Glória, a Mulher

Gloria (Sharon Stone) is released from prison in her party dress. Her parole is in Florida but she immediately travels to New York City anyways. She wants her money from mobster boyfriend Kevin (Jeremy Northam) after taking the rap and spending three years in prison. Nicky is a young boy being hunted by Kevin's gang. His father had stolen a computer disk and given it to him as he goes on the run. The boy is alone after his family is massacred. When Kevin refuses to pay Gloria, she decides to take the boy.

Sharon Stone is doing some overacting. It's the heart of the problem and her greatest sin is that she's not Gena Rowlands. Gena shows glimpses of her heart but Sharon is doing an acting bit. There is some reworking of the premise but that is not solving anything. In the end, it all falls upon the chemistry between Sharon and the kid. If she calms down and has more time with the boy, the relationship would actually have the room to breathe. If taken as its own movie, this is marginally fine. As a remake, it is a step below.

Gloria is released from prison having done her time the right way and never mentioning anything about her mobster boyfriend Kevin or his boss Ruby. She returns to find that he has not kept his end of the bargain. Also in Kevin's custody is Nicky Nuñez, a 6 year old boy whose family was killed for a disk of incriminating information. Gloria feels that the murder of a child is a step further than she can deal with and takes him and the disk. As the mob hunt them down Gloria realises her chances of survival are slim and tries to work out how to save Nicky.

I expected nothing from this when I sat to watch it – in fact I was genuinely surprised when I saw that Sidney Lumet had directed it, as I had expected a trashy thriller-come-comedy of some sort. However the mood of the piece is set out early on when Nicky's family is murdered by Sean. This is a powerful and unpleasant scene in the film – not overly gory but moving. The main thread of the film is the old `hooker with a heart of gold' type of thing and I must admit that this element is often it's weakest part. It's here that I felt old ground was being treaded and that the sentimentality was allowed to get a little out of hand. This is particularly evident in the final 10 minutes (awful ending by the way) but it raises it's head several times during the film where `Gloria learns valuable life lessons about herself' etc.

Happily for the most part this is offset by a some good thrills – such as some good car chases, moments of violence and a good sense of menace from the mobsters. Stone has a difficult role. It is one that could be swimming in it's sentimentality. She doesn't totally succeed (her accent is a little forced at times) but she carries it reasonably well. Figueroa has an even harder role in being the cute kid. Sadly for the most part he is the `cute kid' and is a little irritating but he does have a few strong scenes that show there is more to him and he is good considering his age. Northam is OK, Starr brings real menace, Scott and Moriarty have clearly both been cast to add some class to the film but only have small roles.

Overall this is a reasonable film. To some extent we've seen it before and the sentimentality really threatens to sink it at times. However a real sense of menace and some strong scenes make this a better film and the thriller scenes, although not great, are solid enough when combined with these to make the film watchable – just don't expect this to be without big areas of weakness though.

The veteran Sidney Lumet wastes his talent here by presenting us with a well told but banal story of a woman involved with the leader of a criminal gang who accidentally becomes aware that the gang is willing to kill a little boy in order to eliminate a possible undesirable witness and decides then to save the boy at the risk of her own life, initiating a course of hide and run well shown in a sequence of scenes thrilling enough to rivet our attention. However neither Sharon Stone in the role of the woman who develops maternal love for the boy nor Jean-Luke Figueroa in the role of the little boy suddenly orphaned and becoming sentimentally attached to her, are very convincing indeed and that's the weakest part of the movie. The best part of the movie is the acting of George C. Scott another veteran, here in a minor role but showing his great talent every time he appears on screen. A fair movie after all.

"Gloria" Having not seen the original Gena Rowlands version, I was very surprised to feel entertained and satisfied with this remake. Not much happens in this film, so therefore no marketing angles to work. It all depends on your tolerance for Sharon Stone. I have no problem with her. She has had some very fine performances in the past, and she is more capable then most actresses. Yet, her sheer ego and the "glamour" she sweats daily gets in the way of her natural charisma. In "Gloria" she is given full opportunity to own the frame with a detailed and rich performance. Her interaction with the child of the film is funny, and at one point - achingly heartbreaking. She works overtime to make the film connect. Working in the same old NY/LA vortex that has absorbed modern movies, the film is not really ground-breaking in any way, just simply enjoyable. Lately, that's all I ask from a movie. The Brooklyn mob hitmen that are the nemesis of Gloria are boring and cliched, but director Sidney Lumet does a fine job making the violence in the film pleasingly bloody and memorable. This version - I would bet - does not compare favorably to the 1980 Cassavetes's film, but for now I'm amazed how well it works.--------------- 7

"Gloria" is a great looking movie. Sharon Stone's legs and the location photography are both terrific. The rest of the movie isn't so hot. The cast is hit and miss (Stone makes the hit side in a squeaker). The movie is uninvolving. Director Sidney Lumet seems to be going through the motions. This movie also has one of the most boring car chases you'll ever see. "Gloria" is a curiosity piece for fans of the original movie (like me). Dishonorable mention: the music.