AVALIAÇÃO DA IMDb
6,2/10
2,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaLonging to have a baby, a sterile 1930s Bostonian hires a man to impregnate his wife.Longing to have a baby, a sterile 1930s Bostonian hires a man to impregnate his wife.Longing to have a baby, a sterile 1930s Bostonian hires a man to impregnate his wife.
- Prêmios
- 1 vitória no total
Thomas Downey
- Torrey Harrington
- (as Tom Downey)
Frank Toste
- Frank
- (as Father Frank Toste CSC)
Avaliações em destaque
Kenneth Branagh, as expected, performed very well. What was difficult to absorb as "possible" were the Catholic religious elements depicted. They were wrong and inaccurate. For example, the Mass vestments were not correct. The conversations and characterizations of the pastor and the young priest, for that period of time (Boston in the late 30s, early 40s) were off key, to say the least. The plot was interesting, but the film was too long, and there was too much "symbolism", and the "next move" was always predictable. With such a fine cast, and a great story, the producers and the directors should have taken time to be more accurate and correct about details. Another example of the lack of care was the scene where the young priest is seen administering "Anointing of the Sick" [formerly called "Extreme Unction"] to a corpse about to be buried. This never happens and is actually forbidden in the RC Church. Dead people cannot receive "sacraments." Attention must be paid. Details, details, details. The truth is in the details. However, I did enjoy it. I think most people would find this film interesting and entertaining.
Love it or hate it, and the opinions seem to be pretty evenly divided, this is a compelling film because of the performances of three fine actors--Kenneth Branagh, Madeline Stowe, and William Hurt. The story is incredibly far-fetched but, a la Six Feet Under, because it deals with emotions and fantasies we've all felt, it works in some sort of quirky way.
Madeline Stowe is absolutely radiant--confused, vulnerable, strong, passionate. William Hurt perfectly combines the ruthless Wall Street professional and the condescending tenderness of a man of his time. Branagh is a cypher whose screen charisma makes him riveting.
Some of the nitpicking in earlier reviews seems wrong to me. The Mass vestments are exactly right for the solemn high mass of that period, as is Branagh's demeanor. Extreme Unction can in fact be administered for a short period after death, though not, of course, on a corpse in a coffin. In fact, the only reason to open the coffin before burial is so that Eleanor can see who it is that's being buried.
Madeline Stowe is absolutely radiant--confused, vulnerable, strong, passionate. William Hurt perfectly combines the ruthless Wall Street professional and the condescending tenderness of a man of his time. Branagh is a cypher whose screen charisma makes him riveting.
Some of the nitpicking in earlier reviews seems wrong to me. The Mass vestments are exactly right for the solemn high mass of that period, as is Branagh's demeanor. Extreme Unction can in fact be administered for a short period after death, though not, of course, on a corpse in a coffin. In fact, the only reason to open the coffin before burial is so that Eleanor can see who it is that's being buried.
How can you hate a movie that has Kenneth Branagh, as a Catholic priest, who has given in to the weakness of the flesh, saying, "I began to know God thru Elenore...it was she who taught me about faith." Or Kenneth Branagh saying to William Hurt, "You know you needen't feel guilty about this, THE SUN SHINES HERE TOO."(italics, mine) All kidding aside, the cast could have sleepwalked thru this somewhat cliched drama of a wealthy, staid older millionaire, resorting to having a jerk impegnate his beautiful young wife to keep the family line going, having the jerk end up dead, and the beautiful wife meets a charming local priest,,,and then...you know ..and so forth. Get the idea? But what saves the movie, are the acting "chops" of this steller cast: Branagh, William Hurt, the beauteous Madeline Stowe, and Blythe Danner. You can see they're not taking this film lightly. Branagh gets better with every film. He will surely inherit Olivier's mantle very soon. William Hurt definitely has acting greatness in him. His career seems to be on hold. He should be doing big, serious films. Madeline Stowe's beauty is so far above the average anorexic, thong, Barbie Doll, MTV sexpot, as to make them the jokes they have become. She doesn't weigh 27 lbs., AND she can really act. Where is her presence in major filmaking? Blythe Danner works steadily on Broadway and surely deserves an award for a lifetime of top level acting, on the stage, and in the movie house. All in all I enjoyed this film and recommend it to fans of the above great performers. If you like movies based on Dad's boss making him take in the boss's chimp for the weekend, just when the hated insufferable in-laws are coming for a barbeque, and the kids decide to dress up the chimp as Ben Laden, and the fox terrier next door tries to mate with the chimp and start a REAL family, even if the local DA says chimp /terrier unions are heretical to the basic man/women setup, and... and. If you like that kind of movie, "The Proposition" is not for you.
Great actors, good story - what went wrong? Kenneth Brannagh as a priest was an inspired choice of casting (If only all my priests were that ruggedly handsome & masculine, I would never miss confession!). William Hurt's presence, however, always seems to blur the edges of the characters he portrays. I never know where the character starts and the typical William Hurt begins (he did a great job though, I was almost convinced). Madeline Stowe is both brilliant and radiant as Eleanor (a pleasant surprise from her typically subdued ingénue roles!). Blythe Danner is a gem (as usual) even though she is horribly miscast, this lady is really foxy - far from the matronly and bitter spinster she plays. Neil Patrick Harris is always a treat (it's hard to forget him as "Doogie", he could play a cab driver and still be endearing and sweet).
It's amazing how art reflects life. The movie deals with death and I couldn't help grieving because this could have been such a great film. The story had (at the risk of being corny) all the timeless symbolism and core themes of love and life. I was excitedly anticipating to see how these themes (such as that of human creation, as dealt with through the issue of "baby-making", or the relationship between religion and gender etc. etc.) were fully explored. Stowe and Brannagh make a tantalizing pair. They remind me of some sort of "fully ripe" Adam and Eve! (their love scene could have been sooo much better).
Like I said, I kept wondering "What went wrong?" : The actors were exemplary (probably to overcompensate for the movie's weaknesses). The story itself was quite good but the plot line was seriously flawed. The cinematography was exquisite, but the scenes were poorly set up (there's one where saucy family secrets are revealed - where else? but in a soup kitchen!). I don't know much about the art of movie-making (movie-watching, maybe) but I think even a seasoned film professional will watch this movie with tears after seeing such a great cast and good concept go to waste. (Like I said, the movie is sad, unfortunately because of reasons other than it intended).
I propose that this movie be redone and soon! (With Brannagh, Stowe and everyone in it, except Hurt and Danner)- yeah right!
The other option is for it to remain as a prime example of when great acting meets a good movie idea, but the sparks just don't fly.
Watch it for the actors, and weep for the film.
It's amazing how art reflects life. The movie deals with death and I couldn't help grieving because this could have been such a great film. The story had (at the risk of being corny) all the timeless symbolism and core themes of love and life. I was excitedly anticipating to see how these themes (such as that of human creation, as dealt with through the issue of "baby-making", or the relationship between religion and gender etc. etc.) were fully explored. Stowe and Brannagh make a tantalizing pair. They remind me of some sort of "fully ripe" Adam and Eve! (their love scene could have been sooo much better).
Like I said, I kept wondering "What went wrong?" : The actors were exemplary (probably to overcompensate for the movie's weaknesses). The story itself was quite good but the plot line was seriously flawed. The cinematography was exquisite, but the scenes were poorly set up (there's one where saucy family secrets are revealed - where else? but in a soup kitchen!). I don't know much about the art of movie-making (movie-watching, maybe) but I think even a seasoned film professional will watch this movie with tears after seeing such a great cast and good concept go to waste. (Like I said, the movie is sad, unfortunately because of reasons other than it intended).
I propose that this movie be redone and soon! (With Brannagh, Stowe and everyone in it, except Hurt and Danner)- yeah right!
The other option is for it to remain as a prime example of when great acting meets a good movie idea, but the sparks just don't fly.
Watch it for the actors, and weep for the film.
You know there must be a problem when a recent film appears on TV with a cast that includes William Hurt, Kenneth Branagh, Madeleine Stowe, Robert Loggia and Blythe Danner and you've never heard of it. I guess my suspicions were aroused when the TV Channel shoved it out at 3 o'clock in the morning, but I really didn't think it could be that bad.
I was wrong. One of the previous comments summed this film up far better than I could but I would still like someone to tell me who the hell is Blythe Danner supposed to be? The mother, sister, best friend,'Mrs Danvers', I still haven't got a clue. I'm certainly not going to watch it again just to find out..
However, by far the saddest thing about this movie is watching talent like Blythe Danner, Madeleine Stowe and William Hurt being wasted in rubbish like this (I didn't miss out Mr Branagh by accident , incidentally).
Come on Hollywood, give them something decent to get their teeth into!
I was wrong. One of the previous comments summed this film up far better than I could but I would still like someone to tell me who the hell is Blythe Danner supposed to be? The mother, sister, best friend,'Mrs Danvers', I still haven't got a clue. I'm certainly not going to watch it again just to find out..
However, by far the saddest thing about this movie is watching talent like Blythe Danner, Madeleine Stowe and William Hurt being wasted in rubbish like this (I didn't miss out Mr Branagh by accident , incidentally).
Come on Hollywood, give them something decent to get their teeth into!
Você sabia?
- CuriosidadesThe screenwriter, Rick Ramage, said the song "Elenor Rigby" by The Beatles was a catalyst in developing the story.
- Erros de gravaçãoThe narration of this movie is supposed to be Father McKinnon telling the story to Hannibal Thurman, yet there are parts of the story that Hannibal is in which would certainly not have to be told to Hannibal by McKinnon. If that isn't bad enough, there is a part of the narration (right after Roger agrees to be the surrogate father) that McKinnon says "Hannibal knew that.........." even though it is Hannibal he is talking to.
- Citações
Father Michael McKinnon: You're probably the one person in the world Arthur Barret respects enough to fear, loves enough to kill for.
- Trilhas sonorasModern Woman
Composed and Arranged by Sonny Kompanek
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- How long is The Proposition?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Proposition
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 147.773
- Fim de semana de estreia nos EUA e Canadá
- US$ 61.560
- 29 de mar. de 1998
- Faturamento bruto mundial
- US$ 147.773
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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