Jogos, Trapaças e Dois Canos Fumegantes
Um jogo de cartas em Londres desencadeia um confronto entre quatro amigos, plantadores de maconha, agiotas e cobradores de dívidas em uma série de eventos curiosos, tudo por algo de maria, d... Ler tudoUm jogo de cartas em Londres desencadeia um confronto entre quatro amigos, plantadores de maconha, agiotas e cobradores de dívidas em uma série de eventos curiosos, tudo por algo de maria, dinheiro e duas pistolas antigas.Um jogo de cartas em Londres desencadeia um confronto entre quatro amigos, plantadores de maconha, agiotas e cobradores de dívidas em uma série de eventos curiosos, tudo por algo de maria, dinheiro e duas pistolas antigas.
- Direção
- Roteirista
- Artistas
- Ganhou 1 prêmio BAFTA
- 13 vitórias e 9 indicações no total
- Willie
- (as Charlie Forbes)
Resumo
Avaliações em destaque
This is a really excellent filmentertaining; funny, exciting, and extremely realistic. The style is gorgeous. In fact, I have nothing bad at all to say about it except that it may not be everyone's cup of tea. You also have to be patient with it. That may have been my problem the first time I saw it because I can remember mixing up quite a few people when not paying attention.. Still, the realism of the situations make up for its occasionally slow pace and dialogue-driven plot. For instance, none of these working-class guys know how to handle a gun when they need to, and the result is hilarious. They're not goofy by any means, but they're just normal guys that struggle with the life of crime that they are forced to turn to in order to repay Eddie's debt. Also note the fantastic use of "I Wanna Be Your Dog" by The Stooges. 8/10
Unfortunately, Harry's game is rigged and the four end up owing Harry half a million pounds, with just one week to come up with the cash. What ensues is a set of schemes, counter-schemes, rip-offs, and bad/good luck that demand you pay attention. On several occasions I had to pause the video just to take stock of which gang was planning what.
The final thirty minutes of the film, as the plots all collide and overlap, turn set-piece shoot outs into comedic punchlines. The comedy is driven by exploding our expectations of what are otherwise pretty standard scenes from the film-noir genre.
The acting is strong and the script very tight. Although I am not normally a fan of voice overs, this one informs without spoiling the action. And I liked the use of the slow-motion to disrupt the action and keep me paying attention.
While this film may not be for everyone, if you enjoy a darker pallette, this may be right up your alley.
If I were to write and direct a movie about gangsters or crime, this would be it. I wouldn't change one damn thing. Not a thing. Everything in this film was, to my eye, perfect - casting, the camerawork, the excellent dialogue ("It's been emotional.")
Now I don't have much to compare this to, and I've heard some criticism that it basically draws quite heavily from older British crime dramas. I've got a bunch of these on my queue to rent, but I doubt you could make a crime film better than this.
This film oozes with style, class, dark humor, plot twists and turns, and doesn't drag one bit. The casting and characterization is perfect, and Ritchie isn't afraid to move the cameras around; no pretense is really made here at "realism" - Ritchie doesn't mask the fact that it's a film and he runs with it.
I really don't think of myself as easily impressed, and I have seen a hell of a lot of films in my time, but this one instantly made my Top 10 after only a single viewing. Yes, I'm raving about it, and while it may not be "spiritually enriching" or contain any deep sociological content (which I actually do look for in films), somehow it still scores as one hell of a film; memorable and entertaining, and stands up well to multiple viewings.
I am a bit dismayed to see some of the marketing of this film comparing it to other things like Quentin Tarantino films or Trainspotting. It really does it a disservice because this film really is its own phenomenon and stands on its own two feet; if anything it is similar to Trainspotting and Tarantino films only because it actually has its own bold style.
Can't recommend it enough.
Hedeen's Outlook: 8/10 *** B
Você sabia?
- CuriosidadesThe film was dedicated to Lenny McLean, who played Barry the Baptist. He died of lung cancer exactly one month before the film's premiere. The dedication reads as follows: "In memory of LENNY McLEAN (The Guv'nor)"
- Erros de gravaçãoDuring the final round of the card game, Harry reveals his cards one by one. When he turns over his third and final card, Eddie looks shocked in a dramatic "forward tracking zoom out" shot, realizing how much he just lost. However, Eddie had already lost when Harry's second card was revealed (pair of sevens beat pair of sixes), it wouldn't matter what the third card was. So his shocked expression should have come earlier: after the second card's revelation, not the third.
- Citações
Bacon: What's that?
Samoan Joe's Barman: It's a cocktail. You asked for a cocktail.
Bacon: No. I asked you to give me a refreshing drink. I wasn't expecting a fucking rainforest! You could fall in love with an orangutan in that!
Samoan Joe's Barman: You want a pint, you go to the pub.
Bacon: I thought this was a pub!
Samoan Joes Barman: It's a Samoan pub.
- Cenas durante ou pós-créditosIn the closing credits, the character names in the cast list are shown entirely in lower-case letters with no initial capital letters.
- Versões alternativasNew footage included in director's cut:
- at the very start of film, Ed is shown explaining the rules of 3 Card Brag to two people;
- the scene where Big Chris goes to see the man on the sunbed is longer
- Tom, Soap and Bacon are shown walking through the pub to the bar while Ed is playing cards
- the earlier stages of the card game are shown
- Alan explains to Ed the "history" between JD and Harry
- when Barry is talking to the two scousers the dialogue is different
- when Big Chris is walking into Harry's office near the end, he meets the man who was on the sunbed near the start of the film.
- when Ed is being interviewed by the police you see him finishing explaining the rules of 3 Card Brag to them (as seen at very start)
- just before the credits, you see Soap telling a whole joke in the car when they are coming back from the job
- three outtakes are shown during the credits: one with Soap telling a joke, the next where Barry asks one of the scouser's for an ice cream and one where a guy runs onto the set.
- Trilhas sonorasHundred Mile City
Performed by Ocean Colour Scene (as Ocean Color Scene)
Courtesy of Universal Music (UK) Ltd.
Written by Damon Minchella, Simon Fowler, Oscar Harrison and Steve Cradock (as Steve Craddock)
© 1997 Island Music Ltd.
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Juegos, trampas y dos pistolas humeantes
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 960.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 3.753.929
- Fim de semana de estreia nos EUA e Canadá
- US$ 143.321
- 7 de mar. de 1999
- Faturamento bruto mundial
- US$ 3.753.929
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1