in this movie. He is an Austrian-Hungarian classical musician that became an internationally-renowned violinist and conductor.
    • Erros de gravação
      The substance used to give the violin its color would not actually work in real life. The substance does not mix into varnish, and would quickly coagulate and oxidize to a dark brown or black color if it were actually used as the movie implies.
    • Citações

      Charles Morritz: What do you do when the thing you most wanted, so perfect, just comes?

    • Conexões
      Featured in Siskel & Ebert & the Movies: Austin Powers: The Spy Who Shagged Me/The Red Violin/Just a Little Harmless Sex/An Ideal Husband/Xiu Xiu: The Sent-Down Girl (1999)
    • Trilhas sonoras
      O Richard! O mon Roi!
      from "Richard Coeur de Lion"

      Composed by André-Modeste Grétry

    Principais escolhas

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    Perguntas frequentes30

    • How long is The Red Violin?Fornecido pela Alexa
    • How did the violin get into China?
    • Is "The Red Violin" based on a book?
    • Is "Le Violon Rouge" in French?

    Detalhes

    Editar
    • Data de lançamento
      • 13 de novembro de 1998 (Canadá)
    • Países de origem
      • Canadá
      • Itália
      • Estados Unidos da América
      • Reino Unido
      • Áustria
    • Idiomas
      • Inglês
      • Italiano
      • Alemão
      • Francês
      • Mandarim
    • Também conhecido como
      • El violín rojo
    • Locações de filme
      • Chicheley Hall, Chicheley, Newport Pagnell, Milton Keynes, Buckinghamshire, Inglaterra, Reino Unido
    • Empresas de produção
      • Rhombus Media
      • Mikado Film
      • New Line International
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 18.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 10.019.109
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 47.415
      • 8 de nov. de 1998
    • Faturamento bruto mundial
      • US$ 10.019.109
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 10 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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