Mistério na Neve

This is not a movie about how Inuit hunt for seals. Smilla lives in present day Copenhagen. This movie is anything but formulaic. It is part murder mystery, part paranoid thriller with faceless villains like the Conversation, part James Bond, with a drop of science fiction, and like none of those all that much.

The victim of a possible murder is a 6 year old boy whom you gradually get to know and care for deeply via flash backs of his tragic life.

One of the themes is trust. Smilla never knows whom she can trust. We in the audience weave back and forth trying to decide who is truly trying to help her and who to kill her or at least deflect her from her quest of finding out why and how someone would harm that little boy.

The movie is a maddening puzzle with clues coming thick and fast, but nothing making much sense. All you know is some very powerful people are involved and are ruthless in keeping silence. Smilla takes huge risks to gather information she has no particular reason to believe may be relevant other than others seem to be hiding it. Like a standard mystery novel, all is finally explained.

One interesting twist is, you in the audience even begin to distrust the caustic Smilla with her one-pointed push for vengeance.

Usually in a movie with a great many characters, I often find it hard to keep from confusing them. In this movie, the characters are all distinctly drawn, partly with a rich mixture of accents, so I had no such problem.

Some of the casting choices seemed a bit off, in particular Smilla's father's new teenage wife, Benja, who was obviously much older than a teenager, which made some of Smilla's cracks about her age not ring true.

I read the book before I watched the movie. Usually I am not too fond of films made after a book. This is one of the rare exceptions.

The makers succeeded well in capturing the complexity of the book's characters. Julia Ormond does remarkably well as the moody, unpredictable Smilla Jaspersen. So does Gabriel Byrne in the role of the rather secretive Mechanic. The brilliant Richard Harris is in here too, one of the many movies he probably said that it would be his last. The rest of the cast fits in well. Nice to see that they didn't try to get all big names, but rather actors who can fill a role appropriately.

Of course the movie isn't perfect, but in order to give that book full credit, they would have had to make a 4 hour film. Especially the second part, with all the events on the ship and in Greenland, is rather condensed. Those scenes could have used a bit more air to breathe, less pace.

Nevertheless I really like this movie, I have been watching it several times already. And now I think I am going to read the book again... (8/10)

The accountant was all faith; the boy's mother was all incoherence (no matter whether she was drunk, sober, or just lost her son, incoherence seemed to be her only response to it); Benja was all pouty and spiteful (for no apparent reason); and Smilla was all rude. Yes, we are given a "reason" for that, but if at her age, you still don't have a *basic* grip on your childhood issues, you're more likely to make a pitiable hero than a likable one. While I found the plot easy enough to follow, I found it somewhat difficult to care for its "heroes."

A scientist who heads up a mining company in Greenland discovers a way to make money and garner power. However, in doing so he endangers others. After a child supposedly commits suicide, a woman who has doubts about the death begins an investigation in behalf of the dead boy. Her life is then threatened, but she never gives up. Eventually, she comes face to face with her enemies on a lonely ice floe far to the north. At times the story was hard to follow, and I felt it had a few holes in it. Sometimes it just didn't make sense. Still, it was worth the seeing.

This mystery picture begins on a crashing-meteor opening and concerns about Smilla(Julia Ormond), a lonely scientist resident in Copenhagen. The grumpy Smilla is an half-America and half-Inuit with many problems of adaptation and her father(Robert Loggia) is a rich financier. When she returns home discovers the body of six-years-old friend named Isaiah(Miano) nearly her apartment building. Smilla believes the kid was killed and starts investigating , it leads to the Greenland mining company that is owner the magnate Tork(Richard Harris). Meanwhile she falls in love with her suspicious neighbor(Gabriel Byrne).

The picture based on Peter Hoeg's best seller novel packs suspense,thrills,intrigue, tension and interesting character study. The story is well developed though its final fail to sustain the outcome and is a little bit crappy. Suspenseful and mysterious musical score by Hans Zimmer and Harry Gregson-Williams. Exceptional secondary casting mostly formed by British actors such as Jim Broadbent,Vanessa Redgrave,Bob Peck, Tom Wilkinson, among them. Evocative and cold cinematography is consistently created by Jorgen Persson, Billie August's usual cameraman.Location photography is particularly breathtaking with impressive images like a large icebreaker ship, snowy outdoors and giant floes thawing, among others. This partially successful first attempt at the thriller and tense mystery is efficiently directed by August. Billie is the Danish's best director, an expert on intelligent dramas as ¨Pelle the conqueror¨which took the best foreign-language film Oscar , ¨Twist and shout¨,¨The best intentions¨, ¨House of spirits¨, and ¨Les Miserables¨. Rating : Well worth seeing, better than average.