Robert Clayton Dean é um advogado brilhante que descobre provas que ligam uma agência governamental de segurança a um crime político. A partir daí, é perseguido, publicamente descredibilizad... Ler tudoRobert Clayton Dean é um advogado brilhante que descobre provas que ligam uma agência governamental de segurança a um crime político. A partir daí, é perseguido, publicamente descredibilizado e passa a ter a própria vida em risco.Robert Clayton Dean é um advogado brilhante que descobre provas que ligam uma agência governamental de segurança a um crime político. A partir daí, é perseguido, publicamente descredibilizado e passa a ter a própria vida em risco.
- Direção
- Roteirista
- Artistas
- Prêmios
- 5 vitórias e 16 indicações no total
Avaliações em destaque
This is much better than the ususal summer crash, bang, wallop stuff we usually get fed. It's greatly helped by the sense of paranonia that runs through the whole story from the Government's power and corruption at some levels. The film starts well, with 'everyman' Dean being drawn into a game of cat and mouse, framed for a crime he didn't commit and forced to go on the run from Government agents. Will Smith carries the film only so far but it realy gets interesting when Hackman turns up as Brill. He casts light on the ability of the government and is almost able to play them at their own game. Brill makes an appearance when the film starts to become too much of a staight chase movie.
To me the use of Hackman as Brill is the best bit of casting ever and makes this film stand out as being clever. In the 70's Hackman played a surveillance expert in Copolla's The Conversation. The film ends with Hackman being monitored himself, with him ripping his house apart looking for the bugs. What makes his casting as Brill so good is that Brill is where Hackman's "The Conversation" character would be 20 years on - it feels like it's the same character again. The director also deserves a lot of praise - he manages to keep the pace up throughout the film, whether it be scenes of chasing action or technological pursuit. The script helps as well - the conspiracy and the paranoia is strong throughout.
Smith is good in the lead, but he isn't quite as good an "everyman" as classic actors as Cary Grant or James Stewart were. Smith also struggles to carry the whole movie and the chases do get a bit samey after a while. Fortunately Hackman is brilliant as Brill, he is a classy actor and brings a lot of weight to the film just as Smith begins to feel the strain. Jon Voight is also good as the villian of the piece. The supporting cast is deep! There were so many famous faces in small roles that I really felt this was an allstar cast, despite the fact that it's a Smith vehicle. Gabriel Byrne makes a fleeting appearance, Ian Hart is there, Jake Busey (son of Gary) shows up, Jason Lee (actor in many Kevin Smith films) witnesses the murder, a gorgeous Lisa Bonet has a small part, James Le Gros, Regina King etc etc. The cast is well packed with famous faces - they don't all get the chance to put on a show but it adds quality at all levels.
Overall this is a fancy chase movie, but good direction, a strong and deep cast and a fantastic Hackman all make this film much better than it could have been. The last scene of the film is a little too upbeat but other than that it's pretty good stuff.
And just like the Congressdoosh in the movie, everybody except for RonP aul said it would only be used on dirty furriners to protect the Good Ol' USofA.
But as Edwards Nowden and later Julia Nassange revealed a decade later, America's alphabet agencies soon turned the surveillance against Americans themselves.
Fast-forward to 2021, where it turns out the movie plays more like a documentary than a political thriller. The good guys are now the bad guys. Politicians are hopelessly compromised. The sp00ks are in charge. All our moves are on camera somewhere. Everything we write - including our movie reviews - is logged. There is no privacy.
Somewhere in the bowels of Hollywood there is probably a script in development about the disingtegration of the Western World, probably disguised as a Fall of the Roman Empire Netflix series, featuring barbarian hordes and starving serfs. Twenty years from now it will all come depressingly true.
Enjoy the film !
To give you some points to think:
- It's routine for the credid card companies to document every transaction made with the cards, go figure who gets the docs if police is investigating.
- Every call / fax done is documented for billing, go figure, who...
- At least for your ISP it's possible to read every unencrypted email you send or receive, go figure ...
- Today there are MANY cameras in public areas in Great Britain, with numbers still growing.
- Face recognition software is already being used in combination with some surveillance cameras.
- Dictation software that can interpret your spoken word and convert it into written text is being sold to you today, maybe some organisations have much better versions at their hands ...
The list could go on, but what I want to say is that one should think about the posibilities and listen to what the politicians say, and what they want to allow the federal organisations.
You want to be able to still _enjoy_ the movie in some years time, not thinking of it as being somewhat normal just as everyday life, all right?
My enjoyment was enhanced by being familiar with Hackman's The Conversation, in which he plays Harry Caul, one of the world's greatest audio surveillance men. His hideout/office in Enemy is reminiscent of Caul's digs, and the photograph which the bad guys have on file for him is of his character from The Conversation. I sort of wish they'd named the new character Caul, giving long-term continuity to the story.
I'm running off at the fingers here, so I won't elaborate on the location, direction, etcetera, but will end with SEE THIS FILM!
Você sabia?
- CuriosidadesGene Hackman turned down this movie several times, but was ultimately convinced to sign on after a phone call by director Tony Scott. Will Smith later signed on at a relative post-Independence Day (1996) bargain price because he wanted to work with Hackman.
- Erros de gravaçãoWhen Dean is running on the hotel roof after Brill leaves him, the surveillance team reports that the satellite is coming on-line with "one meter resolution". One meter resolution indicates that the smallest pixel (detail) that can be seen is 1 meter by 1 meter while the film clearly suggests that the satellite has enough resolution to see Dean running. Assuming you would need at least "web-cam" resolution (75 pixels-per-inch), the satellite resolution would need to be roughly 2,800 times higher than one meter (38 inches x 75 pixels per inch = 2,850).
However, the full text is "one meter res grid frame", which is not equal to the image resolution. It suggests that the camera is able to zoom in to 1 x 1 meter. At a typical resolution of the period, this would make a single pixel about 1/8" or 3 mm in size, which is more or less the minimal resolution you would need to read a license plate. In the period, that was military-grade technology only.
- Citações
Robert Clayton Dean: What the hell is happening?
Brill: I blew up the building.
Robert Clayton Dean: Why?
Brill: Because you made a phone call.
- Versões alternativasAlso available in an "Unrated Extended Edition" which features some new/extended footage (ca. 7 minutes) like some explicit shots of the senator with his secretary or Dean finding his dead ex-girlfriend covered in blood.
- ConexõesEdited into 24 Horas: 12:00 a.m.-1:00 a.m. (2001)
- Trilhas sonorasO Come All Ye Faithful
(Also known as "Adeste Fidelis")
Music attributed to John Reading (uncredited)
Arranged by Margaret Dorn, Linda Lawley, Danny Pelfrey
Performed by The Accidentals
Courtesy of Amusicom Records
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Inimigo Público
- Locações de filme
- 1633 Connecticut Avenue Northwest, Washington, Distrito de Columbia, EUA(Zavitz gets hit by a car)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 111.549.836
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.038.573
- 22 de nov. de 1998
- Faturamento bruto mundial
- US$ 250.849.789
- Tempo de duração2 horas 12 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1