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O Príncipe do Egito

Título original: The Prince of Egypt
  • 1998
  • Livre
  • 1 h 39 min
AVALIAÇÃO DA IMDb
7,2/10
156 mil
SUA AVALIAÇÃO
POPULARIDADE
1.362
196
Val Kilmer in O Príncipe do Egito (1998)
Home Video Trailer from Dreamworks Home Entertainment
Reproduzir trailer0:32
1 vídeo
99+ fotos
Adventure EpicDesert AdventureHand-Drawn AnimationQuestAdventureAnimationDramaFamilyFantasyMusical

O príncipe egípcio Moisés aprende sobre sua identidade como hebraico e sobre seu destino de se tornar o libertador escolhido por seu povo.O príncipe egípcio Moisés aprende sobre sua identidade como hebraico e sobre seu destino de se tornar o libertador escolhido por seu povo.O príncipe egípcio Moisés aprende sobre sua identidade como hebraico e sobre seu destino de se tornar o libertador escolhido por seu povo.

  • Direção
    • Brenda Chapman
    • Steve Hickner
    • Simon Wells
  • Roteiristas
    • Philip LaZebnik
    • Nicholas Meyer
  • Artistas
    • Val Kilmer
    • Ralph Fiennes
    • Michelle Pfeiffer
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    156 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.362
    196
    • Direção
      • Brenda Chapman
      • Steve Hickner
      • Simon Wells
    • Roteiristas
      • Philip LaZebnik
      • Nicholas Meyer
    • Artistas
      • Val Kilmer
      • Ralph Fiennes
      • Michelle Pfeiffer
    • 519Avaliações de usuários
    • 102Avaliações da crítica
    • 64Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 12 vitórias e 27 indicações no total

    Vídeos1

    The Prince of Egypt
    Trailer 0:32
    The Prince of Egypt

    Fotos126

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    Elenco principal31

    Editar
    Val Kilmer
    Val Kilmer
    • Moses
    • (narração)
    • …
    Ralph Fiennes
    Ralph Fiennes
    • Rameses
    • (narração)
    Michelle Pfeiffer
    Michelle Pfeiffer
    • Tzipporah
    • (narração)
    Sandra Bullock
    Sandra Bullock
    • Miriam
    • (narração)
    Jeff Goldblum
    Jeff Goldblum
    • Aaron
    • (narração)
    Danny Glover
    Danny Glover
    • Jethro
    • (narração)
    Patrick Stewart
    Patrick Stewart
    • Seti
    • (narração)
    Helen Mirren
    Helen Mirren
    • The Queen
    • (narração)
    Steve Martin
    Steve Martin
    • Hotep
    • (narração)
    Martin Short
    Martin Short
    • Huy
    • (narração)
    Bobby Motown
    • Rameses Son
    • (narração)
    Eden Riegel
    Eden Riegel
    • Young Miriam
    • (narração)
    Ofra Haza
    Ofra Haza
    • Yocheved
    • (narração)
    James Avery
    James Avery
    • Additional Voices
    • (narração)
    Aria Noelle Curzon
    Aria Noelle Curzon
    • Additional Voices
    • (narração)
    Stephanie Sawyer
    Stephanie Sawyer
    • Additional Voices
    • (narração)
    Francesca Marie Smith
    • Additional Voices
    • (narração)
    • (as Francesca Smith)
    Shira Roth
    • Hebrew Child
    • (canto)
    • Direção
      • Brenda Chapman
      • Steve Hickner
      • Simon Wells
    • Roteiristas
      • Philip LaZebnik
      • Nicholas Meyer
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários519

    7,2155.5K
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    Avaliações em destaque

    10ali_harkouss

    Atheist but always astonished by this masterpiece

    Let's forget for a while religions and conflicts between humans. Let's focus on the huge amount of creativity and greatness that made this masterpiece. Although DreamWorks have imitated Disney on different levels but the result surprised all those who watched it. The title itself implies that a great story took place in an old great civilization. In my opinion, the story of this movie is not like what most of people think: conflict between good and bad. It's way beyond that. It's a story of two real brothers who love each other to the core but they were obliged to become enemies due to their differences in beliefs and religion. Don't you think that it's time for people to forget about their differences and become compassionate and empathetic? Love will unite us while religions make us enemies to each other. The music was outstanding, as well as the songs. The soundtracks of this film make the spectator live in old Egypt which is a very genius innovation by the composer. Very few composers know how to connect their music with an epoch, land and a place. The first scene when slaves were building the pyramids was one of the best starts in movies history. Simply it's one of the best movies in history. It's a combination of greatness and beauty.
    merrywood

    A triumph of graphic excellence

    As the author of THE WORLD OF ANIMATION, an Eastman Kodak book which won three international book festival awards and as an animation writer-director, I have for many years longed for the U.S. animation industry to remember that Walt Disney, nor any of the pioneers of animation limited their art to children's audiences.

    With THE PRINCE OF EGYPT, the DreamWorks animation team has finally taken us full circle and helped the United States join the rest of the world in offering us the first U.S. animated feature since, perhaps, FANTASIA, created for mature audiences while remaining child-friendly. If you aspire to art in any form, and/or specifically love line art and graphics as I do, you must not miss seeing this film on the big screen. I applaud DreamWorks for this triumph in graphic excellence.

    Two brief critiques: First, the choice of story. The story is based on Exodus from the Old Testament (and other Scripture) which is scanty, to say the least. Although the studio made an effort to flesh out the story with the Ramses/Moses relationship there is simply not enough meat to go around. This opinion is debatable, a very minor aspect and only my view as a story teller. At the bottom line the overall work is so extraordinary any possible lack in literacy is more than made up for in the visual mounting and production of the film, something which is nothing less than inspiring.

    The other criticism is in the highly questionable use of "name" voices for casting, a puzzling development since there is no meaningful box office data supporting it. This practice is known to conflict the viewer psychologically as the drawn images begin to do battle with the ones in the audience memory with the cerebral bridge of highly recognizable photo images of known voices. Walt Disney knew this quite well and avoided it. Indeed, he used the voice of a complete unknown for Snow White, Adriana Caselotti, (who passed away in 1997). Disney was careful to avoid the existing Hollywood queens of song of the period, Judy Garland and Deanna Durbin, the latter, whose prodigious vocal talent actually saved Universal Pictures from going belly up a short time later.

    However, at the bottom line, THE PRINCE OF EGYPT will become a true classic and has taken the art of animation up to a new threshold, a model to which future animators will aspire.

    Raul daSilva, New Haven, CT, USA
    Arwyn

    Applause to Dreamworks for this beautiful tribute to Exodus.

    There is probably no greater literary classic than the Bible, and as such it is an obvious choice for Hollywood. But why then are there so few attempts to bring the stories we grew up on to the Big Screen? A very simple reason. In filming a Bible story, producers tread a very thin line. They know they have to make the story interesting, the graphics new and innovative or the movie will flop. But they cannot tamper too much with the original for fear of upsetting those who hold the story dear to their hearts. Unbelievably, Hollywood has finally managed to tread that thin line in 'The Prince of Egypt'.

    At the very beginning of the movie, a beautiful worded statement appears on the screen, and as I cannot possibly say it better, I will reproduce it here. "The motion picture you are about to see is an adaptation of the Exodus story. While artistic and historical license has been taken, we believe that this film is true to the essence, values and integrity of a story that is a cornerstone of faith for millions of people worldwide. The biblical story of Moses can be found in the book of Exodus." Now that was just a classy thing to do. Yes, they did tamper with the story ever so slightly, but they never did anything to mess up the main storyline. They took some liberties with the character of Zipporah, Miriam, etc., but they never messed with the core elements of the story. Some of their changes are debatable, but not to the point of destroying the main point of the story. As a strong Christian, even I found nothing whatsoever to complain about in their telling of it.

    Technically, the film is a triumph of computerized animation. The chariot race scene is revolutionary in that the "camera" is able to move around within a moving frame. It is one of the many subtle ways that this animated movie hardly seems animated at all. The parting of the Red Sea was enough to take my breath away, and the Plagues of Egypt sequence was also very, very good.

    There was obviously a lot of research that went into the making of 'The Prince of Egypt'. Many of the monuments, frescoes, pieces of furniture, statues, etc. are genuine and can be found in the real life Egypt. Somebody did a lot of studying on Hieroglyphics and Egyptian paintings, as several specific scenes in the movie can attest.

    I'd also like to say a few things about the meshing of music with the story. In general, when somebody starts to sing a song, the action stops. Not so in 'The Prince of Egypt'. Indeed, almost the opposite usually occurs. Time compresses within the song, with the action happening at almost double the speed of non-song time. For example, one song covers a span of approximately 40 years, from the time Moses first arrives in Midian to his burning bush experience. In this way, the guys at Dreamworks got the nuts and bolts of the story compressed down in order to give themselves more time to develop characters and other things necessary to make a good movie. I was very impressed at the subtlety of this approach. And the songs themselves are very well done. The soundtrack is a great mix of reverence, ethnic flavor and adventure. Various themes associated with certain events and people wind their way through the music in a better-than-Wagnerian fashion. Moses' mother's lullaby is especially poignant - bravo to the composer. It actually made me cry.

    The entire movie is a masterpiece. I'm so glad it made money and did so well. I hope that its great success will allow the people at Dreamworks to make another Biblically based movie, hopefully as good as its predecessor. 'The Prince of Egypt' is not only a great story, it has the advantage of being "true". The tone is very religious, while not being preachy. The burning bush scene is absolutely beautiful. Watch the movie just for that, and enjoy the rest of it as well. The Death of the Firstborn is very dramatic, but not creepy like in 'The Ten Commandments'. I was thoroughly impressed. But above all, the story is interesting, fast-paced and engrossing. The characters are real and their problems are very relatable. There are marvelous moments of comedic relief and moments of terrible mental anguish. This is no dry story from some dusty old book. This is a living, breathing, story. 'The Prince of Egypt' has become one of my very favorite movies and one of the few "cartoons" that continues to be frequently reached for.
    9WeslyM

    Spectacular re-telling of the Exodus

    For sheer spectacle, it's tough to beat the Bible. With "The Prince of Egypt," DreamWorks makes good on its promise to deliver a state-of-the-art animated film that will compete favorably with the best Disney has to offer. As with "Antz," released earlier this year, DreamWorks has successfully resisted the temptation to populate this film with characters that can be turned into further revenue through toy sales. (I do wonder, though, if three soundtrack albums--the film's soundtrack, an "inspirational" album, and a "country" album--were really necessary.) The animation team has accomplished something truly spectacular; watching "The Prince of Egypt" is like seeing life breathed into a rich, luxurious tapestry. The Biblical story told in the books of Genesis and Exodus is followed very faithfully, with only minor changes made for dramatic reasons. The action sequences are truly exciting, overall pacing is excellent, and the miracles wrought by God are depicted with awed and respectful wonder. One truly astonishing, harrowing sequence recounts the slaughter of firstborn Hebrew children by bringing hieroglyphic drawings to life on the walls of an Egyptian temple. The voice work is especially good--Val Kilmer is fine as Moses, and Pharoah, voiced by Ralph Fiennes, positively seethes with arrogance and hubris. The storytellers wisely chose to end their tale at the climactic crossing of the Red Sea; even the delivery of the Ten Commandments is portrayed only in an epilogue vignette. (After all, the Israelites wander in the wilderness for forty years after that, and Moses ultimately is not allowed to enter the Promised Land--perhaps not the uplifting ending the filmmakers had in mind.) Some of the subject matter is dark and disturbing, and there is no shying away from the harsh realities of the original texts. By all means, see it with the children in your life--and be prepared to discuss it with them afterward.
    todd2u

    a true classic

    This is one of the best animated movie of all time. It's not every day that they make a animated movie about a story of the bible. The writers, and animators were very accurate about telling the story. As a Christian I like it when they make movies about the bible. The animation, and music was truly awesome. I like everything about this movie. I recommend this movie to anyone and everyone. Children will love this movie. I'll tell you now you wont be disappointed. I really wasn't.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The production team and executive producer Jeffrey Katzenberg conferred with roughly 600 religious experts to make this movie as accurate and faithful to the original story as possible. After previewing the developing movie, all of the religious scholars, experts, and leaders associated in the making of this movie noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
    • Erros de gravação
      When the plagues destroy Egypt, not a lot of monuments are shown being toppled. However, in the song "When You Believe", when the Hebrews are walking through the ruins of Egypt, there is far more damage and destruction of Egypt that what was seen in the Plagues. However, the entire breadth of the plagues could not be shown since, in the record of them, the plagues last a lot longer than a few minutes, leaving the possibility that we didn't get to see all of the destruction.
    • Citações

      Moses: Yes, Aaron, it's true. Pharaoh has the power. He can take away your food, your home, your freedom. He can take away your sons and daughters. With one word, Pharaoh can take away your very lives. But there is one thing he cannot take away from you: your faith. Believe, for we will see God's wonders.

    • Cenas durante ou pós-créditos
      At the end of the closing credits, there are verses from religious texts - the Hebrew Bible, the New Testament and the Koran - in praise of Moses.
    • Versões alternativas
      Later prints of the movie, such as the 2018 Blu-ray release and the Peacock print, add the 2013 Universal Pictures logo.
    • Conexões
      Featured in Troldspejlet: Episode #19.13 (1998)
    • Trilhas sonoras
      Deliver Us
      Performed by Ofra Haza and Eden Riegel

      Ofra Haza appears courtesy of BMG Ariola Munich

      Produced by Hans Zimmer

      Additional arrangements by Martin Erskine and Andrew Lippa

      Music and Lyrics by Stephen Schwartz

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    Perguntas frequentes21

    • How long is The Prince of Egypt?Fornecido pela Alexa
    • Why were all the newborn Hebrew baby boys killed at the movie's beginning?
    • What is the song in Hebrew that the child sings at the movie's ending?

    Detalhes

    Editar
    • Data de lançamento
      • 25 de dezembro de 1998 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Canadá
    • Idiomas
      • Inglês
      • Hebraico
    • Também conhecido como
      • El príncipe de Egipto
    • Locações de filme
      • Glendale, Califórnia, EUA
    • Empresas de produção
      • Dreamworks Pictures
      • DreamWorks Animation
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 70.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 101.413.188
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 14.524.321
      • 20 de dez. de 1998
    • Faturamento bruto mundial
      • US$ 218.613.188
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 39 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • DTS
      • SDDS
    • Proporção
      • 1.85 : 1

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